Basbanes continues the lively, richly anecdotal exploration of book people, places, and culture he began in 1995 with A Gentle Madness (a finalist that year for the National Book Critics Circle Award) and expanded in 2001 with Patience & Fortitude, a companion work that prompted the two-time Pulitzer Prize-winning historian and biographer David McCullough to proclaim him "the leading authority of books about books." In this beautifully packaged edition, Basbanes brings to a close his wonderful trilogy on the remarkable world of books and bibliophiles.

    He ponders the doomed library of Alexandria and personal libraries of Charles Dickens, Jorge Luis Borges, and others. He recounts stories of people who have struggled against tyranny to preserve freedom of thought—the Polish librarian who smuggled books to safety as the Nazis began their destruction of Jewish libraries; the Afghani bookseller who kept his store open through decades of unrest. Oral “memory libraries” kept alive by prisoners, libraries of banned books, the imaginary library of Count Dracula, a library of books never written.

    With gorgeous and direct language, she presents a compassionate appeal for human equality and dignity, and she addresses the place of solitude in the lives of women and men. Solitude of Self joins the canon of classic American speeches. Elizabeth Cady Stanton’s timeless appeal presents the historical convergence between the 19th and the 21st centuries. In this last speech, Stanton proves that while many rights have been gained over the past century, inequality and degradation of the soul continue to thrive. For those opposed to the "glass ceilings" covering our culture, Solitude of Self will be a perfect gift of inspiration and comfort.

    This book is a cornucopia of his Karlisms: cultivated, unpredictable, provocative, sometimes shocking, but always impossible to ignore. Karl Lagerfeld is a modern master of couture. While simultaneously running Chanel, Fendi, and his own eponymous fashion house, he has consistently re-invented trends on the catwalk and in the street for half a century. His wise, surprising statements pop up like offbeat news flashes and are regularly seized upon by fashionistas, acolytes, and sages the world over. Here, in his own deadpan words, are his exacting opinions on everything-from fashion, style, women, and Chanel to fame, life, and books. This is the ultimate repertoire of wit and wisdom from fashion's sharpest pin. "I only know how to play one role: me." "Think pink. But don't wear it." "I like everything to be washable, myself included." "Change is the healthiest way to survive." "I don't recommend myself as a guest." "There is one thing I love on earth: to learn."

    The author, a lifelong accumulator of books both ancient and modern, lives in a house large enough to accommodate his many thousands of books, as well as overspill from the libraries of his friends. While his musings on the habits of collectors past and present are learned, witty and instructive, his advice on cataloguing may even save the lives of those whose books are so prodigiously piled as to be a hazard... The Phantoms on the Bookshelves ranges from classical Greece to contemporary Iceland, from Balzac and Moby Dick to Google, offering up delicious anecdotes along the way. This elegantly produced volume will be a lasting delight to specialist collectors, librarians, bibliophiles and all those who treasure books.

    P. Morgan hired Belle da Costa Greene in 1905 to organize his rare book and manuscript collection, she had only her personality and a few years of experience to recommend her. Ten years later, she had shaped the famous Pierpont Morgan Library collection and was a proto-celebrity in New York and the art world, renowned for her self-made expertise, her acerbic wit, and her flirtatious relationships. Born to a family of free people of color, Greene changed her name and invented a Portuguese grandmother to enter white society. In her new world, she dined both at the tables of the highest society and with bohemian artists and activists. She also engaged in a decades-long affair with art critic Bernard Berenson. Greene is pure fascination—the buyer of illuminated manuscripts who attracted others to her like moths to a flame.

    This volume shows Aarons influential photographs of the international elite in their exclusive playgrounds during the jet-set decades of the 1950s, 60s and 70s.

    Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice--one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism.Accompanying the first major survey exhibition of the artist's work in the United States, Hilma af Klint: Paintings for the Future represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of her life and art. Essays explore the social, intellectual and artistic context of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars and curators considers af Klint's sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art--a wish that finds a fortuitous answer in the Guggenheim Museum's rotunda, the site of the exhibition.

    At the same time THE JEWEL GARDEN is the story of a creative partnership that has weathered the greatest storm, and a testament to the healing powers of the soil. In his weekly column for the Observer, Monty Don has always been candid about the garden's role in helping him to pull back from the abyss of depression; THE JEWEL GARDEN elaborates on this much further. Written in an optimistic, autobiographical vein, Monty and Sarah's story is truly an exploration of what it means to be a gardener.

    But from the 7th century onward in Muslim civilization there were amazing advances and inventions that still influence our everyday lives. People living in the Muslim world saw what the Egyptians, Chinese, Indians, Greek, and Romans had discovered and spent the next one thousand years adding new developments and ideas. Inventors created marvels like the elephant water clock, explorers drew detailed maps of the world, women made scientific breakthroughs and founded universities, architects built huge domes larger than anywhere else on earth, astronomers mapped the stars and so much more! This book takes the wining formula of facts, photos, and fun, and applies it to this companion book to the 1001 Inventions exhibit from the Foundation for Science, Technology, and Civilization. Each page is packed with information on this little-known history, but also shows how it still applies to our world today.

    Brown, librarian at the Bartlesville, Oklahoma, Public Library, was summarily dismissed from her job after thirty years of exemplary service, ostensibly because she had circulated subversive materials. In truth, however, Brown was fired because she had become active in promoting racial equality and had helped form a group affiliated with the Congress of Racial Equality.Louise S. Robbins tells the story of the political, social, economic, and cultural threads that became interwoven in a particular time and place, creating a strong web of opposition. This combination of forces ensnared Ruth Brown and her colleagues-for the most part women and African Americans-who championed the cause of racial equality.This episode in a small Oklahoma town almost a half-century ago is more than a disturbing local event. It exemplifies the McCarthy era, foregrounding those who labored for racial justice, sometimes at great cost, before the civil rights movement. In addition, it reveals a masking of concerns that led even Brown’s allies to obscure the cause of racial integration for which she fought. Relevant today, Ruth Brown’s story helps us understand the matrix of personal, community, state, and national forces that can lead to censorship, intolerance, and the suppression of individual rights.

    The story of these remarkable sisters — and their central role in shaping the thinking of their day — has never before been fully told. Twenty years in the making, Megan Marshall's monumental biograpy brings the era of creative ferment known as American Romanticism to new life. Elizabeth, the oldest sister, was a mind-on-fire thinker. A powerful influence on the great writers of the era — Emerson, Hawthorne, and Thoreau among them — she also published some of their earliest works. It was Elizabeth who prodded these newly minted Transcendentalists away from Emerson's individualism and toward a greater connection to others. Mary was a determined and passionate reformer who finally found her soul mate in the great educator Horace Mann. The frail Sophia was a painter who won the admiration of the preeminent society artists of the day. She married Nathaniel Hawthorne — but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Marshall focuses on the moment when the Peabody sisters made their indelible mark on history. Her unprecedented research into these lives uncovered thousands of letters never read before as well as other previously unmined original sources. The Peabody Sisters casts new light on a legendary American era. Its publication is destined to become an event in American biography. This book is highly recommended for students and reading groups interested in American history, American literature, and women's studies. It is a wonderful look into 19th-century life.

    Stewart, beginning with his family “mission” passed on from his grandfather (a Civil War hero) and father (who served in World War I) that military service in time of war was mandatory for the Stewarts. Jim tailored his life to this eventual outcome, learning to be a pilot so he could serve as an aviator in the war.MISSION describes Stewart’s childhood, college years at Princeton, Broadway career, and meteoric rise to Academy Award-winning actor in Hollywood. People today can’t imagine that Stewart was a ladies’ man, but he had a reputation as one of the most active bachelors in Hollywood, with a list of lovers that includes the A-list of female movie stars.In 1941, before America entered World War II, Jim was drafted into the Army and gleefully left Hollywood behind to fulfill that family mission. What happened to him in the service has never been covered in detail because he refused to talk about his experiences afterward. MISSION begins and ends with production of the first film Stewart made after returning from the war: It's a Wonderful Life, which in December 2016 will celebrate its 70th anniversary.MISSION also includes the stories of three other supporting characters, a radio man who flew with Stewart, a German civilian girl, and the German general in charge of fighter aircraft. They provide perspective on what Stewart was attempting to do and why.

    From Solzhenitsyn to Laura Zigman, Catherine M. to Captain Underpants, the result is a personal chronicle of insight, wit, and enough infectious enthusiasm to make a passionate reader out of anybody.

    Stories and details culled from Alcott’s journals; her equally rich letters to family, friends, publishers, and admiring readers; and the correspondence, journals, and recollections of her family, friends, and famous contemporaries provide the basis for this lively account of the author’s classic rags-to-riches tale.Alcott would become the equivalent of a multimillionaire in her lifetime based on the astounding sales of her books, leaving contemporaries like Nathaniel Hawthorne, Herman Melville, and Henry James in the dust. This biography explores Alcott’s life in the context of her works, all of which are to some extent autobiographical. A fresh, modern take on this remarkable and prolific writer, who secretly authored pulp fiction, harbored radical abolitionist views, and completed heroic service as a Civil War nurse, Louisa May Alcott is in the end also the story of how the all-time beloved American classic Little Women came to be. This revelatory portrait will present the popular author as she was and as she has never been seen before.