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    Although Edmond is Armenian and Tahereh is the Muslim daughter of the school’s janitor, they remain blissfully unaware of the disquiet that ripples the surface calm of their close-knit community. Yet years later, when Edmond’s daughter chooses a Muslim to marry, tensions inevitably build. Unable to keep sidestepping the prejudices around him, Edmond is finally forced to make a choice, and one that will haunt him for years to come.From the critically acclaimed author of Things We Left Unsaid, 'The Space Between Us' is a poignant, wistful story about belonging and otherness, pride and prejudice, and the pressures and family expectations that inform our decisions. Brilliantly painting the landscape of intricate social conventions and private emotional conflict, Pirzad has produced an intimate portrait of ordinary Iranians living everyday lives.

    Peeling away notions of a rigid pre-modern Islamic gender system, Afsaneh Najmabadi provides a compelling demonstration of the centrality of gender and sexuality to the shaping of modern culture and politics in Iran and of how changes in ideas about gender and sexuality affected conceptions of beauty, love, homeland, marriage, education, and citizenship. She concludes with a provocative discussion of Iranian feminism and its role in that country's current culture wars. In addition to providing an important new perspective on Iranian history, Najmabadi skillfully demonstrates how using gender as an analytic category can provide insight into structures of hierarchy and power and thus into the organization of politics and social life.

    Also known as the Cyropaedia, this philosophical novel is loosely based on the accomplishments of Cyrus the Great, founder of the vast Persian Empire that later became the archrival of the Greeks in the classical age. It offers an extraordinary portrait of political ambition, talent, and their ultimate limits.The writings of Xenophon are increasingly recognized as important works of political philosophy. In The Education of Cyrus, Xenophon confronts the vexing problem of political instability by exploring the character and behavior of the ruler. Impressive though his successes are, however, Cyrus is also examined in the larger human context, in which love, honor, greed, revenge, folly, piety, and the search for wisdom all have important parts to play.Wayne Ambler's translation captures the charm and drama of the work while also achieving great accuracy. His introduction, annotations, and glossary help the reader to appreciate both the engaging story itself and the volume's contributions to philosophy.

    This is kind of literature which is the link between dastaan and novel. It was written almost 175 years ago but still found attractive and appreciated by critics. Although the language used is obsolete even then reader can find it interesting. There is brief vocabulary given at the end to help reader understand some old terms. Fasan e Ajaib had great influence on other books of its era and writers of that time tried to wrote books in its style. It was originally written in 1824 but published after 19 years in 1843 from Matba e Khusni Lakhnau.

    In the fifth edition of this renowned advanced grammar textbook, the new author Dallin D. Oaks of Brigham Young University has preserved Stageberg's clear and concise linguistic approach to grammar instruction while updating the text for the 1990s advanced grammar student. Updated chapter material includes revised examples of an exercises for the material studied and the use of tree diagrams. In addition, the fifth edition emphasizes the significance of English grammar in speech and composition in two new chapters: Usage and Language Variation: Historical, Regional, and Social. Two new appendices--A Basic Introduction to Tree Diagramming and An Introduction to Transformational Grammar--provide further instruction regarding the use of tree diagrams and an overview of Transformational Generative-Grammar. As in previous editions, AN INTRODUCTION TO ENGLISH GRAMMAR, Fifth Edition, provides a linguistic approach to grammar instruction that can be used to teach both advanced grammar and composition as well as non-major introductory linguistics courses.

    Through a combination of economic sanctions, global diplomacy, and intelligence work, successive U.S. administrations have struggled to contain Iran's aspirations to become a nuclear power and dominate the region--what many view as the most serious threat to peace in the Middle East. Meanwhile, Iran has used regional instability to its advantage to undermine America's interests. The Iran Wars is an absorbing account of a battle waged on many levels--military, financial, and covert.Jay Solomon's book is the product of extensive in-depth reporting and interviews with all the key players in the conflict--from high-ranking Iranian officials to Secretary of State John Kerry and his negotiating team. With a reporter's masterly investigative eye and the narrative dexterity of a great historian, Solomon shows how Iran's nuclear development went unnoticed for years by the international community only to become its top security concern. He catalogs the blunders of both the Bush and Obama administrations as they grappled with how to engage Iran, producing a series of both carrots and sticks. And he takes us inside the hotel suites where the 2015 nuclear agreement was negotiated, offering a frank assessment of the uncertain future of the U.S.-Iran relationship.This is a book rife with revelations, from the secret communications between the Obama administration and the Iranian government to dispatches from the front lines of the new field of financial warfare. For readers of Steve Coll's Ghost Wars and Lawrence Wright's The Looming Tower, The Iran Wars exposes the hidden history of a conflict most Americans don't even realize is being fought, but whose outcome could have far-reaching geopolitical implications.Praise for The Iran Wars "The use of the word 'wars, ' plural, in the title of this illuminating book tells the story: U.S.-Iranian relations have been troubled for many years. This deeply researched account of negotiations and their implications makes an important contribution to understanding the short- and long-term consequences of how we manage this difficult relationship."--George P. Shultz, former secretary of state "An illuminating, deeply reported account from one of the best journalists writing about the Middle East today. Jay Solomon's The Iran Wars offers a front-row view of the spy games, assassinations, political intrigue and high-stakes diplomacy that have defined relations with one of America's most cunning and dangerous foes."--Joby Warrick, Pulitzer Prize-winning author of Black Flags: The Rise of ISIS "A thorough yet concise survey of Iran's buildup of nuclear technology since the 1980s, its troubling exporting of Shiite insurgency in countries around it, and the changing American reaction. Wall Street Journal chief foreign affairs correspondent [Jay] Solomon offers an evenhanded look at the backdoor schemes involving the building of Iran's nuclear weapons and the world players involved in and against its machinations."--Kirkus Reviews (Starred Review)

    

    The translated extracts include Herodotus' descriptions of the preparations for war and of the great land- and sea-battles which took place. Linking commentaries explain Greek and Persian strategies and battle manoeuvres. Background information on the ships and on the soldiers fighting in the war is also given.

    Using new sources, Touraj Daryaee provides a portrait of the empire's often negelcted social history, exploring the development of political and administrative institutions from foundation by Ardashir I to the last king, Yasdegerd III, and the attempts of his descendants to re-estabish a second state for almost a century after.

    سفرهایی به این سوی و آن سوی جهان که نمی دانم هدف واقعی اش چه بوده و چیست.اما این را می دانم که با سفر، مفهوم لذت از جهان هستی را بیشتر دریافته ام و احساس خوشبختی بیشتری کرده ام. این احساس خوشبختی به واسطه ی بخش خوشگذرانه ی سفر نیست که در حضر هم می توان خوش گذراند، اما احساس خوشبختی نکرد.این احساس تنها با تجربه ی سبک زندگی مردم جهان است که پدید می آید.***"Mark de Polo" is a newer compilation of my trips in the last two tears; trips to different corners of the globe, trips that I am not aware of their true objectives, then and now.But I'm aware that with travelling I have become known to the concept of enjoying the universe and I have felt happier. This feeling of happiness is not a result of joy of travelling, for one can feel joy at home, but not happy. This feeling is created only by experiencing the lifestyles of people of the world.

    Instead, she embarks on an illicit affair with her art teacher, Keyvan, and they tentatively imagine a future together.But the sudden death of her uncle, an outspoken journalist, raises many unanswered questions and when Layla’s cousin, who is visiting from America, is arrested by the morality police, the komiteh, Layla’s plans for the future begin to unravel. “I was totally captivated by this novel. Layla is torn between her heart and the restrictions of her culture. She obeys her heart though not without a price. This wonderfully poetic story keeps you hooked right to the very end.”  -  Stephanie Hale, author and broadcaster   “a bittersweet tale of betrayed trust and ruptured innocence… the feel for colour and language is vibrant” -  Guardian first novel choice   “Vividly written, fresh and eloquent, a girl’s poignant tale of love and menace in contemporary Iran.” -  Fay Weldon   “I loved this book. It gives you real insight into the world of educated middle-class Iranians in the early 21st century. We are so used to the Iranians we meet in the UK that we do not realise how hard it is to live under their political regime at home. A joy to read.” -  www.openingthebook.com   Louise Soraya Black Born in England in 1977 to an English mother and Iranian father. Her father worked for UNICEF so she spent 17 years living overseas, in countries including Iran, Pakistan, Bangladesh and Indonesia. In spite of all this travel, she had strong roots: the family spent their summers in England and winter holidays in Iran.She began an English degree at University College London, but after a year switched to Law. She spent 8 years in corporate law but was unfulfilled so began writing in her spare time. She felt it was important to write about Iran because Iran is portrayed in the media as a bleak and oppressive place.  She wanted to show Iran as a beautiful country, where the food is delicious, and Iranians are warm and hospitable. And while the media tends to paint a portrait of Iranian women as submissive and voiceless, this was not at all her experience so she created resilient and brave female characters in her novel.She had just about given up hope of finding a publisher for this novel, when she found out that Pomegranate Sky had won the Virginia Prize, a new literary prize for unpublished women writers. She was astonished and overjoyed, particularly when the novel received excellent reviews. After the birth of her son, she didn't return to law and instead, decided to focus on her writing. She has just completed her second novel.

    Its setting is the Persian Gulf Coast--an area geographically isolated from the rest of Iran and influenced by the customs, rituals, and superstitions of Black Africa, India, and Arabia.The episodes, occurring in and around a primitive village, are mostly symbolic and allegorical. In the harsh, cheerless environment of the Gulf, the sea, the sky, the sun and the moon appear ominous and full of foreboding. Elusive fears lurk in the villagers' paths, threatening their precarious peace and safety.In spite of its distant setting and allegorical mode, however, the novel deals with contemporary issues in Iranian politics. In particular, it prophetically warns its readers against sheepish submission to self-aggrandizing clergy (Section Two), as it cautions against blind surrender to the West (Section Six)--warnings that the people of Iran would have done well to heed.A detailed critical introduction and bibliography also place Sa'edi in his cultural/literary context, and offer readers leads to further reading and study of this seminal writer.

    As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval. Directed by Gaye Taylor Upchurch

    Introduction by Dick Davis. Mazda Publishers, Costa Mesa, California, ۱۹۹۶