Her clients are rich and they demand items and experiences with only the finest verifiable provenance. Other people’s lives have value, after all.But when her A.I. suddenly stops whispering in her ear she finds herself cut off from the grid and loses communication with the rest of the world.The man who stepped out of the trees while hunting deer cut her off from the cloud, took her A.I., and made her his unwilling guest.There are no Authenticities or Captures to prove Katya’s story of what happened in the forest. You’ll just have to believe her.

    your life is over! Logan-6 has been trained to kill; born and bred from conception to be the best of the best. But his time is short and before his life ends he's got one final mission: Find and destroy Sanctuary, a fabled haven for those that chose to defy the system. But when Logan meets and falls in love with Jessica, he begins to question the very system he swore to protect and soon they're both running for their lives. When Last Day comes, will you lie down and die... or run!

    The world of Sepulchre IV stands on the brink of destruction.  From the stars the Red Rage descends, intent on murder and massacre.  Into the fray are thrust the Firedrakes, peerless champions of the Salamanders.  Their mission: retrieve the 'holy relic' of Spulchre and prevent it falling to the enemy.

    It was supposed to mean the end of aging, the end of death, the birth of a new humanity. But it wasn't supposed to happen to someone like Lia Kahn.And it wasn't supposed to ruin her life.Lia knows she should be grateful she didn't die in the accident. The Download saved her--but it also changed her, forever. She can deal with being a freak. She can deal with the fear in her parents' eyes and the way her boyfriend flinches at her touch. But she can't deal with what she knows, deep down, every time she forces herself to look in the mirror: She's not the same person she used to be.Maybe she's not even a person at all.

    Within this collection, each setting is more strange and wonderful than the last, brimming with new technologies and beings. And yet, for all the advances in these futuristic lands, the people still must confront deeply human problems.With tales of friendship and revenge, plus two new stories from the Carve the Mark universe. Each story begins with a hope for a better end, but always end with a better understanding of the beginning.

    When the Robots revolt, killing all but one of their masters, they must attempt to learn the secret of self-duplication. But their attempts at replication leave them with nothing but bloody chunks of meat. It's not until two robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.

    One of the ship's crew of 10 is a human empath whose role as ship's Sensor is to detect any presence of intelligent life, but upon their arrival they find vast forests and open fields of grasses, without animals of any kind ... not even an insect. Unable to stand the irritatating emotional excreta of his fellow crewmates, the empath sets up an outpost to do a species count on the local flora, but when he fails to report in on the radio, the others suspect the native vegetation may not be as harmless as it seems. Locus Poll Award Nominee, Hugo Award Nominee

    This story was originally published in Asimov's Science Fiction magazine in March 2007. It is available in The Best of Elizabeth Bear.

    In this toasted tomorrow, the highly-mechanized Puffy Products is bent on producing the supremely lightest loaf. The story is what happens if bread isn't just airy, but pumped full of lighter-than-air helium. Leiber (Ships to the Stars) didn't often bake up such a souffle of spoof, but he's a master in the kitchen. And "Bread Overhead" has just enough to say about human nature to be filling, besides.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Included with many other stories are the full-length novel City of Darkness and Brillo--the famous collaboration between Bova and Harlan Ellison.

    It’s a place to live. And when you’re here, you’ll never want to leave.Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses…well, it doesn’t seem so bad. It’s more than anyone else is offering. Zinnia never thought she’d be infiltrating Cloud. But now she’s undercover, inside the walls, risking it all to ferret out the company’s darkest secrets. And Paxton, with his ordinary little hopes and fears? He just might make the perfect pawn. If she can bear to sacrifice him. As the truth about Cloud unfolds, Zinnia must gamble everything on a desperate scheme—one that risks both their lives, even as it forces Paxton to question everything about the world he’s so carefully assembled here. Together, they’ll learn just how far the company will go…to make the world a better place. Set in the confines of a corporate panopticon that’s at once brilliantly imagined and terrifyingly real, The Warehouse is a near-future thriller about what happens when Big Brother meets Big Business--and who will pay the ultimate price.

    She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . . Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

    Campbell Jr.Methuselah's Children (Part 1 of 3, Lazarus Long series) / serial by Robert A. Heinlein; interior artwork by H. RogersIn Times to Come / essay by The EditorThe Analytical Laboratory: May 1941 (/ essay by The EditorSpaceship in a Flask / Clifford D. Simak; interior artwork by Frank KramerThe Seesaw (Weapon Shops of Isher series) / by A.E. van Vogt; interior artwork by Charles SchneemanThe Probable Man / Alfred Bester; interior artwork by Frank KramerVermin of the Sky / essay by R.S. RichardsonThe Geometrics of Johnny Day / by Nelson S. Bond; interior artwork by Charles SchneemanWe Also Walk Dogs (Future History series) / Robert A. Heinlein (as by Anson MacDonald]; interior artwork by KollikerMore Than Giant Mirrors Needed / essayBrown / by Frank Belknap Long; interior artwork by Frank KramerBrass Tacks / essay by The EditorLetter / essay by Allan Ingvald BensonLetter / essay by L. Sprague de CampLetter / essay by Harry Warner Jr.

    Valente, the bestselling and award-winning creator of Space Opera and The Girl Who Circumnavigated Fairyland returns with The Past is Red, the enchanting, dark, funny, angry story of a girl who made two terrible mistakes: she told the truth and she dared to love the world.The future is blue. Endless blue...except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown.Tetley Abednego is the most beloved girl in Garbagetown, but she's the only one who knows it. She's the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it's full of hope, that you can love someone and 66% hate them all at the same time.But Earth is a terrible mess, hope is a fragile thing, and a lot of people are very angry with her. Then Tetley discovers a new friend, a terrible secret, and more to her world than she ever expected.