Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, a new Year's Best section, on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

    Here are gathered the best of their chilling, thrilling, upsetting, and unsettling experiments with our sexual psyches. And rest assured, flesh will tingle--but whether from horror or pleasure or a bit of both, we'll leave you to judge.From its opening pages, with King's blackly humorous portrait of a very, very mad housewife to its conclusion, where we find Barker's wholly shocking tale of a deadly quest into the heart of passion, I Shudder at Your Touch brings you a host of kinky, perverse, bizarre and creepy figures. You'll find a cricket-playing vampire, a sleek sea creature likely to give mermaids a bad name, a strangely seductive handyman who's equally adept at knocking down apartment walls and female inhibitions, and a plastic religious statue offering X-rated enlightenment from its perch atop the family TV.I Shudder at Your Touch features 22 daring writers who prefer to go too far, writers whose every tale will have you fighting back a scream...and a cry of delight.Contents:The revelations of 'Becka Paulson / Stephen King --Sea lovers / Valerie Martin --Psychopomp / Haydn Middleton --A glowing future / Ruth Rendell --The tiger returns to the mountain / T.L. Parkinson --Consanguinity / Ronald Duncan --Keeping house / Michael Blumlein --The Villa Desiree / May Sinclair --Cleave the vampire, or, a gothic pastorale / Patrick McGrath --The swords / Robert Aickman --Salon Satin / Carolyn Banks --How love came to Professor Guildea / Robert Hichens --Wings / Harriet Zinnes --The Basilisk / R. Murray Gilchrist --A quarter past you / Jonathan Carroll --The master builder / Christopher Fowler --Festival / Eric McCormack --Ladies in waiting / Huch B. Cave --Death and the single girl / Thomas M. Disch --Master / Angela Carter --The conqueror worm / Stephen R. Donaldson --Jacqueline Ess: her will and testament / Clive Barker

    Make him notice you.Step 2. Differentiate yourself from other girls. Step 3. Get an invite to a date. Step 4. Make said date memorable. Step 5. Make him take you seriously. Step 6. Ensure that he’s dating you exclusively.Step 7. Snag an invite to meet his parents. Step 8. Get a kiss – a sincere one. Step 9. Be the best girlfriend he’s ever had. Final Step. Break his heart. In this operation, there is one and only one rule you must abide by: Do not fall in love. If you break this rule, the operation will be considered a failure. Your punishment will be severe. Signed by: Naomi Mikael PerezMy name is Naomi Mikael Perez. My friends call me Naomi, my relatives call me Mika. He calls me Nami. Yep, that’s right, I’m the signatory. Me, the dog loving girl who’s done nothing with her life but go out with friends, eat, read, study, and flirt with her crush. You know, normal girl stuff. And then one day I woke up and found myself tasked with reducing our school’s ultimate Casanova to tears. His name is Stephen Cruz. He’s the guy who’s made a thousand girls cry. The guy I don’t care anything about. The guy who doesn’t even know I’m alive. "In the Game called Love, the first one to fall is the loser."Let the Games Begin

    There was no way he could spend 20 good years behind those grim walls of prison, he told himself. And he straightway embarked on a mission to escape the throes of prison.Written from the point of view of the first person narrator, My Life in Prison is a rendition of the travails and tribulations that Kiriamiti experienced behind bars. Like in his first novel, My Life in Crime, Kiriamiti gives us yet another autobiography account of his dramatic life as a criminal, an account that is brutally frank as it is graphic in detail.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    Pero somehow, after some time, she was finally able to do so. Malalking parte ng kanyang pag-move on si Nathang, the one guy who has always been there for her.But things didn't go smoothly when Gail returned from Germany. Ang inakala niyang masayang estado niya ay muling nagulo the moment she saw Kurt, who was now willing to do anything to get her back. Pero paano na si Nathan at si Kay Anne, ang best friend niyang ngayo'y engaged na kay Kurt?With so many things unanswered, will Gail finally give up on Kurt? Or will he prove that their love isn't just an accident, and that it deserves a happy ending?

    She is capable of breaking down all his barriers, imploring his heart to give love a second chance.He wants to trust her...They step into a relationship with a vow - to stay together all their lives.But when disaster strikes, does their love prove strong enough to withstand the brutal force of reality? Only time will tell...

    Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, new Year's Best sections on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.The critically acclaimed and award-winning tradition continues with another stunning collection, including stories by Kelly Link, Kim Newman, Corey Marks, Eric Schaller, M. Shayne Bell, Helga M. Novak, Terry Dowling, Michael Libling, Zoran Zivkovic, Bentley Little, Carlton Mellick III, Brian Hodge, Conrad Williams, Tom Disch, Melissa Hardy, Joel Lane, Nicholas Royle, Tracina Jackson-Adams, Karen Joy Fowler, Jackie Bartley, Peter Dickerman, Ramsey Campbell, Adam Roberts, Robert Phillips, Jay Russell, Luis Alberto Urrea, Margaret Lloyd, Stephen Gallagher, Robin McKinley, Haruki Murakami, Theodora Goss, Kathy Koja, Lucy Taylor, Elizabeth Hand, Kevin Brickmeier, Sharon McCartney, Susan Power, Don Tumasonis, Nan Fry.Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, Year's Best sections on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

    Do not ever consider to finish reading it in one sitting, from start to end. Never. Have you ever noticed the bottles of perfume lined up on some dressing tables, in some enthusiastic houses? What is the purpose behind having so many bottles lined up together? We use only one at a time. The purpose is to use the fragrance that the mind desires at a particular moment. This book is also like the lined up perfume bottles. Open it to the page that your mind desires. Get enveloped in the fragrance, enjoy it thoroughly. There is no binding of finishing reading that has been started. Enjoy it as and when and how much you wish, without any botheration or anxiety of 'what next?'If your mind is taken away by a particular perfume, then do not hesitate, feel it again. You never know what you can come across while trying to find something anew. Keeping all these things in mind, there is no sequence, no index and no references given in this book, with the sole intention of allowing you a free mind for all the ideas, concepts and feelings.And now a few words about the book by Va Pu himself."Dear Friends, the glass which is shown on the cover page is empty, you might be wondering why? The reason is it is ready to grasp every single word coming from the depths of the sky. The glass will always remain empty for new ideas if you try and keep it clean from all the under estimation about others and the overrating about yourself. Then the glass will be empty to capture the skies. I know that your minds were free from all such evil things; they were free for those many manifestations, I am indeed lucky to have some place in your mind. Dear Friends, bless me today that my glass will remain empty throughout, of all the bad and evil wishes, let it be free from all the misconceptions, egos and ill wills.

    Visit places where one might expect to find the dark — in a house where love was shared and lost, a milky-white pool in an Australian cave, the trenches of World War I, the deep woods. You would not be surprised to find the dark in a cheap apartment on the wrong side of town, down mean streets, under a gallows-tree, along dank passageways, trapped underground, in the near future, or among the mysteries of old New Orleans. Dunes, lakes, isolated cabins, old books, and Old West saloons — well, the darkness might easily be there. But we've also found locales you thought were safe from shadows — a rib joint with good blues playing, inside an old wardrobe, on a baseball diamond, the Beverly Wilshire Hotel...Travel into the best dark fantasy and horror from 2011 with more than five-hundred pages of tales from some of today's best-known writers of the fantastique as well as new talents — stories that will take you to a diverse assortment of dark placesContents Hair • (2011) • shortstory by Joan AikenRakshasi • (2011) • shortfiction by Kelley ArmstrongWalls of Paper, Soft as Skin • (2011) • shortstory by Adam CallawayThe Lake • (2011) • shortfiction by Tananarive DueTell Me I'll See You Again • (2011) • shortstory by Dennis EtchisonKing Death • (2011) • shortfiction by Paul FinchThe Last Triangle • (2011) • shortfiction by Jeffrey FordNear Zennor • (2011) • novella by Elizabeth HandCrossroads • (2011) • shortstory by Laura Anne GilmanAfter-Words • (2011) • novelette by Glen HirshbergRocket Man • (2011) • shortfiction by Stephen Graham JonesThe Maltese Unicorn • (2011) • shortfiction by Caitlín R. KiernanThe Dune • (2011) • shortfiction by Stephen KingCatastrophic Disruption of the Head • (2011) • shortfiction by Margo LanaganThe Bleeding Shadow • (2011) • shortfiction by Joe R. LansdaleWhy Light? • (2011) • novelette by Tanith LeeConservation of Shadows • (2011) • shortstory by Yoon Ha LeeA Tangle of Green Men • [Chronicles of the Borderlands] • (2011) • novella by Charles de LintAfter the Apocalypse • (2012) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Why Do You Linger? • (2011) • shortfiction by Sarah MonetteLord Dunsany's Teapot • (2011) • shortstory by Naomi NovikMysteries of the Old Quarter • (2011) • novelette by Paul ParkVampire Lake • (2011) • shortfiction by Norman PartridgeA Journey of Only Two Paces • (2011) • shortstory by Tim PowersFour Legs in the Morning • (2011) • shortfiction by Norman PrentissThe Fox Maiden • (2011) • shortfiction by Priya SharmaTime and Tide • (2011) • shortstory by Alan Ryan [as by Alan Peter Ryan ]Sun Falls • (2011) • shortstory by Angela SlatterStill • (2011) • shortfiction by Tia V. TravisObjects in Dreams May Be Closer Than They Appear • (2011) • shortstory by Lisa TuttleThe Bread We Eat in Dreams • (2011) • shortstory by Catherynne M. ValenteAll You Can Do Is Breathe • (2011) • shortstory by Kaaron WarrenJosh • (2011) • shortfiction by Gene Wolfe

    I’m finally free of stalkers. I am free to live a normal, happy life. Going to parties and making friends. The best part is, I’m finally safe. Or so I thought. My world comes crashing down around me when I start receiving mysterious gifts. Somebody is out for revenge and I will figure out who. I’m not the same girl I was last year. I refuse to be a victim. Welcome to my college life.

    A step-by-step guide for women to tranforming your love life practically overnight.

    Since all werewolves who're sixteen and onward have sex during the Season, it is widely regarded as a social code. Not Sienna Mercer. Nineteen and very much a werewolf, Sienna prefers the human way of waiting for the right guy, or in her case her future mate, even if it means suffering a great deal of sexual torture during the Mating Season. But the Season isn't called 'Mating' for nothing, for the stakes of meeting your mate throughout the Season are much higher than usual, and with the Season in full swing and a certain alpha's contemplative interest, Sienna finds that, most likely, this Season she'll be virgin no more

    “He may be the love of your life but he’s my soulmate”