. . and other horrors that lurk in the water’s shivery depths. And tension shimmers in the sweltering heat of the Nevada desert as a faceless trucker finds himself caught in a sinister dance with a tribe of motorcycle outlaws in “Throttle,” co-written with Stephen King.

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story.Since his first collection, Nightshift, published thirty-five years ago, Stephen King has dazzled readers with his genius as a writer of short fiction. In this new collection he assembles, for the first time, recent stories that have never been published in a book. He introduces each with a passage about its origins or his motivations for writing it.There are thrilling connections between stories; themes of morality, the afterlife, guilt, what we would do differently if we could see into the future or correct the mistakes of the past. “Afterlife” is about a man who died of colon cancer and keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Other stories address what happens when someone discovers that he has supernatural powers—the columnist who kills people by writing their obituaries in “Obits;” the old judge in “The Dune” who, as a boy, canoed to a deserted island and saw names written in the sand, the names of people who then died in freak accidents. In “Morality,” King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil’s pact they can win.Magnificent, eerie, utterly compelling, these stories comprise one of King’s finest gifts to his constant reader—“I made them especially for you,” says King. “Feel free to examine them, but please be careful. The best of them have teeth.”

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    Omnibus collection of four early Bachman novels (Rage, The Long Walk, Roadwork, The Running Man) and the essay "Why I Was Bachman"

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    P. Lovecraft has yet to be surpassed as the 20th century’s greatest practitioner of the classic horror tale.”—Stephen KingThe most important tales of the godfather of the modern horror genre—a master who influenced the works of a generation of writers including Stephen King and Anne Rice—are gathered in one volume by National Book Award-winning author Joyce Carol Oates.Combining the 19th-century gothic sensibility of Edgar Allan Poe with a daring internal vision, Lovecraft’s tales foretold a psychically troubled world to come. Set in a meticulously wrought, historically grounded New England landscape, his harrowing stories explore the collapse of sanity beneath the weight of chaotic events. Lovecraft’s universe is a frightening shadow world were reality and nightmare intertwine, and redemption can come only from below. For aficionados and a new generation of 21st-century readers , Tales of H. P. Lovecraft is a classic not to be missed.

    Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries. Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write.

    Beneath the town’s cheerful façade, however, Bleak Creek teens live in constant fear of being sent to the Whitewood School, a local reformatory with a history of putting unruly youths back on the straight and narrow—a record so impeccable that almost everyone is willing to ignore the suspicious deaths that have occurred there over the past decade.At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told: that the students’ strange demises were all just tragic accidents, the unfortunate consequence of succumbing to vices like Marlboro Lights and Nirvana. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry—and their best friend, Alicia Boykins, is sent to Whitewood as punishment—Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents.Eager to rescue their friend, Rex and Leif pair up with recent NYU film school graduate Janine Blitstein to begin piecing together the unsettling truth of the school and its mysterious founder, Wayne Whitewood. What they find will leave them battling an evil beyond their wildest imaginations—one that will shake Bleak Creek to its core.

    From dark fantasy and pure suspense to classic horror tales of vampires and zombies, 999 showcases the extraordinary scope of fantastical fright fiction. The stories in this anthology are a relentless tour de force of fear, which will haunt you, terrify you, and keep the adrenaline rushing all through the night.Amerikanski dead at the Moscow morgue / Kim Newman --The ruins of contracoeur / Joyce Carol Oates --The owl and the pussycat / Thomas M. Disch --The road virus heads north / Stephen King --Keepsakes and treasures: a love story / Neil Gaiman --Growing things / T.E.D. Klein --Good Friday / F. Paul Wilson --Excerpts from the records of the New Zodiac and the diaries of Henry Watson Fairfax / Chet Williamson --An exaltation of termagants / Eric Von Lustbader --Itinerary / Tim Powers --Catfish gal blues / Nancy A. Collins --The entertainment / Ramsey Campell --ICU / Edward Lee --The shadow, the darkness / Thomas Ligotti --Rio Grande Gothic / David Morrell --Des Saucisses, Sans doute / Peter Schneider --Angie / Ed Gorman --The ropy thing / Al Sarrantonio --The tree is my hat / Gene Wolfe --Styx and bones / Edward Bryant --Hemophage / Steven Spurill --The book of irrational numbers / Michael Marshall Smith --Mad dog summer / Joe R. Lansdale --The Theater / Bentley Little --Rehearsals / Thomas F. Monteleone --Darkness / Dennis L. McKiernan --Elsewhere / William Peter Blatty

    These suspenseful stories all appeared in Alfred Hitchcock's Mystery Magazine, and in the words of Hitch himself, they "are guaranteed to chill and unnerve." Bill Pronzini contributes "The Arrowmont Prison Riddle," Margaret B. Maron has "A Very Special Talent," Barry M. Malzberg offers "A Home Away from Home," and Patricia Matthews chronicles "The Fall of Dr. Scourby." Meet a girl who stalks Jack the Ripper, a clairvoyant writer of newspaper obituaries, a homicidal partygoer in a sanatorium, and a police detective who lives vicariously through the exploits of one of his most notorious suspects: they all populate these frightening pages. Caution: not recommended for late-night reading--except for the very brave CONTENTSKilled by Kindness ..... Nedra TyreJust a Minor Offense ..... John F. SuterA Home Away From Home ..... Robert BlochDeath of a Derelict ..... Joseph Payne BrennanThe Arrowmont Prison Riddle ..... Bill PronziniThe Dettweiler Solution ..... Lawrence BlockThe Whitechapel Wantons ..... Vincent McConnorCora's Raid ..... Isak RomunLife or Breath ..... Nelson deMilleA Private Little War ..... William BrittainHave You Ever Seen This Woman? ..... John LutzJoe Cutter's Game ..... Brian GarfieldA Cabin in the Woods ..... John CoyneThe Long Arm of El Jefe ..... Edward WellenKid Cardula ..... Jack RitchieCareer Man ..... James HoldingThe Perfidy of Professor Blake ..... Libby MacCallSea Change ..... Henry SlesarThe Blue Tambourine ..... Donald OlsonGraveyard Shift ..... William P. McGivernA Bottle of Wine ..... Borden DealMan Bites Dog ..... Donald HonigNever Trust an Ancestor ..... Michael ZuroyAnother War ..... Edward D. HochSparrow on a String ..... Alice Scanlan ReachThe Missing Tattoo ..... Clayton MatthewsThe Fall of Dr. Scourby ..... Patricia MatthewsThe Loose End ..... Stephen WasylykThat So-called Laugh ..... Frank SiskA Very Special Talent ..... Margaret B. MaronThe Joker ..... Betty Ren WrightThe Very Hard Sell ..... Helen NielsenThe Tin Ear ..... Ron GoulartThe Time Before the Crime ..... Charlotte EdwardsAfter the Unfortunate Accident ..... Barry N. MalzbergThe Grateful Thief ..... Patrick O'KeeffeThe Inspiration ..... Talmage PowellDeath is a Lonely Lover ..... Robert ColbyThe Witness was a Lady ..... Fletcher FloraScheme for Destruction ..... Pauline C. SmithTo the Manner Born ..... Mary BraundBlack Disaster ..... Richard O. LewisThe Marrow of Justice ..... Hal EllsonInnocent Witness ..... Irving SchifferWe're Really Not That Kind of People ..... Samuel W. TaylorPocket Evidence ..... Harold Q. MasurThe Death Desk ..... S.S. RaffertyA Left-handed Profession ..... Al NussbaumSecond Spring ..... Theodore MathiesonBank Night ..... Arthur PorgesThe Contagious Killer ..... Bryce WaltonBad Actor ..... Gary BrandnerFree Advice, Incorporated ..... Michael BrettThe Real Criminal ..... James M. GilmoreThe Hard Sell ..... William DolanThe Prosperous Judds ..... Bob BristowThe Dead Indian ..... Robert W. AlexanderThe China Cottage ..... August Derleth

    There are those who will argue that this title could apply to any of the various tomes of terror, sagas of suspense, or groupings of grue which I have, from time to time, gathered together for the delectation of my readers. And indeed the point is well taken.For I am not a man to cater to the nervous. If you are in the habit of chewing your fingernails, jumping from your chair when a door slams, or swooning when someone playfully shouts "Boo!" in your ear, I have only two words of advice--pass on.If, however, you have nerves which are under good control, nerves which are pleasantly tickled by a touch of terror or agreeably stimulated by a soupçon of suspense, then I invite you to join me.Take a seat, any seat, and start wherever you wish. Break for an intermission whenever you choose and return when you are ready. Informality rules in your enjoyment of this smörgåsbord of stories. There is, I think, something for every taste.Except, that is, for the nervous.And now my sixty seconds are up.-Alfred HitchcockIn this collection:"To the Future" by Ray Bradbury"River of Riches" by Gerald Kersh"Levitation" by Joseph Payne Brennan"Miss Winters and the Wind" by Christine Noble Govan"View from the Terrace" by Mike Marmer"The Man with Copper Fingers" by Dorothy L. Sayers"The Twenty Friends of William Shaw" by Raymond E. Banks"The Other Hangman" by Carter Dickson"Don't Look Behind You" by Fredric Brown"No Bath for the Browns" by Margot Bennet"The Uninvited" by Michael Gilbert"Dune Roller" by Julian May"Something Short of Murder" by Henry Slesar"The Golden Girl" by Ellis Peters"The Boy Who Predicted Earthquakes" by Margaret St. Clair"Walking Alone" by Miriam Allen deFord"For All the Rude People" by Jack Ritchie"The Dog Died First" by Bruno Fischer"Room with a View" by Hal Dresner"Lemmings" by Richard Matheson"White Goddess" by Idris Seabright"The Substance of Martyrs" by William Sambrot"Call for Help" by Robert Arthur"Sorry, Wrong Number" by Lucille Fletcher and Allan Ullman

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    found in a bottle --Silence-a fable --Berenice --William Wilson --Ligeia --The assignation --The facts in the case of M. Valdemar --The pit and the pendulum --The fall of the house of usher --The cask of amontillado --A descent into the maelström --The tell-tale heart --The black cat --The masque of the red death --The gold-bug --The murders in the rue morgue --The purloined letter.