In that role he manifestly shaped the conception and writing, as well as the presentation, of many of the period's iconic works, reshaping the values of the stage and bringing a new realism and intensity of performance to the screen. His various achievements include the original Broadway productions of The Skin of Our Teeth, All My Sons, and Death of a Salesman and such Hollywood films as Gentleman's Agreement, Brando's Streetcar, and Splendor in the Grass.A non–traditional biography, this book combines social and political history with a sharp critical evaluation of Kazan's work. Schickel presents Kazan as a figure of his culture and time, much in the same way that David Remnick treated Muhammed Ali and the larger picture of American history in King of the World. History's view of Kazan is now colored by a single political act –– his naming names in testimony before the House Un–American Activities Committee. By putting the actions, work, and words of this towering figure in context, Schickel not only defends his hero and his hero's work; he also helps the reader move beyond Kazan's most infamous moment to appreciate the larger American story in which he played such a pivotal role. The result is an intelligent and lively biography and social history.

    Now the laughter continues with her uproarious autobiography. Like a Lampshade in a Whorehouse recounts how, against all odds, Phyllis Diller became America's first successful and best-loved female stand-up comic. She began her professional career at age thirty-seven, in spite of the fact that she was a housewife and mother of five, and was working at a radio station because of her husband's chronic unemployment. Now, fifty years later, after two traumatic marriages, extensive cosmetic surgery, numerous film, television, and stage appearances, and separate careers as an artist and piano soloist with symphony orchestras, Phyllis Diller finally tells her story. With her trademark laugh, self-deprecating humor, and incredible wit, Phyllis Diller has etched her way into comedic history. And while her wild hair and outrageous clothes may make her look like a lampshade in a whorehouse, her strength, self-belief, perseverance, and raucous sense of humor make her truly unforgettable.

    "Heaven and Mel" is Eszterhas's explosive, unabridged, no-holds-barred account. It is a Hollywood story but it's not. It is the story of love and hatred, of anti-Semitism and fathers and sons, and of a movie star's tragic sexual obsession. It is the story of God and the Devil, devastating but often hilarious. It is Joe Eszterhas at his best: two-fisted, movingly sensitive, always outrageous.

    He entered college just as World War II began and dreamed of being a naval aviator. It seemed as if every night his fraternity was having a party to send off a brother to the service. Young Arness got his interview with a naval flight program officer, but his hopes vanished as he was informed that his six foot seven inch height disqualified him automatically. He wrote his draft board asking that they call him up as soon as possible and so he ended up as a private in the famed Third Infantry Division where he earned a Bronze Star and the Purple Heart. Because of his stature, he was chosen to be first off the landing craft (to test the depth of the water) when his division landed at Anzio, Italy. He was subsequently wounded by enemy machine gun fire and spent eighteen months recovering in overseas and stateside hospitals. Later his height would help him strike a commanding figure in the role of U.S. Marshal Matt Dillon of Dodge City. After Arness had toiled in Hollywood for a decade, John Wayne recommended him to CBS executives for the Gunsmoke part (after Wayne turned it down). As the principal performer of Gunsmoke for twenty years (1955-1975), the actor and the character took on mythic proportions--a born leader, honest and strong. Rare is the actor who has been cast in a role that so deeply fits his true self. James Arness gives a full account of his early years, his family, his military career, his film work in Hollywood which included appearances in the cult-favorite science fiction movies Them! and The Thing. He had a long run on Gunsmoke, a role in the highly popular television miniseries How The West Was Won, and his post-theatrical period is also covered. This is the long anticipated, never-before-told account of one of the icons of twentieth-century television. There are many personal revelations of interacting with some of the Gunsmoke family ensemble, such as Miss Kitty, Doc and Festus. His own work as a producer is covered. Throughout are rare, previously unpublished photographs from the author's personal collection. Appendices include comments by show biz colleagues and fellow Gunsmoke alumni, and a sampling of letters received from his legions of fans. As befits the man, this large-size book is a beautifully printed work in accord with the highest library standards--a luxurious and extra-strong cloth binding, acid-free paper, carefully designed photographic and textual layouts and sophisticated typography. Actor and fellow Gunsmoke performer Burt Reynolds has written a foreword to the book.

    From humble beginnings in New York, Burns and Allen went on to become much-loved stars of stage, radio, television, and the big-screen, one of the few entertainers to be successful in each venue. The book begins with Burns' childhood and early struggles in vaudeville before he meets Gracie Allen. Burns then details his efforts to win her affections; their marriage and adoptions of two children; radio, film, and TV productions (including the script of a 1955 show for their television series). Included are 16 pages of illustrations. George Burns, born in 1896, passed away at age 100 in 1996. Gracie Allen preceded him in death, passing away in 1964.

    Vicky Tiel started as an “it” girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous.  Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, What’s New, Pussycat?, her classic design inspired the red dress that transformed Julia Roberts in Pretty Woman, and her creations are worn today by stars such as Halle Berry and Kim Kardashian.  Tiel’s own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best friend Mia Fonssagrives in Paris, from marrying MGM’s top make-up man to becoming Elizabeth Taylor’s dear friend and part of her longtime entourage.  Tiel forged her own path, and picked up some distinctive and hard-earned lessons from the rich, famous and celebrated along the way. In IT’S ALL ABOUT THE DRESS, you’ll get a glimpse of what it’s like to be Hollywood royalty (think yachts, tiny dogs, giant pearls and peanut butter sandwiches washed down with Chateau Margaux), discover the seduction secrets of the greats (from Kim Novak to Goldie Hawn to Warren Beatty), take in a little husband-hunting advice, and even learn legendary model Dorian Leigh’s recipe for gigot d’agneau sept heures. Vicky Tiel will teach you to dress like a sex symbol , cook like the owner of a French country inn, and seize what you want from the world like an American ingénue.

    Despite these accomplishments and more—five collections of prose, songwriting with Bob Dylan, filmmaking with Robert Frank and Michelangelo Antonioni, as well as romantic relationships with rocker Patti Smith and actress Jessica Lange—Shepard seems anything but satisfied. Sam Shepard: A Life details his lifelong bouts of insecurity and anxiety, and delves deeply into his relationship with his alcoholic father and his own battle with the bottle. Also examined for the first time in-depth are Shepard’s tumultuous relationship with Lange, and his decades-long adherence to the teachings of Russian spiritualist G. I. Gurdjieff.Throughout this new biography, Winters gets to the heart of the enigma that is Sam Shepard, presenting a direct and comprehensive account of his life and work.

    Now, ten years after the original film’s release, the full story of this seemingly cursed production can finally be told...  In The Crow’s last days of filming, its star Brandon Lee (son of Bruce Lee) was killed in a strange on-set accident, while filming his character’s death scene. Bridget Baiss describes the chain of events which led from O’Barr’s creation of the graphic novel, up to this fateful day, and beyond, to the film’s final, triumphant release. The definitive account of The Crow’s production and the phenomenon it became, packed with scores of interviews with the film’s cast and crew.

    Reprint.

    Len Deighton, author of the classic espionage novel 'The Ipcress File', knew both sides intimately. An acquaintance of Ian Fleming’s (who had praised Deighton’s debut novel in the 'Sunday Times') Deighton was also close to the man who was to become Fleming’s nemesis – Kevin McClory, a veteran of the British film industry. The history of Bond’s development under the arc lights becomes, in Deighton’s expert hands, a saga-like story of inflated egos and poisonous vendettas, exotic locations and claustrophobic courtooms, all involving household names. As an eye witness to the protracted disputes that complicated Bond’s depiction both on screen and on the page, Deighton is in a unique position to tell what he saw. Candid, comical, always steely-eyed, this hefty slice of cinematic memoir reads with all the high-powered pace of a Len Deighton thriller.

    Cary Grant...Hollywood's ultimate ladies' man...the silver screen's most ardent lover. But beyond his portrayal of the sophisticated romantic hero in movies like "The Philadelphia Story" and "Notorious" was a man haunted by fear and self-doubt which affected his career as well as his personal life.

    This biography, based on many years of the author's contact with Julie, presents a frank portrait of an enduring icon of stage and screen.

     The pianist Leon  Fleisher—whose student–teacher lineage linked him to Beethoven by way of his instructor, Artur Schnabel—displayed an exceptional gift from his earliest years. And then, like the hero of a Greek tragedy, he was struck down in his prime: at thirty-six years old, he suddenly and mysteri­ously became unable to use two fingers of his right hand. It is not just Fleisher’s thirty-year search for a cure that drives this remarkable memoir. With his coauthor, celebrated music critic Anne Midgette, the pianist explores the depression that engulfed him as his condition worsened and, perhaps most powerfully of all, the sheer love of music that rescued him from complete self-destruction. Miraculously, at the age of sixty-six, Fleisher was diagnosed with focal dystonia, and cured by experimental Botox injections. In 2003, he returned to Carnegie Hall to give his first two-handed recital in over three decades, bringing down the house. Sad, reflective, but ultimately triumphant, My Nine Lives com­bines the glamour, pathos, and courage of Fleisher’s life with real musical and intellectual substance. Fleisher embodies the resilience of the human spirit, and his memoir proves that true passion always finds a way.

    Growing up in the Mongolian countryside, she wasn’t ready to face the darker side of the world. And yet she had to.After she was kidnapped by an organized crime gang, Yuna had to overcome her fears at a young age and start taking care of herself. She tried to escape from slavery, but everybody that she encountered wanted to take advantage of her. Yuna and other girls just like her were constantly abused, beaten, raped and sold as sex slaves. Human trafficking is the worst kind of humiliation, especially for a young woman. She tried to escape and find freedom, but it wasn’t easy.In this emotional and heart-shattering true story, author Luke G. Dahl will let you behind the curtains of sex trafficking gangs and into the soul of abused women, who try to glue the broken pieces of their soul together, in order to survive. By understanding what they have had to endure, you can find a new perspective and respect for life.

    The year will also see him take on the lead role in a new adaptation of The Great Gatsby and see him cast as a villain in Quentin Tarantino's new blockbuster Django Unchained. It's a far cry from the heartthrob's humble beginnings when he had to scrape for parts in TV commercials and soap operas before catching the eye in Baz Luhrmann's stylish Romeo and Juliet and then achieving worldwide superstardom with Titanic. Cementing his reputation with captivating performances in films like Catch Me If You Can and The Departed, DiCaprio won a Golden Globe for his portrayal of Howard Hughes in The Aviator. A keen environmentalist and conservationist, he has given millions to good causes around the globe and has never been shy about wearing his political ideas on his sleeve. Although he's spent more than 15 years at the top of his profession, Leonardo remains something of an enigma. He has famously dated some of the world's most beautiful women, but seems no nearer to settling down, and his often daring movie choices suggest someone still striving for perfection despite his stunning successes.