He reminds Anna of Jude the Obscure and—adift and lovelorn—she tries unsuccessfully to fend off her attraction, literally torn between the two men: How strange it is to leave someone you love for someone you love. You cross a footbridge that has no name, that’s not named in any poem. No, nowhere is a name given to this bridge, and that is why Anna found it so difficult to cross. Anne Serre offers here, in her third book in English, her most direct novel to date. The Beginners is wildly unpredictable, sensual, exhilarating, oddly moral, perverse, absurd, and entirely unforgettable.

    The sole published work of fiction by Yourcenar yet to be translated into English, this collection includes three stories written between 1927 and 1930 when the author was in her mid-twenties. These stories cover a range of themes, from an allegory on greed and a scene from the war of the sexes, to a witchhunt that obsessively creates its own quarry. For the devoted readers of Yourcenar, this collection allows a rare glimpse at the beginnings of a writer's craft. In these accomplished but forgotten pieces, edited and introduced by her biographer, Josyane Savigneau, the reader will find the blend of fable and fairy tale of Oriental Tales, the psychological chronicle of Dear Departed, the ironic realism of A Coin in Nine Hands. Read as an introduction to Yourcenar's work, the stories take us into the writer's workshop, as it were, to the early days of creation. In either case, A Blue Tale and Other Stories carries the unmistakable voice of a formidable and vastly talented writer.Marguerite Yourcenar (her pseudonym was an anagram of her family name, Crayencour) was born in Brussels in 1903 and died in Maine in 1987. One of the most respected writers in the French language, she is best known as the author of the best-selling Memoirs of Hadrian and The Abyss. She was awarded many literary honors, most notably election to the Académie Francaise in 1980, the first woman to be so honored.

    Discovered by Colette, who arranged for the publication of his first novel, My Friends, Bove enjoyed a busy literary career, until the German occupation silenced him. During his lifetime, Bove’s novels and stories were admired by Rainer Maria Rilke, the surrealists, Albert Camus, and Samuel Beckett, who said of him that “more than anyone else he has an instinct for the essential detail.”Henry Duchemin and His Shadows is the perfect introduction to Bove’s world, with its cast of stubborn isolatoes who call to mind Herman Melville’s Bartleby, Robert Walser’s “little men,” and Jean Rhys’s lost women. The poet of the flophouse and the dive, the park bench and the pigeon’s crumb, Bove is also a deeply empathetic writer for whom no defeat is so great as to silence desire.[Source: http://www.nybooks.com/books/imprints...]

    Both exasperating and moving, cherished by its readers, it has its origins in the author's attempt to come to terms with the death of his young wife Alix, whose presence both haunts and gives meaning to every page. Having failed to write his intended novel (The Great Fire of London), instead Roubaud creates a book that is about that failure, but in the process opens up the world of the creative process. This novel stands as a lyrical counterpart of the great postmodern masterpieces by fellow Oulipians Georges Perec and Italo Calvino. First published by Dalkey Archive Press in 1991, now available again.

    . . . A very funny, intelligent book that can be read both for its politics and for its extraordinary depiction of a woman who revels in her bestial transformation."

    His versions of stories such as The Hare and the Tortoise and The Wolf and the Lamb are witty and sophisticated, satirizing human nature in miniature dramas in which the outcome is always unpredictable. The behavior of both animals and humans is usually centered on deception and cooperation (or the lack of it), as they cheat and fight each other, arguing about life and death, property and food, in an astonishing variety of narrative styles. The fables have long been popular with all ages, though their ironic take on contemporary society in French aristocratic circles is best appreciated by adults. This new translation by Christopher Betts matches the original in inventiveness and subtlety. It includes half of the fables first published in twelve books between 1668 and 1693, across the full range of subjects and themes. The fables are illustrated with a selection of Gustave Dore's majestic engravings, and an introduction offers insights into La Fontaine's life and literary artistry.

    Julia Older makes available for the first time in English this collection of his short fiction, which was originally published as Les Fourmis in 1949. It is a delightful introduction to the work of a much-admired French poet, playwright, and song-writer whose celebrity has continued to grow since his untimely death in 1959. These early stories, written in 1944 and 1945, reveal that Vian was already a master of black humor, wordplay, elegant understatement, and leaps of fancy. "Blues for a Black Cat," bubbling with Vian's sense of mischief and evocative of his love for jazz, shows the seamier side of postwar Parisian night life. "The Plumber" is the nightmare of every citizen who has been incommoded by expensive repairmen. "Pins and Needles" conveys Vian's daring opposition to World War II (his song "The Deserter" later would be censored by the government for inciting sentiment against the French-Algerian conflict). The other stories - "Cancer," "Dead Fish," "Journey to Khonostrov," "Blue Fairy Tale," "Fog," "Good Students," and "One-Way Street" - are marked by the same verbal Niagaras, zany sexual encounters, and absurd situations. But, as Julia Older points out, parody only heightens the masked terrors of war, poverty, ill health, and unemployment that hound the bizarre protagonists of Vian's fablelike narratives.

    But, as he recounts the story of his immortal existence over more than six centuries, as she learns of his involvement in some of the most significant events in history and how human hope and love have withered in him, she finally understands the implications for him and for love.

    Composed in the tumultuous aftermath of World War II, largely in the Danish prison cell where the author was awaiting extradition to France on charges of high treason, the book offers a unique perspective on the war, the postwar political purges in France, and Louis-Ferdinand Céline’s own dissident politics.  The tale of a man imprisoned and reviled by his own countrymen, the Fable follows its character’s decline from virulent hatred to near madness as a result of his violent frustration with the hypocrisy and banality of his fellow human beings. In part because of the story’s clear link to his own case—and because of the legal and political difficulties this presented—Céline was compelled to push his famously elliptical, brilliantly vitriolic language to new and extraordinary extremes in Fable for Another Time. The resulting linguistic and stylistic innovation make this work stand out as one of the most original and revealing literary undertakings of its time. Louis-Ferdinand Céline (1894–1961) was a French writer and physician best known for the novels Journey to the End of the Night (1932) and Death on the Installment Plan (1936). Céline was accused of collaboration during World War II and fled France in 1944 to live first in Germany, then in Denmark, where he was imprisoned for over a year; an amnesty in 1951 allowed him to return to France. Céline remains anathema to a large segment of French society for his antisemitic writings; at the same time his novels are enormously admired by each new generation.

    Pascal Quignard recently received the Prix Goncourt, France's most prestigious literary prize, for his work. In ON WOODEN TABLETS, Quignard takes on the persona of a fourrth century Roman Patriarcian Matron who writes notes on wooden tablets, somewhat in the manner of Sei Shonagon's Pillow Book. She notes erotic souvenirs, jokes, scenes that have touched her, but also accounts and lists of things to do. For twenty years, "Apronenia Avitia" keeps this journal without mentioning, except in passing, the ruinous events she witnesses: the Roman Empire is crumbling, invaded by the "Barbarians" from the North as well as infiltrated from within by the Christian "party." Perhaps she does not see. Perhaps she does not want to see. Translated from the French by Bruce X.

    Healthy living, working his Pennsylvania farm, and mentoring troubled boys have brought him back from grief and illness into a whole new life. Emily Stern has recovered from losing her husband too young, and she can’t wait to get started on her dream: creating a rural retreat for struggling midlife women. The farm she’s inherited is the perfect place, so much so that she’s willing to move across the country to make it happen. But when Emily arrives at the Covenant Farm, she’s shocked to find her long-ago love, John Moretti, living there… and contemplating very different plans for the place. Forced to compromise by staying at the farm together, they quickly realize there’s still a spark between them. But only John knows what else stands between them: a secret that could break Emily’s heart. Jump into the final novella of the Sacred Bond series… a touching love story about sowing, reaping, and gathering in the harvest. And he that reapeth receiveth wages, and gathereth fruit unto life eternal: that both he that soweth and he that reapeth may rejoice together. John 4:36

    In this second volume of Remembrance of Things Past, the narrator turns from the childhood reminiscences of Swann’s Way to memories of his adolescence. Having gradually become indifferent to Swann’s daughter Gilberte, the narrator visits the seaside resort of Balbec with his grandmother and meets a new object of attention—Albertine, “a girl with brilliant, laughing eyes and plump, matt cheeks.”

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    Wrestling with the agony of loneliness, a young man withdraws deeper into himself, believing he has now reached the autumn of his life. His increasing hopelessness gives way to a yearning for romance—surely the love of a woman can deliver him the purpose he so craves? Convinced of the truth of this, he visits Marie, a kindhearted prostitute—yet Marie, too, is starved of love and longs for acceptance. Together, they form a tragic portrait of personal anguish, heralding the extraordinary outpouring of romantic longing found in Flaubert’s later novels. Most famous for Madame Bovary and Sentimental Education: The Story of a Young Man, Gustave Flaubert is one of the undisputed masters of 19th-century fiction.

    This complete translation by Donald Frame, helpfully annotated for the nonspecialist, is a masterpiece in its own right, bringing to twentieth-century English all the exuberance and invention of the original sixteenth-century French. A final part containing all the rest of Rabelais's known writings, including his letters, supplements the five books traditionally known as Gargantua and Pantagruel.This great comic narrative, written in hugely popular installments over more than two decades, was unsparingly satirical of scholarly pomposity and the many abuses of religious, legal, and political power. The books were condemned at various times by the Sorbonne and narrowly escaped being banned. Behind Rabelais's obvious pleasure in lampooning effete erudition and the excesses of society is the humanist's genuine love of knowledge and belief in the basic goodness of human nature. The bawdy wit and uninhibited zest for life that characterize his unlikely trio of travelers have delighted readers and inspired other writers ever since the exploits of Gargantua and Pantagruel first appeared.