Ten-year-old Virginia Wrathmell arrives at Salt Winds, a secluded house on the edge of a marsh, to meet her adoptive parents—practical, dependable Clem and glamorous, mercurial Lorna. The marsh, with its deceptive tides, is a beautiful but threatening place. Virginia’s new parents’ marriage is full of secrets and tensions she doesn’t quite understand, and their wealthy neighbor, Max Deering, drops by too often, taking an unwholesome interest in the family’s affairs. Only Clem offers a true sense of home. War feels far away among the birds and shifting sands—until the day a German fighter plane crashes into the marsh, and Clem ventures out to rescue the airman. What happens next sets into motion a crime so devastating it will haunt Virginia for the rest of her life. Seventy-five years later, she finds herself drawn back to the marsh, and to a teenage girl who appears there, nearly frozen and burdened by her own secrets. In her, Virginia might have a chance at retribution and a way to right a grave mistake she made as a child.  Elizabeth Brooks’s gripping debut mirrors its marshy landscape—full of twists and turns and moored in a tangle of family secrets. A gothic, psychological mystery and atmospheric coming-of-age story, The Orphan of Salt Winds is the portrait of a woman haunted by the place she calls home.

    But the real reason she's there is to bear him and his barren wife a child, the consequences of which curse the tenement building that is their home for a hundred years. As we travel through the nine floors of the building and the next eight decades, the resident's lives entwine over the ages and in unpredictable ways. Along the way we encounter the city's most infamous Madam, a seance, a civil rights lawyer, a bone mermaid, a famous Beat poet, a notorious Edinburgh gang, a spy, the literati, artists, thinkers, strippers, the spirit world - until a cosmic agent finally exposes the true horror of the building's longest kept secret. No. 10 Luckenbooth Close hurtles the reader through personal and global history - eerily reflecting modern life today.

    A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes. As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by oppression and she will find out all too quickly that this knowledge is fraught with its own danger. Kostova's new novel is a tale of immense scope that delves into the horrors of a century and traverses the culture and landscape of this mysterious country. Suspenseful and beautifully written, it explores the power of stories, the pull of the past, and the hope and meaning that can sometimes be found in the aftermath of loss.

    This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.

    Born mute to a drunken mother and a demented father, tortured Euchrid Eucrow finds more compassion in the family mule than in his fellow men. But he alone will grasp the cruel fate of Cosey Mo, the beautiful young prostitute in the pink caravan on Hooper’s Hill. And it is Euchrid, spiraling ever deeper into his mad angelic vision, who will ultimately redeem both the town and its people. “Surprising, remarkable.” — The Atlanta Journal

    Lovecraft is broke, living alone in a creaky old house and deathly ill. At the edge of a nervous breakdown, he hires a personal assistant, Arthor Crandle. As the novel opens, Crandle arrives at Lovecraft’s home with no knowledge of the writer or his work but is soon drawn into his distinctly unnerving world: the malevolent presence that hovers on the landing; the ever-shining light from Lovecraft’s study, invisible from the street; and visions in the night of a white-clad girl in the walled garden. Add to this the arrival of a beautiful woman who may not be exactly what she seems, and Crandle is pulled deeper into the strange world of the horror writer (a man known to Crandle only through letters, signed “Ech-Pi”), until Crandle begins to unravel the dark secret at its heart.A brilliantly written, compelling and deeply creepy novel, The Broken Hours is an irresistible literary ghost story.

    A potter's assistant by day and dress lodger by night, Gustine sells herself for necessity in a rented gown, scrimping to feed and protect her only love: her fragile baby boy. She holds a glimmer of hope after meeting Dr. Henry Chiver, a prisoner of his own dark past. But in a world where suspicion of medicine runs rampant like a fever, these two lost souls will become irrevocably linked, as each crosses lines between rich and destitute, decorum and abandon, damnation and salvation. By turns tender and horrifying, The Dress Lodger is a captivating historical thriller charged with a distinctly modern voice. . . .

    Set at the time of the Spanish Inquisition in the fifteenth century, Rose of Fire tells the story of the origins of the mysterious labyrinthine library, the Cemetery of Forgotten Books, which lies at the heart of Carlos Ruiz Zafón’s novels The Shadow of the Wind, The Angel’s Game, and now The Prisoner of Heaven.

    But he longs to make his mark in the field of science--something consequential enough to present to the Royal Society in London. He hits on a radical experiment in isolation: For seven years a subject will inhabit three rooms in the basement of the manor house, fitted out with rugs, books, paintings, and even a chamber organ. Meals will arrive thrice daily via a dumbwaiter. The solitude will be totally unrelieved by any social contact whatsoever; the subject will keep a diary of his daily thoughts and actions. The pay: fifty pounds per annum, for life. Only one man is desperate to apply for the job: John Warlow, a semi-literate laborer with a wife and six children to provide for. The experiment, a classic Enlightenment exercise gone more than a little mad, will have unforeseen consequences for all included.

    Includes the stories "Where I Live," "Harrison Bergeron," "Who Am I This Time?," "Welcome to the Monkey House," "Long Walk to Forever," "The Foster Portfolio," "Miss Temptation," "All the King's Horses," "Tom Edison's Shaggy Dog," "New Dictionary," "Next Door," "More Stately Mansions," "The Hyannis Port Story," and "D.P."

    When his plane goes down, the sisters must put aside their differences and pray he comes back in time for Christmas.The Ragged Heiress by Dilly CourtOn a bitter winter's day, an unnamed girl lies dangerously ill in hospital. When two coarse, rough-speaking individuals come to claim her, she can remember nothing. It's a Vet's Life by Cathy WoodmanAlex and Maz are due to get married at Christmas. But as busy country vets, there's little time for each other, let alone arranging a wedding. It's going to take a Christmas miracle to get these two down the aisle.

    His fierce jealous mother hates and fears her as does his brother, an Islamist hardliner. A feminist, an idealist, and very much in love, Sarah aims to live with integrity. Can she—dare she— in the kingdom where women are kept veiled and secluded? This love story of cultural collision is also a spiritual quest for Sarah, who is both fascinated and repelled by Islam. Former Middle East journalist Jean Grant takes us behind the locked doors of Saudi Arabian society. She presents a picture of the controversial kingdom on the cusp of change and of the men and women, both expatriates and nationals, who either embrace or courageously confront their destiny.

    

    Can you imagine the chaos - all the churches closed, King John in retaliation arresting every priest who hadn't fled and the people terrified of dying in sin without the last rites? No burials were permitted on consecrated land, no marriages were conducted, no babies baptized. But I don't want to reveal much more, except to say the plot involves people-trafficking, murder and, oh yes... a very feisty dwarf and a eunuch with a hunger for revenge.

    Depicting his wife, Eugenie, as the Lady of Shallot, it's a mesmerising portrait that has come to embody the spirit of the school itself. But now, eighty years after it was created, the 'Lady Window' is due for restoration. The task falls to former alumna Juno McKay. She's restoring it with the help of her friend, Christine Webb, an art historian who is researching the window for her thesis. Christine seems to have discovered some new evidence that suggests that Clare, not her sister Eugenie, was the subject for the 'Lady Window'. But before Christine can discuss her findings with Juno, she's found dead in a boating accident that eerily echoes that fate of the Lady of Shallot. But did she drown or was it something more sinister? As Juno starts to make her own investigations into just how Christine died, she learns more about Augustus Penrose and his family. The 'Lady Window' was not the only thing the Penroses' bequeathed to the world. Madness and deception also form part of their legacy-