Joy Harjo, one of this country's foremost Native American voices, combines elements of storytelling, prayer, and song, informed by her interest in jazz and by her North American tribal background, in this, her fourth volume of poetry.She draws from the Native American tradition of praising the land and the spirit, the realities of American culture, and the concept of feminine individuality.

    The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.

    In sections of short narratives, she questions our everyday human foibles. Three longer sequences display her admirable reach and fierce intelligence: One, "The Kudzu Chronicles," is a rollicking piece about the transplanted weed. Another, "Bertha Morisot: Retrospective," conjures up a complex life portrait of the French impressionist painter. The third presents fifteen dream songs that virtually out-Berryman Berryman.

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    In her poem “Deliverance” about her daughter’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?”Through poems that are as unforgettably beautiful as they are accessible, Kate proves herself to truly be an exemplary voice in modern poetry. As easy to post on Instagram as they are to print out and frame, Kate’s words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.

    I wasn’t wearing an orange jumpsuit, but instead a flimsy hospital gown engulfed my frail body. As I looked into my husband’s eyes, I wondered if this would be the last time I saw him … the last time I hugged him … the last time I told him I loved him. I worried that my last few breaths would be taken as the wheels of the gurney squeaked down the brightly lit hallway, slowly making our way to the operating room. In the next few moments they would begin surgery to remove a brain tumor from my right frontal lobe. My life was about to change. This is my story, my true story, of my journey overcoming my brain tumor. One that I hope ends with a happy ending. That’s the thing about hope; even in my darkest days, that hope remained deep within my soul. I hoped that the person I used to be would fight their way back, out of the depths. And today, hope still fills my heart … hope that I will make the most of my second chance at life. Life doesn’t send out invitations — so today I choose to be bold. Be brave. Be unforgettable. And I choose to LIVE.

    Beautiful but destitute Abigail is forced to marry an old landowner who desperately needs heirs. But on their wedding night something terrible happens ... Abbey flees Martindale Hall. She has no memory of the previous night, but no one believes her. With no one to trust, she seeks refuge in the neighbouring town of Clare. There, her luck seems to change. She meets Jack Hawker, who is looking for someone to tend to his mother on the remote farm Bungaree Station. Jack hires Abbey for the job. But Abbey's respite is short-lived. Days later, a visitor from Martindale Hall turns up on the farm, accusing Abbey of a horrible crime ... Will Jack believe her? Or is she doomed to a life of penance? With an eye for detail, Elizabeth Haran is the author of numerous other romantic adventures including Island of Whispering Winds, Under a Flaming Sky, Dreams beneath a Red Sun, and River of Fortune, Staircase to the Moon, and Beyond the Red Horizon, all available as eBooks. For fans of sagas set against a backdrop of beautiful landscapes, like Sarah Lark's, Island of a Thousand Springs or Kate Morton's, The Forgotten Garden. About the author Elizabeth Haran was born in Bulawayo, Rhodesia and migrated to Australia as a child. She lives with her family in Adelaide and has written fourteen novels set in Australia. Her heart-warming and carefully crafted books have been published in ten countries and are bestsellers in Germany.

    Through the years Demon House earned it's name through rumor and superstition. But, were people really disappearing there? Why was an attractive, mysterious woman suddenly so determined to uncover its secret? And, just how much risk was Jax Eaton willing to take in such a misadventure to be near her? Little does he know, time is not on his side.

    This collection radically rewrites and contemporizes many of the myths central to Ovid’s epic, The Metamorphoses, Rekdal’s characters changed not by divine intervention but by both ordinary and extraordinary human events. In Nightingale, a mother undergoes cancer treatments at the same time her daughter transitions into a son; a woman comes to painful terms with her new sexual life after becoming quadriplegic; a photographer wonders whether her art is to blame for her son’s sudden illness; and a widow falls in love with her dead husband’s dog. At the same time, however, the book includes more intimate lyrics that explore personal transformation, culminating in a series of connected poems that trace the continuing effects of sexual violence and rape on survivors. Nightingale updates many of Ovid’s subjects while remaining true to the Roman epic’s tropes of violence, dismemberment, silence, and fragmentation. Is change a physical or a spiritual act? Is transformation punishment or reward, reversible or permanent? Does metamorphosis literalize our essential traits, or change us into something utterly new? Nightingale investigates these themes, while considering the roles that pain, violence, art, and voicelessness all play in the changeable selves we present to the world.

    Her poems take us to the flip side of human consciousness, where anything can happen at any time. Tinged with surrealism, her work makes visionary leaps from the quotidian to sudden, surprising epiphanies.

    Combining her two previous collections with unpublished work, Begin Again traces the career of a direct, attentive, and always unpredictable poet. Whether describing the vicissitudes of life in New York City or the hard beauty of rural Vermont, whether celebrating the blessings of friendship or protesting against social injustice, her poems brim with compassion and tough good humor.

    Thomas' acclaimed translations of Akhmatova's poems. This volume includes "Requiem", her poem of the Stalinist Terror and "Poem Without a Hero".

    Titled after the poem that burned up on Tumblr and has inspired wedding vows, paintings, songs, YouTube videos, and even tattoos among its fans, Mouthful of Forevers brings the first substantial collection of this gifted young poet’s work to the public.Clementine von Radics writes of love, loss, and the uncertainties and beauties of life with a ravishing poetic voice and piercing bravura that speak directly not only to the sensibility of her generation, but to anyone who has ever been young.

    

    From friendship break-ups to the annual identity-crisis, and first love to facing climate change, this is a zine-collection of what it means to faff and fail through our first decade as an adult; and how we might come out glittering.