In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over two hundred poems in their original pristine form, in the chronological order in which they were written, with Whitman's original line breaks and punctuation. Included in this volume are facsimilies of Whitman's original manuscripts, contemporary-- and generally blistering-- reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre-Leaves of Grass poems that return us to the physical Whitman, rejoicing-- sometimes graphically-- in homoerotic love.Unlike the many other available editions, all drawn from the final authorized or "deathbed" Leaves of Grass, this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between 1853 and 1860. These poems are faithfully presented as Whitman first gave them to the world-- fearless, explicit, and uncompromised-- before he transformed himself into America's respectable, mainstream Good Gray Poet through thirty years of revision, self-censorship, and suppression.Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation's first great poet.

    Considered by many to be one of Celan’s major writings, Breathturn brilliant reveals the “Wende” or turn of writing.

    He attended Harvard University where he published his first poems in magazines such as Harvard's Wake and Cid Corman's Origin. During the 1950s, after dropping out of Harvard, he taught at Black Mountain College in North Carolina and was an editor of its innovative literary journal, the Black Mountain Review. He received his B.A. from Black Mountain College in 1955. Robert Creeley was one of the originators of the "Black Mountain" school of poetry, along with Charles Olsen, Robert Duncan, and Denise Levertov. In 1962, he received his first widespread recognition with For Love: Poems 1950-1960 and he went on to teach at several universities across the country. In 1978 he was named David Gray Professor of Poetry and Letters at the State University of New York, and presently he is their Samuel P. Capen Professor of Poetry and the Humanities. Creeley has received many awards for his work including the Levinson prize, two Guggenheim fellowships, the Shelley Memorial Award and the Robert Frost Medal, both from the Poetry Society of America, and The American Awards for Echoes. He was elected to the American Academy and Institute of Arts and Letters in 1987 and received a Distinguished Fulbright Fellowship to serve as the Bicentennial chair in American Studies at the University of Helsinki, Finland, for 1988-89, and another Fulbright for the University of Auckland, New Zealand, in 1995. He served as New York State Poet from 1989-1991. In 1995 he was a winner of the Lila Wallace-Reader's Digest Writers' Award. His most recent poetry books are Memory Gardens (1986), Windows (1990), Echoes (1994), So There: Poems 1976-83 (1998), and Life & Death (1998), all published by New Directions.

    . . but the Grinch, who lived just north of Who-ville, did not! Six rollicking pop-ups animate this simple adaptation of the classic Dr. Seuss tale, where the Grinch learns that maybe Christmas means a little bit more!

    Their / infallible sense of what their lives / are meant to be."In The Truro Bear and Other Adventures, Mary Oliver brings together ten new poems, thirty-five of her classic poems, and two essays, all about mammals, insects, and reptiles. The award-winning poet considers beasts of all kinds: bears, snakes, spiders, porcupines, humpback whales, hermit crabs, and, of course, her beloved and disobedient little dog, Percy, who appears and even speaks in thirteen poems, the closing section of this volume.As Renée Loth has observed in the Boston Globe, "Mary Oliver, who won the Pulitzer Prize in poetry in 1983, is my choice for her joyous, accessible, intimate observations of the natural world . . . She teaches us the profound act of paying attention."

    Classic of erotic literature (1894), celebrating lesbian love, translation of original edition, complete with 161 sensuous illustrations by Willi Pogany.

    This selection of Thomas Hardy poems are selected by Tom Paulin.

    The greatest sonnets ever written, by the greatest poet and playwright in the English language

    Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.

    Note: The University of Adelaide Library eBooks @ Adelaide.

    The poems are written in clear, straightforward free verse. Here is an example of his style from "The Chinese Checker Players": "When I was six years old/I played Chinese checkers/with a woman/who was ninety-three years old."Recurrent themes in the book include love, sex, loss & loneliness. Incorporated throughout are an intriguing mix of pop & 'high' culture references: Jefferson Airplane, Ophelia, the New York Yankees, John Donne etc. The book often has an earthy flavor. He writes about such topics as his own penis or the smell of a fart. Some particularly memorable poems include the following:"All Watched Over by Machines of Loving Grace," a sci-fi vision of a "cybernetic meadow"; the open-ended "Karma Repair Kit: Items 1-4"; "Discovery," a joyful poem about sexual intimacy; the surreal "The Pumpkin Tide"; the funny, haiku-like "November 3"; & "A Good-Talking Candle," which invites readers into altered states of perception. Altho most of the poems are very short, there is one longer poem: the 9-part, 9-page "the Galilee Hitch-hiker," which chronicles the surreal adventures of Baudelaire — among other experiences, he opens an unconventional hamburger stand in San Francisco. If you only know Brautigan from his weird & wonderful novels, read this collection.-Michael Mazza (edited)

    He came to see poetry as a moral act, with personal and communal responsibilities." But here, Neruda is at his playful and irreverent best. Whether writing a celebration, allegory, lament or self-parody, the poet declares the strong sense of an improvisational spirit. Highlighted as "Essential" by Library Journal.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.

    With acute irony tempered by a generous curiousity, she documents life's improbability as well as its transient beauty.