This edition has been updated to account for recent developments in the field such as: The emergence of mixed methods approaches Increased use of internet research More frequent use of methods such as triangulation and focus groups Developments in research ethics Written for anyone undertaking a small-scale research project, either as part of an academic course or as part of their professional development, this book provides: A clear, straightforward introduction to data collection methods and data analysis Explanations of the key decisions researchers need to take, with practical advice on how to make appropriate decisions Essential checklists to guide good practice This book is perfect for the first-time researcher looking for guidance on the issues they should consider and traps they should avoid when embarking on a social research project.

    first published in The New Yorker, January 21, 1985

    Food and sex: two universal experiences that can easily become addictive and all consuming. You don't need to look far—The Food Network, billboards, TV spots, to name just a few—to witness firsthand the explosive combination of food and sex.In Sex and Bacon: Why I Love Things That Are Very, Very Bad for Me, Sarah Katherine Lewis is a seductress whose observations about the interplay between food and sex are unusually delightful, sometimes raunchy, and always absorbing. Sex and Bacon is a unique type of lovefest, and Lewis is not your run-of-the-mill food writer. A lusty eater who's spent the better part of her adult life as a sex worker, Lewis is as reckless as she is adventurous. She writes of eating whale and bone marrow as challenges she was incapable of resisting. With chapters that hone in on the categorically simple—fat, sugar, meat—Lewis infuses even the most quotidian meals and food memories with sensual observations and decadence worthy of savoring. Sex and Bacon is exuberant-a celebration that honors the rawness and base needs that are central to our experiences of both food and sex.

    

    But the constant battles take their toll on the young pilot–when Kira isn’t fighting in reality, he battles in his nightmares. While scavenging for vital supplies amid a vast graveyard of space colonies, the crew turns up Lacus Clyne, the beautiful daughter of a high official of the Zaft Empire. But is this lovely hostage a blessing or a curse? When a descent to the Earth-controlled district of Alaska goes tragically wrong, the Archangel winds up in the African desert attacked by new Zaft mobile armors, one piloted by Kira’s best friend and most dangerous enemy, Athrun!

    And while there are definitely a handful of reasons for the fractured family unit, the most significant phenomenon to rupture marriage was feminism. In the span of a few short decades, the movement managed to demote its men from respected providers and protectors of the family to superfluous buffoons. To a large segment of the population, the idea that men can be victims at all is preposterous. Everyone knows there's more work to be done for women to achieve so-called equality. Everyone knows the patriarchy is alive and well. But Americans have been had. Feminism isn't about equal rights, nor is it about providing women with choices. I don't care how pretty feminists package their agenda-the mission is clear: Feminism is a war on men. It's time to say what no one else will: the sexual revolution was a disaster. Modern men have no respect for modern women and vice versa. Marriage has turned into a competition rather than a partnership. Dating is defunct and any reference to gender differences it met with skepticism or outright derision. Post-feminist America thinks males and females are virtually identical. We've become genderless. To end the war on men, women must stop clamoring for something we already have-and have had for quite some time: equality. They must adopt the mantra equal, but different. Men and women have been equally blessed with amazing and unique qualities that each brings to the table. Isn't it time we stopped fussing about who brought what and just enjoy the feast?

    But for all the interest in who's out and who's not (yet), there's been surprisingly little understanding of the diversity and richness of lesbian experience. This funny, lively, and perceptive book will change all that. Drawing on more than a hundred interviews with women around the country, and on their own keen wits and eyes, Van Gelder and Brandt have composed an unprecedented portrait of how gay women today—lipsticked and flannel-shirted alike—think, feel, love, and live. Three major "tribal" events—the long-running Michigan Womyn's Music Festival, "Dinah" (the annual Dinah Shore Golf Tournament and party circuit, a mecca for upwardly mobile luppies), and a cross-country trek with the activist Lesbian Avengers en route to the 1994 Stonewall commemoration—provide points of entry into an exploration of lesbian identity, social dynamics, and politics that's as entertaining as it is revealing. The result is a kaleidoscopic portrait that will resonate with lesbians themselves and reveal to their "neighbors" a world of unsuspected vibrancy and depth.

    According to Johnson, regaining the power of feminine feeling and value is critical to the development of human peace and consciousness.

    A timely and profound anthology from the national bestselling author of Black, White and Jewish, Representing a stunning range of essayists and novelists, both men and women, this groundbreaking anthology boldly confronts the complications, possibilities, uncertainties, and joys of being a man in the 21st century.

    Period. is an agenda-setting manifesto to remove the stigma and myths continuing to surround the female body. Bold and unapologetic, Emma Barnett is on a crusade to ignite conversation among women--and men--everywhere.

    Now they’re a family, and they’ve earned their peace. But the universe is not a peaceful place -- and it’s only getting worse. The Great Empires are in turmoil. The rule of law is dead. And amidst the chaos, the Gods of Olympus have returned -- harbingers of a new age of war, reborn to burn their mark on the stars themselves. Someone has to guard the galaxy - but who will accept the mission? And will they survive it? Al Ewing (IMMORTAL HULK) and Juann Cabal (FRIENDLY NEIGHBORHOOD SPIDER-MAN) bring you in on the ground floor of a whole Marvel Universe of action and suspense!

    The book won the Booksellers best non-fiction award for 2020, and has been short listed for two other prestigious literary awards in Norway: The Brageprisen for best non-ficion in 2019. And the The Norwegian Literary Critics Award.The Norwegian-Pakistani award winning investigative journalist starts off by researching her own family history. Her research leads her to writing a comprehensive, in-depth account of the «other women» in Norwegian society.Painstaking, time-consuming, she sifts through the national archives for stories of the migrant woman. She does so with finesse and sensitivity. Traits otherwise denied to migrant women in the public discourse portraying them as helpless, the weak and incapable of agency.In an age of instantly delivered fake news and distorted historical narratives, the book is an anchor of quiet reflection, admirable characters and flawless prose. This book embraces the general while sweeping away the vast generalisations that have coloured debate in the national media. Furthermore the individual is revered as a high achieving member of society who has made vast contributions to the national exchequer. Shazia’s own story is compelling as is that of the family matriarch who against all odds raises 5 accomplished daughters. In depth interviews add substance to this brilliantly researched book. An important behind the scenes narrative that clearly illustrates how instant journalism colours current discourse and a book best described as significant, important and necessary. Norway has been shaped by women of ALL colours. And in the fight for gender equality, homes are an important battleground. And so these silent women are finally out of the shadows and history has been made.

    During the next ten years, they exuberantly shared the details of their daily lives in both public lectures and the mass media in order to provide at least one concrete example of an alternative to the traditional heterosexual family. In the 1990s, Sandra Bem also published an award-winning book, The Lenses of Gender, which spelled out the feminist theory behind their feminist practices.This second book by Sandra Bem, an autobiographical account of the Bems` nearly thirty-year marriage, is both a personal history of the Bems` past and a social history of a key period in feminism`s past. It is also a look into feminism`s future, because the Bems` children, Emily and Jeremy, now in their early twenties, speak at length in the book as well.Bem analyzes what aspects of family background and psychological makeup led her and Daryl to bond so immediately and to become gender pioneers. She describes the egalitarianism and feminist child-rearing that they invented for their private needs and tells how these family agendas were transformed into public feminist discourse. Finally she reassesses this early feminist union now that the marriage has come to an end and the children are young adults, evaluating (with the help of lengthy interviews with Emily and Jeremy and a brief epilogue by Daryl) what the Bems` experiences—both positive and negative—have to say about the viability and necessity of nontraditional gender arrangements in society today.

    Is this label accurate? What do South Africans think they know about rape? South Africa has a complex relationship with rape. Pumla Dineo Gqola unpacks this relationship by paying attention to patterns and trends of rape, asking what we can learn from famous cases and why South Africa is losing the battle against rape. Gqola looks at the 2006 rape trial of Jacob Zuma and what transpired in the trial itself, as well as trying to make sense of public responses to it. She interrogates feminist responses to the Anene Booysen case, amongst other high profile cases of gender-based violence. Rape: A South African Nightmare is a necessary book for various reasons. While volumes exist on rape in South Africa, much of this writing exists either in academic journals, activist publications or analysis pages of select print media. This is a conclusive book on rape in South Africa, illuminating aspects of South Africa's rape problem in South Africa, illuminating aspects of South Africa's rape problem and contributing to shifting the conversation forward. It is indebted to insights from available research, activism, the author's own immersion in Rape Crisis, the 1 in 9 Campaign and feminist scholarship. Analytically rigorous, it is intended for a general readership.

    The stories are more about the personal struggles of the individuals involved in the battlefields, not the heroic elements of war. The stories also reflect the author's personal experience having to join his schoolmates in the trenches in their early teens without his father's approval, being reminded of his little sister at home, and the painful memories of losing his friends in the line of fire.