Sam and Mason were best friends, and it was on a ski trip together in the Sierra Nevada Mountains that the unthinkable happened. A chance encounter with a creep in a bar set events into motion, and when it was over, Sam was gone. In the aftermath, Mason could never shake the feeling that he was responsible. The guilt nearly killed him. Years later Mason has turned his life around, the heartbreak and destructive living rooted in that long-ago night finally behind him. But the past remains, and when Mason’s girlfriend resurrects Sam’s case, it sets them both on a terrifying course of no return. The investigation leads to Bridgeport, California, in the Eastern Sierra. From there, an epic showdown awaits at the infamous ghost town in Bodie. The old mining camp holds many secrets, and as Mason draws closer to a horrible truth, he will need all his cunning and courage to face down Sam’s killer.

    

    This book tells it all – from the creation of Adam, to Black Abraham, Moses, Jacob, the invasion of the homelands of the Black Hebrew Israelites/Jews by the Assyrians, Neo-Babylonians, Persians, Greeks, Romans, Muslims and others; the brutalization of the Black Jews and their near-decimation, as well as the story of the Khazars, who are today considered to be the real Jews. Mention is also made of the historical Black Jesus. This book is illustrated with ancient images of Biblical characters.

     PART I When Deputy Carson Wheeler goes to the One Hart Ranch to investigate a report of cattle rustling, he finds himself face to face with Melody Hart. Melody is the last of the Harts left to run the old ranching operation. She’s fierce and hardworking and Carson finds himself fascinated in spite of how prickly she seems with him. But they’re going to have to work together to unravel the case of the animal rights activists looking to shut down what they see as an abomination against cattle and the ranching tradition itself. PART II One of Deputy Lilliana Martinez’s favorite stops every morning is at the food truck parked not far from the sheriff’s office. There are Burrito Trucks everywhere in the valley. But lately, there have been several very strange robberies. When Lilli witnesses a robbery, she takes a personal interest in the case. Lilli thinks that it’s an inside job and she even has her suspect. Oscar Garcia certainly looks the part. But the more Lilli gets to know Oscar, the more she realizes that he only looks like a thug on the outside. On the inside, he’s a prince among men. And in fact, it’s the one who looks like a prince that is really the devil in disguise. PART III Deputy Rico Attencio is not a big fan of art and yoga weekends. Maybe that’s why he’s not all that surprised to get a phone call from the artists’ retreat saying that they have a problem. What Rico could never predict was how attractive he finds the owner. Sara Sellers is nothing like what Rico expected. Sara is absolutely sure that someone is poisoning her guests. But it will take more than a little bit of sleuthing and good old fashioned common sense to find the culprit before someone winds up dead. PART IV Deputy Tom Mason is just as supportive of this resurgence of the homestead movement as anyone else. That is until it starts to spawn a herd of livestock and children who seem determined to wander through the streets of Dos Brazos. First chickens. Then a bull. And then eventually there are goats and children roaming just about everywhere around town and getting in the way of normal things like traffic. When Florence Fiskars from the Department of Social Services asks Deputy Tom for a hand, he is sure that the state is just going to make a mess of things. It does not take long for them to discover they’ve stumbled onto a little more than the average negligence case. Tom always heard about the “orphan train” in history class as a boy. He just never thought he’d discover that someone was attempting to use orphan labor in the here and now. PART V There have been a lot of changes in the valley, but when someone starts putting pressure on Clarissa Maestas to sell her family’s farm, she digs in her heels and says no. Then a string of strange things begins to happen within the Maestas family’s Farm to Table operation. That’s when Clarissa calls in the help of her oldest school friend, now sheriff of the Dos Brazos Valley. What Wyatt and Clarissa dig up has them realizing that someone has huge plans for the valley that leaves no room for any of the locals. It’s up to Clarissa and Wyatt to put aside their childhood quarrels and put a stop to the Hollywood invasion before it’s too late.

    When Emmett Spears is gunned down by four killers in cold blood in a saloon in Harper, Colorado, his best friend makes a promise at Emmett's burial to get revenge. Sarah Talbert loves Wade and begs him not to go, but Wade made a promise he has to keep. Armed with a pistol, and a Sharps .50 caliber rifle, he sets out to find the four men. The journey takes him, two aging sheriffs and an Indian across Colorado, New Mexico, Arizona and into Mexico following a trail of violence and death that Wade may never recover from.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    Lorraine Dawson is Olivia’s whole world, and now Olivia insists on being there for her. But when Lorraine learns Olivia is sacrificing college for her sake, her heartache triggers a series of shattering events that results in Olivia discovering her father, a man she was told had died years ago. But he is alive and well—and he’s the powerful CEO of one of the country’s richest corporations.With her best friend urging her to claim a much-deserved chunk of Bernard Wells’s fortune, Olivia seeks out his Los Angeles mansion. But it’s not money she wants—it’s answers: Why did he abandon Lorraine when Olivia was three years old? Why did they suffer in poverty while he gave his "real" wife and son a life of luxury? Opening up the past, however, is more complicated than Olivia—or Bernard—expected, and the pain of yesterday’s sins must be confronted before true healing and a bright tomorrow can begin.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    As a poet who has achieved success in the realms of both grassroots popularity and national critical attention, Kocot is poised to claim her place as America’s boldest new poetic voice.

    That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    Featuring a new introduction by O’Hara expert and friend, poet and art critic Bill Berkson, Retrieved has been completely reformatted and is essential for any reader of twentieth century poetry. As Berkson writes, “The breadth of what Frank O’Hara took to be poetry is reflected in the many kinds of poems he wrote. . . . Turning the pages of any of his collections, you wonder what he didn’t turn his hand to, what variety of poem he left untried or didn’t, in some cases, as if in passing, anticipate.”

    Impelled by metaphor and lilting repetition, Mulberry seeks a sense of the world, and ultimately, finds a sense of the Infinite. Affording continual discoveries, Mulberry is a major work for the new century by an assured and lavishly gifted poet. Dan Beachy-Quick is the author of North True South Bright and Spell, He is chair of the MFA Writing Program at the School of the Art Institute of Chicago and recipient of a Lannan Foundation Residency.

    The complete works of an extraordinary poet who consistently refines the notion of what constitutes an American sound.

    African American Studies. CRANIAL GUITAR collects poems that first appeared in The Ancient Rain and Crowded with Loneliness, and includes the entire text of the long-out-of-print Golden Sardine, in the only major collection available of the late poet Bob Kaufman. Kaufman was active (except during a decade long self-imposed silence) in the poetry scenes of San Francisco and New York from the 1950s to the 1980s, and has attained cult status for his place at the forefront of the Beat movement. "Kaufman is also known as one of America's true surrealist poets, a premier jazz poet, and a major poet of the black consciousness movement. So much did he embody a French tradition of the poet as outsider, madman, and outcast, that in France, Kaufman was called the Black Rimbaud."--from the introduction by David Henderson.

    One of the most challenging poets writing today, Graham is no easy read, but the rewards are well worth the effort. While thematically present, her concern is not exclusively the demise of natural resources and depletion of species, but the philosophical and perceptual difficulty in capturing and depicting a physical world that may be lost, or one that we humans have limited sight of and into. As she notes in "The Taken-Down God": "We wish to not be erased from the / picture. We wish to picture the erasure. The human earth and its appearance. / The human and its disappearance."With a style that is fragmented and somewhat whirling--language dips and darts and asides are taken--Graham stays on point and presents an honest intellect at work, fumbling for an accurate understanding (or description) of the natural world, self-conscious about the limitations of language and perception.