The Resurgent Indian Patriots. Self- appointed guardians of a nation seething with anger at the endless scams and scandals rocking its very foundation. Vigilantes who vow to stop corrupt politicians and colluding civil servants. Even if it means killing them.Colonel Krishna Athawale and his team of Special Forces officers rally to protect the country from the enemy within. They call themselves the K-Team. And no one is safe from their deadly intent.Hellbent on stopping them is Raghav Bhagat, rogue para commando, gun for hire and Krishnas bete noir.Caught in the crossfire is Vinod Bedi, Special Director CBI. Reena Bhagat, a glamorous news anchor, embittered by her husbands betrayal. And two young boys, Sachin and Azaan, torn apart by the loss of a parent.It doesnt get bigger.

    Kabuliwala2. The Parrot's Training3. The Rat's Feast4. Atonement5. The Nuisance6. Wish Fulfilment7. The Runaway8. Shiburam9. The Scientist10. The Invention of Shoes11. A 'Good' Man12. Return of the Little Master

    Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune"The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph

    The mighty black river, after which the town is named, is now no more than a trickle. People have begun to listen to weather forecasts on the radio rather than looking out of the window to see if it’s going to rain. The jackfruit tree in the middle of town has suddenly started fruiting. And, most seismic of all, Paachu Yemaan, the Inspector of Police, who has terrorized the town for decades has retired. Desperate to find him something to do, his wife, Sharada, and the good-hearted Barber Sureshan decide that ex-Inspector Paachu’s post retirement project will be the reforming of the town drunk, Joby. What the two good Samaritans haven’t counted on is the chain of extraordinary events that their project is about to set in motion.

    They have almost no idea what awaits them.In a dilapidated shared house in Sheffield, Tarlochan, a former rickshaw driver, will say nothing about his life in Bihar. Avtar and Randeep are middle-class boys whose families are slowly sinking into financial ruin, bound together by Avtar's secret. Randeep, in turn, has a visa wife across town, whose cupboards are full of her husband's clothes in case the immigration agents surprise her with a visit. She is Narinder, and her story is the most surprising of them all. The Year of the Runaways unfolds over the course of one shattering year in which the destinies of these four characters become irreversibly entwined, a year in which they are forced to rely on one another in ways they never could have foreseen, and in which their hopes of breaking free of the past are decimated by the punishing realities of immigrant life. A novel of extraordinary ambition and authority, about what it means and what it costs to make a new life—about the capaciousness of the human spirit, and the resurrection of tenderness and humanity in the face of unspeakable suffering.

    In the intimate atmosphere of the all-women sleeping car - the 'Ladies Coupe' - Akhila asks the five women the question that has been haunting her all her adult life: can a woman stay single and be happy, or does she need a man to feel complete?This wonderfully atmospheric, deliciously warm novel takes the reader into the heart of women's lives in contemporary India, revealing how the dilemmas that women face in their relationships with hunsbands, mothers, friends, employers and children are the same world over.

    Hari and Lila were born and raised in the village, but now their family is falling into despair: the father to alcohol while the mother is seriously ill. As for money, that there is not even enough to meet the most basic needs between.

    Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage. Despite the ominous horoscope, Sivakami’s parents hesitate only briefly, won over by the young man and his family’s reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam’s horoscope are never far from her new husband’s mind. When their first child is born, as a strategy for accurately determining his child’s astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father’s astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers’ choosing, and Vairum’s future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.With the freedom to make decisions for her son’s future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother’s mainstay, twisting their fates in fascinating and unbearable ways.

    With his honour and reputation at stake, Akbar asks his trusted advisor Birbal to solve the mystery. The murder has taken place in a garden, at a spot between two mango trees, and the two guards who are eyewitnesses have conflicting versions of what could have happened. Was it suicide? Was it Akbar himself who ordered the killing or was it the Rajputs who accompanied Sujjamal, his uncles and cousin, who are guilty?Set in a period that has been described as the golden age of the Mughals, the novel draws us into the royal court of Agra, abuzz with political intrigue, personal enmities and hidden rivalries, where everyone is a suspect until proven otherwise.

    Revolving around the life of Sanichari, a poor lowcaste woman, it is an ironic tale of exploitation, struggle and survival. In 1992, it was adapted into a play by Usha Ganguli, a leading theatre director of Calcutta, and instantly became one of the most acclaimed productions of its time. Both the short story and the play are included in this volume.

    It is here, on this momentous day, that Amar, the youngest of the siblings, reunites with his family for the first time in three years. Rafiq and Layla must now contend with the choices and betrayals that lead to their son's estrangement - the reckoning of parents who strove to pass on their cultures and traditions to their children; and of children who in turn struggle to balance authenticity in themselves with loyalty to the home they came from.In a narrative that spans decades and sees family life through the eyes of each member, A Place For Us charts the crucial moments in the family's past, from the bonds that bring them together to the differences that pull them apart. And as siblings Hadia, Huda, and Amar attempt to carve out a life for themselves, they must reconcile their present culture with their parent's faith, to tread a path between the old world and the new, and learn how the smallest decisions can lead to the deepest of betrayals.A deeply affecting and resonant story, A Place for Us is truly a book for our times: a moving portrait of what it means to be an American family today, a novel of love, identity and belonging that eloquently examines what it means to be both American and Muslim -- and announces Fatima Farheen Mirza as a major new literary talent.

    Here, in the lap of a timeless civilization, they find a fellow seeker in historian Geeta. Together, the trio begin a thrilling odyssey of discovery, which spans continents and cultures, challenges life-long religious and scientific truths and puts their lives in grave danger. They are horrified to learn that they are mere puppets, their fate controlled by an all-seeing sinister villain, who yearns to "cleanse" the world and create a new order. As they connect the dots, they join forces with an Afghan professor, a British archaeologist and an American General. Finally, a mind-bending, unpredictable climax which stuns the world's brightest minds... Even as it answers many questions, it throws up new ones.Based on two years of research, The Evolution Cradle is an unputdownable book, which blurs the lines between reality and imagination, ancient and modern, fact and faith. Breathless in its pace, the rollercoaster narrative is packed with non-stop action, escapes and chases, thrills and chills, and edge-of-the-seat twists and turns. It continues to haunt the reader long after the last page is turned.

    Their relationship may look like a cliché, but despite the news from her doctor that she no longer has any viable eggs, Shyama's not ready to give up on their dream of having a baby. So they decide to find an Indian surrogate to carry their child, which is how they meet Mala, a young woman trapped in an oppressive marriage in a small Indian town from which she's desperate to escape. But as the pregnancy progresses, they discover that their simple arrangement may be far more complicated than it seems.In The House of Hidden Mothers, Meera Syal, an acclaimed British actress and accomplished novelist, takes on the timely but underexplored issue of India's booming surrogacy industry. Western couples pay a young woman to have their child and then fly home with a baby, an easy narrative that ignores the complex emotions involved in carrying a child. Syal turns this phenomenon into a compelling, thoughtful novel already hailed in the UK as "rumbustious, confrontational and ultimately heartbreaking . . . Turn[s] the standard British-Asian displacement narrative on its head" (The Guardian).Compulsively readable and with a winning voice, The House of Hidden Mothers deftly explores subjects of age, class, and the divide between East and West.

    Simple, isn’t it? But what if you neither have the guts to leave the job nor know what you love to do? Complicated, isn’t it?Meet Raghav, who like millions of other software professionals, is stuck in a similar situation. But don’t worry, his destiny has better plans for him. What plans you may ask? Well, getting him fired.This novella takes you on a light-hearted tour of the contemporary software industry where you can ask the haunting question loudly- is getting sacked a blessing in disguise? About the author Sandeep is a software professional and lives in Pune. He is an IIT Bombay alumnus but doesn't brag about it unless a situation emerge. He spends more time observing people than on his monitor. He loves tea but hates many things like writing about himself as a third person. Thank God I'm Fired is his second book.

    In the process he uncovers the secret negotiations they conducted and the secret understanding they struck with the British; the reports they submitted to the imperial rulers about the work they were doing to subvert the movement Mahatma Gandhi had launched. He concludes with a review of the reactions of Indian communists to the break-up of the Soviet empire; showing how their mental make-up and habits have not changed in the six decades since independence.