Redwall Abbey, tranquil home to a community of peace-loving mice, is threatened by Cluny the Scourge savage bilge rat warlord and his battle-hardened horde. But the Redwall mice and their loyal woodland friends combine their courage and strength.

    One night they stop a carriage and find an orphan, Tiffany, on her way to live with her wicked aunt. Tiffany is delighted to meet the robbers, but appalled at their ill-gotten wealth. What she does to change their ways will delight children of all ages.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    He's got cancer and the doctors in Australia are being really slack. If I could borrow your top doctor for a few days I know he/she would fix things in no time. Of course Mum and Dad would pay his/her fares even if it meant selling the car or getting a loan. Please contact me at the above address urgently.Yours sincerely,Colin Mudford.P.S.This is not a hoax.Ring the above number and Aunty Iris will tell you.Hang up if a man answers.

    We’re the guards, we are. We hear that the house has gone all to sixes and sevens since we left it, but that’s going to be remedied now’Young Kay Harker lives in an old house in the country, filled with portraits of his ancestors. His only companions are his unpleasant guardian Sir Theopompus and his governess Sylvia Daisy Pouncer (who, Kay suspects, has stolen all his toys). Life is lonely and dull, until one night Kay’s great-grandpapa Harker, a sea captain, steps out of his portrait to tell him about a stolen treasure that belongs to Kay’s family. The evil Abner Brown is searching for it too, but Kay is helped by the midnight folk: creatures like Nibbins the cat and Rollicum Bitem Lightfoot the fox, and even his lost toys, who will join him on his dangerous quest.The Midnight Folk is a feast of imaginative story-telling, a glorious cornucopia of pirates and witches, lost treasure and talking animals. Although it was published in 1927, it evokes an older world: houses are lit by oil lamps, and travel is by horse, carriage – or broomstick. Masefield perfectly captures a child’s perspective, from the terrors of tigers under the bed to the horrors of declining a Latin adjective. Yet there is also plenty of humour that adults will appreciate, from Miss Piney Trigger, who swigs champagne in bed and prides herself on having backed a host of Derby winners, to Kay’s lessons: ‘Divinity was easy, as it was about Noah’s Ark. French was fairly easy, as it was about the cats of the daughter of the gardener.’ This mingling of past and present, reality and fantasy, has made this one of the most rewarding and influential children’s books ever written.

    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    So begins an intoxicating dream fantasy, described by the artist himself as 'a fantasy ten feet deep in reality'.

    When Katy meets her Cousin Helen, an invalid, Katy is awed by her kindness, prettiness, and generosity. Katy is determined to become more like Helen, a resolution that lasts only a few hours. Soon, however, Katy gets a chance to become more like cousin Helen than she ever wished as she finds herself confined to her bedroom for four years as a result of an accident. Much of the story is focused on the change Katy undergoes during her illness. Helen visits again to advise Katy to learn from her experience and to try to become the center of the house by making her room and herself more attractive to others. One way Katy decides to take Helen's advice is through assuming the responsibility of running the house, a job that consists of giving the servants instructions and ringing her bell to summon her sisters when she has a task for them. As soon as Katy has learned the lesson about how to care for others, she recovers and regains the ability to walk. Grade 5-8

    With their human owners, the Dearlys, to look after them, they lived in a comfortable home in London with their 15 adorable Dalmatian puppies, loved and admired by all. Especially the Dearlys' neighbor Cruella de Vil, a fur-fancying fashion plate with designs on the Dalmatians' spotted coats! So, when the puppies are stolen from the Dearly home, and even Scotland Yard is unable to find them, Pongo and Missis know they must take matters into their own paws! The delightful children's classic adapted twice for popular Disney productions. Ages 8-11

    The task of this benevolent society is to befriend human prisoners in their cells, and perform daring rescue bids. As this story opens, the Chairwoman of the Society is proposing the rescue of a Norwegian poet who is being held in grim conditions in the Black Castle.

    It was a dark and stormy night.Out of this wild night, a strange visitor comes to the Murry house and beckons Meg, her brother Charles Wallace, and their friend Calvin O'Keefe on a most dangerous and extraordinary adventure—one that will threaten their lives and our universe.Winner of the 1963 Newbery Medal, A Wrinkle in Time is the first book in Madeleine L'Engle's classic Time Quintet.

    North, where the Gobblers take the children they steal--including her friend Roger. North, where her fearsome uncle Asriel is trying to build a bridge to a parallel world.Can one small girl make a difference in such great and terrible endeavors? This is Lyra: a savage, a schemer, a liar, and as fierce and true a champion as Roger or Asriel could want--but what Lyra doesn't know is that to help one of them will be to betray the other.

    With wit, sublime humor, and beautiful art, The Secret Lives of Princesses introduces a bevy of royal daughters to the court of young readers.  While it alludes to some of their more famous sisters, this large and lusciously illustrated compendium presents such unique and unforgettable characters as the petite Princess Claire Voyant, who can see very far into tomorrow (but muddles her predictions); Princess Oblivia, who forgets everything and misses all her appointments; Princess Tangra-La, who does the tango, the fandango, and any dance that comes her way; and Princess Babbling Brooke, who chatters on and on about everything and nothing. Plus, you’ll learn about such princessy matters as the language of fans; coats of arms; and how not to offend dangerous fairies who cast evil spells.Poetic, often humorous, and always enchanting, this is the perfect collection for princess-loving girls who long for more than just the traditional fairy tale.

    He really was shrinking.Hilarious complications result as he becomes more minuscule by the moment. Treehorn is a bit downhearted when his teacher says, "we don't shrink in this class," and sends him to the principal. Poor Treehorn spends an unhappy day and night until he discovers a magical game that restores him to his natural size. This is a great relief to Treehorn before he notices that he is turning faintly green. . . .An ALA Notable Book