Unfortunately, Dante is strictly a ladies’ man, and the FDNY isn’t exactly gay-friendly. For ten years, Griff has hidden his heart in a half-life of public heroics and private anguish.Griff’s caution and Dante’s cockiness make them an unbeatable team. To protect his buddy, there’s nothing Griff wouldn’t do… until a nearly bankrupt Dante proposes the worst possible solution: HotHead.com, a gay porn website where uniformed hunks get down and dirty. And Dante wants them to appear there—together. Griff may have to guard his heart and live out his darkest fantasies on camera. Can he rescue the man he loves without wrecking their careers, their families, or their friendship?

    To Nora, her daughter is an enigma -- at the same time wonderful and unfindable. Fern sees her mother as treacherous -- for busting up their family to move in with her lover, Jeanne. As their lives become complicated by the arrivals of a skateboarding boyfriend for Fern, a shadowy affair for Nora, a baby in need of a family, and by the failing health of Lucky, their beloved dog, this mother and daughter find their way onto a fresh footing with each other. "With sharp humor and perception" (O: The Oprah Magazine), Lucky in the Corner shows us the way a family reconfigures itself as unexpected changes come its way -- and how, no matter what shape it takes, it remains a family.

    In the animator's own words, accompanied by hundreds of previously unpublished photographs, sketches, and storyboards from his personal archive, this book details Harryhausen's entire film career, from 20 Million Miles to Earth and Earth vs. The Flying Saucers to Clash of the Titans and Jason and the Argonauts. In words and images, this book explains the basics of special effects and stop-motion animation, along the way telling entertaining tales of working with the film stars of the day, such as Laurence Olivier, Maggie Smith, and Lionel Jeffries. Film buffs will relish such revelations as how Raquel Welch was picked up by a flying dinosaur in One Million Years B.C., why the octopus in Mysterious Island was really only a sixtopus, and what Medusa's blood was made from in Clash of the Titans.

    

    Black Wade shows the entertaining love story between a rough, square-edged pirate and a young fine officer finely detailed and brilliantly colored.

    Described by the New York Times as “a bawdy countercultural sprite” and named one of the most fun people in show business by Time magazine, Alan Cumming is a genuine quadruple threat—an internationally acclaimed, award-winning star of stage, television, and film, as well as a New York Times best-selling author whose real-life vivacity, wit, and charm shine through every page of his third book, You Gotta Get Bigger Dreams. In these forty-five picture essays, Cumming recounts his real-life adventures (and often, misadventures), illustrated by his own equally entertaining photographs. From an awkward bonding session with Elizabeth Taylor to poignant stories about his family and friends to some harsh words of wisdom imparted by Oprah that make up the title of this collection, You Gotta Get Bigger Dreams is as eclectic, enchanting, and alive as its author.

    This richly illustrated and expert study follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his homeland, through his bright and colorful Parisian period, to the work of his final years, spent under a southern sun in Arles.

    Logan Mitchell loves it, and ever since he realized his raw sexual appeal at a young age, he has had no problem using it to his advantage. Men and women alike fall into his bed—after all, Logan is not one to discriminate. He lives by one motto—if something interests you, why not just take a chance and try?And he wants to try Tate Morrison.Just coming out of a four-year marriage with an ex-wife from hell, a relationship is the last thing on Tate’s mind. He’s starting fresh and trying to get back on his feet with a new job at an upscale bar in downtown Chicago.The only problem is, Tate has caught the unwavering and unwelcome attention of Mr. Logan Mitchell – a regular at the bar and a man who always gets what he wants.Night after night Tate fends off the persistent advances of the undeniably charismatic man, but after an explosive moment in the bar, all bets are off as he finds his body stirring with a different desire than his mind.As arrogance, stubbornness and sexual tension sizzles between the two, it threatens to change the very course of their lives.Logan doesn’t do relationships. Tate doesn’t do men. But what would happen if they both just gave in and…tried?GENRE: M/M

    Take Me There is an erotica collection unlike any other that celebrates the pleasure, heat, and diversity of transgender and genderqueer sexualities. The power of seeing and being seen is a central theme in the anthology; it’s not simply about passing or not passing (an idea often explored with transgender characters), but about being acknowledged and desired in a sexual context.The book takes you from San Francisco to Israel, from heartache to lust, from stranger sex to a 10 year anniversary, from ballet shoes to butt plug bondage tables, from fumbling teenagers to leatherclad bears, from MTF and FTM—and in between and beyond.Featuring renowned authors Kate Bornstein (Gender Outlaws: The Next Generation), Patrick Califia (Speaking Sex to Power), S. Bear Bergman (Butch is a Noun), Ivan Coyote (Missed Her), Julia Serrano (Whipping Girl), Laura Antoniou (The Marketplace), Helen Boyd (My Husband Betty), Rachel Kramer Bussel (Gotta Have It), Toni Amato (Pinned Down by Pronouns), Alicia E. Goranson (Supervillianz), filmmaker Tobi Hill-Meyer, musician Rahne Alexander, songwriter Shawna Virago, bloggers Andrea Zanin and Sinclair Sexsmith, and more.

    --Alexander Chee Twenty years in the making, Sarah Schulman's Let the Record Show is the most comprehensive political history ever assembled of ACT UP and American AIDS activism In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled--and beat--The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them.Based on more than two hundred interviews with ACT UP members and rich with lessons for today's activists, Let the Record Show is a revelatory exploration--and long-overdue reassessment--of the coalition's inner workings, conflicts, achievements, and ultimate fracture. Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a livable future for generations of people across the world.

    It's big money and a major career move, but Alex just can't seem to forget a first love he's left behind in Texas. When Alex is outed by a national tabloid, chaotic complications ensue as his career in daytime drama and his relationship with an acerbic International Male pretty boy/sitcom starlet are jolted by comic aftershocks. Suddenly, all hell breaks loose and he's being bombarded by betrayed fans, stalked by a self-professed warlock, and attacked by homophobes who want him off the show. Torrid, dishy, outrageously romantic, this hilarious first novel is both a deliciously satiric skewering of the glitziest Hollywood has to offer, and a sweetly wicked boy-meets-boy tale of unrequited love.

    The invitation to spend some time with his dad - the Baron Malcolm Spoor - comes as a surprise. But what awaits Torrance at his father's windswept estate is far worse than he could ever imagine. Welcome to the world of The Living One, one of the most frightening, clever, and suspenseful novels of the year. In this tour-de-force debut, Lewis Gannett spins a spellbinding story that summons up magic, body thievery, killer dogs, ESP wars, and lusty, genre-defying sex - straight, gay, and forms yet unnamed. The Spoors are the ultimate dysfunctional family. Wealthy, shamelessly extravagant, and impossibly attractive, they are also cursed. The curse has been handed down from father to son for seven hundred years, ever since the Crusades, when a bizarre and mystifying event created a recurring pattern of madness and death. As Baron Malcolm Spoor prepares for his demise, he must pass on the family riches - and its traditions - to his estranged son. But Malcolm and Torrance both have secrets they would rather keep to themselves, secrets that are nearly revealed when a shadowy government scientist picks up psychic readings from the Spoor estate and a bohemian teacher becomes personally involved with Torrance. These two begin an investigation into the extraordinary life of Baron Malcolm Spoor, and their findings are truly horrifying. Updating elements of the epistolary novel popularized in Dracula, Lewis Gannett tells his gothic story through the inventive use of videotape transcripts, diary entries, and historical records. Vivid, scary, mythic, and engrossing, The Living One explores the terrifying dimensions of family guilt, aging, and the murderous tensions between fathers and sons. Lewis Gannett has written a startling and thrilling novel that marks the debut of an original new voice in fiction.

    Haring's original and instantly recognizable style, full of thick black lines, bold colors, and graffiti-inspired cartoon-like figures, won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York's SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact.

    Hailed by readers and critics across the country, this engrossing biography of Mexican painter Frida Kahlo reveals a woman of extreme magnetism and originality, an artist whose sensual vibrancy came straight from her own experiences: her childhood near Mexico City during the Mexican Revolution; a devastating accident at age eighteen that left her crippled and unable to bear children; her tempestuous marriage to muralist Diego Rivera and intermittent love affairs with men as diverse as Isamu Noguchi and Leon Trotsky; her association with the Communist Party; her absorption in Mexican folklore and culture; and her dramatic love of spectacle.Here is the tumultuous life of an extraordinary twentieth-century woman -- with illustrations as rich and haunting as her legend.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.