Pull up a chair, grab a glass of your favorite, and listen to the stories spun by time travelers, cybernetic aliens, telepaths...and a bunch of regular folks on a mission to save the world, one customer at a time.Callahan's Crosstime Saloon contains the following stories, virtually all of which were published in Analog Science Fiction and Fact: * "The Guy With the Eyes" * "The Time-Traveler" * "The Centipede's Dilemma" * "Two Heads Are Better Than One" * "The Law Of Conservation of Pain" * "Just Dessert" * "A Voice is Heard in Ramah..." * "Unnatural Causes" * "The Wonderful Conspiracy"

    Here are sad-hearted priests, old friends, young lovers, rockers and rebels, husbands and runaway wives, punks and poets. They all are clinging desperately to some kind of faith in a mutable and dangerous world.

    Yann Martel's title story (described as "unforgettable...a truly stunning piece of fiction"*), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended--and is matched through all the stories by an immediacy an dazzling freshness.

    Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published due to Wells' ground breaking treatment of female sexuality. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence.

    Why Did I Ever takes us along on the darkest of private journeys. The story, told by a woman named Money Breton, is submitted like a furious and persuasive diary-a tale as fierce and taut as its fictional teller.

    Andre Dubus treats his characters--a bereaved father stalking his son's killer; a woman crying alone by her television late at night; a devout teenager writing in the coils of faith and sexuality; a father's story of limitless love for his daughter--with respect and compassion. He turns fiction into an act of witness.

    In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.

    He saw the skin peel from the rocket beehive, men thus revealed running, running, mouths shrieking, soundless. Space was a black mossed well where life drowned its roars and terrors. Scream a big scream, but space snuffed it out before it was half up your throat. Men scurried, ants in a flaming matchbox; the ship was dripping lava, gushing steam, nothing!Journey with the century's most popular fantasy writer into a world of wonder and horror beyond your wildest dreams.Contents:- The Fog Horn (1951)- The Pedestrian (1951)- The April Witch (1952)- The Wilderness (1952)- The Fruit at the Bottom of the Bowl (1948)- Invisible Boy (1945)- The Flying Machine (1953)- The Murderer (1953)- The Golden Kite, the Silver Wind (1953)- I See You Never (1947)- Embroidery (1951)- The Big Black and White Game (1945)- A Sound of Thunder (1952)- The Great Wide World Over There (1952)- Powerhouse (1948)- En la Noche (1952)- Sun and Shadow (1953)- The Meadow (1953)- The Garbage Collector (1953)- The Great Fire (1949)- Hail and Farewell (1953)- The Golden Apples of the Sun (1953)

    literally, from dust to dust. Readers will remember Vanessa Van Home, the elderly detective from The Telling of Lies, now involved in a murder mystery where a corpse confounds the line between the magical and the mundane. And the unforgettable Rosedale couple from Findleys "Minna and Bragg" stories, who reappear in two more haunting tales. In the stories that make up "All Must Come to Dust," we are taken into the ancient cultures of Europe, and there confronted by our preconceived notions of what constitutes history and memory.Each work in Dust to Dust is a beautifully rendered showcase for Timothy Findley's immense talent in evoking a time, a place and a mood. With their European settings, these stories render a territory formerly unexplored by Findley in his Short Fiction repertoire.

    The family move from Sydney to Newcastle, where Roy has bought a derelict house on the coast.As Roy painstakingly patches the holes in the floorboards and plasters over cracks in the walls, Maryanne believes, for a while, that they can rebuild a life together.But Freya doesn’t want a fresh start—she just wants out—and Daniel drifts around the sprawling, run-down house in a dream, infuriating his father, who soon forgets the promises he has made.Some cracks can never be smoothed over, and tension grows between Roy and Maryanne until their uneasy peace is ruptured—with devastating consequences.

    During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    Steinbeck tackles two important literary traditions here; American naturalism, with its focus on the conflict between natural instincts and the demand to conform to society's norms, and the short story cycle. Set in the heart of 'Steinbeck land', the lush Californian valleys.

    Since he has always written his own material, books are a natural medium for Steve's comic genius. And his extravagant wit shines brightly indeed in this rollicking collection of short fabulous pieces.

    Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

    When a mercurial Moscow blonde and a visiting British businessman conduct an affair through their Russian interpreter it reveals all the deceptions of love and East-West relations.