Passmore masterfully tackles comics about race, gentrification, the prison system, online dating, gross punks, bad street art, kung fu movie references, beating up God, and lots of other grown-up stuff with refreshing doses of humor and lived relatability. The comics in this 112-page collection include works previously published by The Nib, VICE, and the As You Were anthology, along with brand new and unreleased material. These comics are essential, humorous, and accessible, told through Passmore's surreal lens in the vibrant full-color hues of New Orleans.

    Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre.  With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as “Rumors I’ve Heard About Anna Wintour,” and “The Secret Lives of Chefs,”  Hanawalt’s comedy shines, making the quotidian silly and surreal, flatulent and facetious.

    The village folk no longer see her as repulsive and stinking of fish—they now perceive her as magnetically beautiful—which does not help her in her village. A young local lord saves her, but it soon becomes apparent that Coddie’s destiny may be far greater than anyone ever imagined. Caustic and flamboyant, this fairy tale offers grownups an engrossing take on the nature of beauty.

    What’s keeping his memory from being obliterated is not the law. It is the grit and guts of his mother, who refuses to surrender her son to fate, and the tenacity of his brother, a blogger, who fuses tradition and technology to explore and explode the void in which Mehdi has vanished. Zahra’s Paradise weaves together fiction and real people and events. As the world witnessed the aftermath of Iran’s fraudulent elections, through YouTube videos, on Twitter, and in blogs, this story came into being. The global response to this gripping tale has been passionate—an echo of the global outcry during the political upheaval of the summer of 2009.   Zahra’s Paradise is a first on the internet, a first for graphic novels, and a first in the history of political dissidence. Zahra’s Paradise is being serialized online at zahrasparadise.com.   Zahra’s Paradise is a Publishers Weekly Best Comics title for 2011.

    war and famine, an Africa that endures despite everything because, as we say back home, life goes on." --Marguerite AbouetIvory Coast, 1978. Family and friends gather at Aya's house every evening to watch the country's first television ad campaign promoting the fortifying effects of Solibra, "the strong man's beer." It's a golden time, and the nation, too--an oasis of affluence and stability in West Africa--seems fueled by something wondrous.Who's to know that the Ivorian miracle is nearing its end? In the sun-warmed streets of working-class Yopougon, aka Yop City, holidays are around the corner, the open-air bars and discos are starting to fill up, and trouble of a different kind is about to raise eyebrows. At night, an empty table in the market square under the stars is all the privacy young lovers can hope for, and what happens there is soon everybody's business.Aya tells the story of its nineteen-year-old heroine, the studious and clear-sighted Aya, her easygoing friends Adjoua and Bintou, and their meddling relatives and neighbors. It's a breezy and wryly funny account of the desire for joy and freedom, and of the simple pleasures and private troubles of everyday life in Yop City. An unpretentious and gently humorous story of an Africa we rarely see-spirited, hopeful, and resilient--Aya won the 2006 award for Best First Album at the Angoulême International Comics Festival. Clément Oubrerie's warm colors and energetic, playful lines connect expressively with Marguerite Abouet's vibrant writing.

    New and unabridged, this is an all-new translation of the author's first-person experiences of Hiroshima and its aftermath, is a reminder of the suffering war brings to innocent people. Its emotions and experiences speak to children and adults everywhere. Volume one of this ten-part series details the events leading up to and immediately following the atomic bombing of Hiroshima.

    Thanks to a deal with Death, the young sculptor gets his childhood wish: to sculpt anything he can imagine with his bare hands. But now that he only has 200 days to live, deciding  what  to create is harder than he thought, and discovering the love of his life at the 11th hour isn't making it any easier! This is a story of desire taken to the edge of reason and beyond; of the frantic, clumsy dance steps of young love; and a gorgeous, street-level portrait of the world's greatest city. It's about the small, warm, human moments of everyday life…and the great surging forces that lie just under the surface. Scott McCloud wrote the book on how comics work; now he vaults into great fiction with a breathtaking, funny, and unforgettable new work.

    But behind his rapid rise to success, there lies a dark and terrible secret, as biographer Leonard Batts discovers when he visits Burger's hometown in remote New Zealand. For Hicksville is no ordinary small town. In Hicksville sheep-farmers and fishermen argue the relative merits of early newspaper strips, while in the local bookshop & lending library, obscure Mongolian minicomics share the shelves with a complete run of ACTION COMICS. But why does everyone there seem to hate Dick Burger? And what is the secret of the lighthouse? HICKSVILLE collects the main storyline from the ignatz-award nominated comic book PICKLE, and includes some 40 or so pages of new or revised material.

    In his escape, he encounters an old remote lighthouse, far from the warring factions. He is granted shelter by Telmo, the aging operator of the lighthouse. As Francisco recuperates, Telmo’s tales of epic adventurers who sailed the lost seas and discovered worlds unknown reignite the spark of life in the young soldier. By one of the most brilliant new talents in comic art in Spain, author of the world-wide bestseller “Wrinkles.”

    The place, the Apache nations, a region torn apart by decades of war. Goyahkla, a young brave, has lost his family and everything he loves. After having a vision, he approaches the Apache leader Cochise to lead an attack against the Mexican village of Azripe. It is this wild display of courage that transforms the young brave Goyahkla into the Native American hero Geronimo. But the Apache Wars rage on. As they battle their enemies, lose loved ones, and desperately cling to their land and culture, they utter, "Indeh," or "the dead." When it appears that lasting peace has been reached, it seems like the war is over. Or is it? INDEH captures the deeply rich narrative of two nations at war--as told through the eyes of Naiches, the son of the Apache leader Cochise, and Geronimo, as they try to find peace and forgiveness. INDEH not only paints a picture of some of the most magnificent characters in the history of our country, but it also reveals the spiritual and emotional cost of the Apache Wars. Based on exhaustive research, INDEH offers a remarkable glimpse into the raw themes of cultural differences, the horrors of war, the search for peace, and, ultimately, retribution. The Apache left an indelible mark on our perceptions about the American West, and INDEH shows us why.

    Illustrated and presented by one of the leading artists in modern fantasy, this title gives us some of the great songs and folktales of the English, Irish, and Scottish traditions, re-imagined in sequential-art form, in collaboration with some of the strongest fantasy writers.

    I think I am in friend-love with you. What’s friend-love? It’s that super-awesome bond you share with someone who makes you happy every time you text each other, or meet up for an epic outing. It’s not love-love. You don’t want to swap saliva; you want to swap favorite books. But it’s just as intense and just as amazing. And it’s this search for that connection that comic-book artist Yumi Sakugawa captures in I Think I Am in Friend-Love with You. It’s perfect if you've ever fallen in friend-love and want to show that person how much you love them...in a platonic way, of course.

    In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

    Foreman on a deconstruction ship that specializes in demolishing belief outbreaks, Nul is prodded out of his complacency by a false murder charge, and sets off on a journey that takes him to the very brink of hope. A 232-page concoction of fiction and intrigue that delves into the bleak and bitter philosophical brew of Nihilist chic.

    Flagrantly manic and terrified that medications would cause her to lose creativity, she began a years-long struggle to find mental stability while retaining her passions and creativity.Searching to make sense of the popular concept of the crazy artist, she finds inspiration from the lives and work of other artists and writers who suffered from mood disorders, including Vincent van Gogh, Georgia O’Keeffe, William Styron, and Sylvia Plath. She also researches the clinical aspects of bipolar disorder, including the strengths and limitations of various treatments and medications, and what studies tell us about the conundrum of attempting to “cure” an otherwise brilliant mind.Darkly funny and intensely personal, Forney’s memoir provides a visceral glimpse into the effects of a mood disorder on an artist’s work, as she shares her own story through bold black-and-white images and evocative prose.