In the thirteen decades since A Study in Scarlet first appeared, countless variations on that theme have been played, from Mary Russell to Greg House, from 'Basil of Baker Street' to the new BBC Holmes-in-the-internet-age.We suspect that you have in the back of your mind a story that plays a variation on the Holmes theme...And what if these great writers read that proposal and decided that yes, they did have that kind of tale in the back of their minds? The result is A Study in Sherlock, Stories Inspired by the Sherlock Holmes Canon, with stories by Alan Bradley, Tony Broadbent, Jan Burke, Lionel Chetwynd, Lee Child, Colin Cotterill, Neil Gaiman, Laura Lippman, Gayle Lynds and John Sheldon, Phillip and Jerry Margolin, Margaret Maron, Thomas Perry, S.J. Rozan, Dana Stabenow, Charles Todd, and Jacqueline Winspear.

    Yet these staid, conservative houses play host to a wider variety of murders than do the mean streets of America's darkest cities.Contents: The adventure of the Abbey Grange / Sir Arthur Conan Doyle --A marriage tragedy / Wilkie Collins --Lord Chizelrigg's missing fortune / Robert Barr --The Fordwych Castle mystery / Emmuska, Barroness Orczy --The blue scarab / R. Austin Freeman --The doom of the Darnaways / G.K. Chesterton --The shadow on the glass / Agatha Christie --The queen's square / Dorothy L. Sayers --Death on the air / Ngaio Marsh --The same to us / Margery Allingham --The hunt ball / Freeman Wills Crofts --The incautious burglar / John Dickson Carr --The long shot / Nicholas Blake --Jeeves and the stolen Venus / P.G. Wodehouse --Death in the sun / Michael Innes --An unlocked window / Ethel Lina White --The wood-for-the-trees / Philip MacDonald --The man on the roof / Christianna Brand --The death of Amy Robsart / Cyril Hare --Fen Hall / Ruth Rendell --A very desirable residence / P.D. James --The Worcester enigma / James Miles.

    D. James. Fast on the heels of her latest best seller: a new, fiendishly entertaining gathering of previously uncollected stories, from the author of Death Comes to Pemberley and The Private Patient.It's not always a question of "whodunit?" Sometimes there's more mystery in the why or how. And although we usually know the unhealthy fates of both victim and perpetrator, what of those clever few who plan and carry out the perfect crime? The ones who aren't brought down even though they're found out? And what about those who do the finding out who witness a murder or who identify the murderer but keep the information to themselves? These are some of the mysteries that we follow through those six stories as we are drawn into the thinking, the memories, the emotional machinations, the rationalizations, the dreams and desires behind murderous cause and effect.

    Almost all the stories are specially written for the collection and the cases are presented in the order in which Holmes solved them. The result is a life of Sherlock Holmes, with a continuous narrative alongside the stories which identities the gaps in the canon and places the new and hitherto unrecorded cases in their correct sequence - plus there is an invaluable, complete Holmes chronology.(back cover)

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt. Inspector Rudge begins to wonder just how many people have contributed to this extraordinary crime and whether he will ever unravel it. . .In 1931 Agatha Christie, Dorothy L. Sayers, and 10 other crime writers from the newly formed Detection Club collaborated in publishing a unique crime novel. In a literary game of consequences, each author would write one chapter, leaving G.K. Chesterton to write a typically paradoxical prologue and Anthony Berkeley to tie up all the loose ends. In addition, all of the authors provided their own solutions in sealed envelopes, all of which appeared at the end of the book, with Agatha Christie's ingenious conclusion acknowledged at the time to be 'enough to make the book worth buying on its own'. The authors of this novel are G.K. Chesterton, Canon Victor Whitechurch, G.D.H. Cole and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane and Anthony Berkeley.©1931, 2011 The Detection Club (P)2017 HarperCollins Publishers

    It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

    While the novel contains all the requisite clues and false leads of its sometimes more elegant British counterpart, it also provides a quality rarely available in those more genteel entertainments. That quality is terror, sheer unmitigated terror, the kind that has readers checking to see if all the doors are securely locked. After all, it takes a strong constitution not to be frightened when a sympathetic, young New York doctor calmly starts to tell you the chilling story of a young couple on their way to be married who pick up an onminous hitchhiker (who may or may not have previously known the husband-to-be). They are involved in a mysterious accident which results in the disappearance of both men without leaving a trace — except somebody's severed right hand.

    In Australia's 1930s the Sinclair name is respectable and influential, yet Rowland has a talent for scandal.Even with thousands of unemployed lining the streets, Rowland's sheltered world is one of exorbitant wealth, culture and impeccable tailoring. He relies on the Sinclair fortune to indulge his artistic passions and friends ... a poet, a painter and a brazen sculptress.Mounting tensions fuelled by the Great Depression take Australia to the brink of revolution.

    Christie burst onto the literary scene in 1920, with The Mysterious Affair at Styles; her last novel was published in 1976, a career longer than even Conan Doyle’s forty-year span.The truth is that it was due to the success of writers like Anna Katherine Green in America; L. T. Meade, C. L. Pirkis, the Baroness Orczy, and Elizabeth Corbett in England; and Mary Fortune in Australia that the doors were finally opened for women crime-writers. Authors who followed them, such as Patricia Wentworth, Dorothy Sayers, and, of course, Agatha Christie would not have thrived without the bold, fearless work of their predecessors—and the genre would be much poorer for their absence. So while Agatha Christie may still reign supreme, it is important to remember that she did not ascend that throne except on the shoulders of the women who came before her—and inspired her—and who are now removed from her shadow once and for all by this superb new anthology by Leslie S. Klinger.Featuring: Mary Fortune, Harriet Prescott Spofford, Ellen Wood, Elizabeth Corbett, C. L. Pirkis, Geraldine Bonner, Ellen Glasgow, L. T. Meade, Baroness Orczy, Augusta Großer, M. E. Braddon, Anna Katherine Green, Carolyn Wells, Susan Glaspell

    1929 genteel country house guests are shocked by the death of their famous guest, world traveler Mountjoy, in a bathtub. Suspects include his quiet (but extremely competent) fiancee Eleanor, pompous Alastair and forceful son Garde, engaged to lovely Dorothy, plus curious naturalist Carstairs.

    This collection, the first of a two-volume omnibus, presents four classics of the 1940s overdue for fresh attention. Anticipating the “domestic suspense” novels of recent years, these four gripping tales explore the terrors of the mind and of family life, of split personality and conflicted sexual identity.Vera Caspary’s Laura (1943) begins with the investigation into a young woman’s murder and blossoms into a complex study, told from multiple viewpoints, of the pressures confronted by a career woman seeking to lead an independent life. Source of the celebrated film by Otto Preminger, Caspary’s novel has depths and surprises of its own. As much a novel of manners as of mystery, it remains a superb evocation of a vanished Manhattan.Helen Eustis’s The Horizontal Man (1946) won an Edgar Award for best first novel and continues to fascinate as a singular mixture of detection, satire, and psychological portraiture. A poet on the faculty of an Ivy League school (modeled on Eustis’s alma mater, Smith College) is found murdered, setting off ripple effects of anxiety, suspicion, and panic in the hothouse atmosphere of an English department rife with talk of Freud and Kafka.With In a Lonely Place (1947), Dorothy B. Hughes created one of the first full-scale literary portraits of a serial murderer. The streets of Los Angeles become a setting for random killings, and Hughes ventures, with unblinking exactness, into the mind of the killer. In the process she conjures up a potent mood of postwar dread and lingering trauma.Raymond Chandler called Elisabeth Sanxay Holding “the top suspense writer of them all.” In The Blank Wall (1947) she constructs a ferociously taut drama around the plight of a wartime housewife forced beyond the limits of her sheltered domestic world in order to protect her family. The barely perceptible constraints of an ordinary suburban life become a course of obstacles that she must dodge with the determination of a spy or criminal.Psychologically subtle, socially observant, and breathlessly suspenseful, these four spellbinding novels recapture a crucial strain of American crime writing.

    Now, modern mystery writers including Mary Higgins Clark, Marcia Muller, Aaron Elkins, and others place their detectives in a Yuletide setting for a special mix of murder and mistletoe.

    Feared but not loved, Manderson has no one to mourn him when the gardener at his British country estate finds him facedown in the dirt, a bullet buried in his brain. There are bruises on his wrist and blood on his clothes, but no clue that will lead the police to the murderer. It will take an amateur to—inadvertently—show them the way. Cheerful, charming, and always eager for a mystery, portrait artist and gentleman sleuth Philip Trent leaps into the Manderson affair with all the passion of the autodidact. Simply by reading the newspapers, he discovers overlooked details of the crime. Not all of his reasoning is sound, and his romantic interests are suspect, to say the least, but Trent’s dedication to the art of detection soon uncovers what no one expected him to find: the truth. Delightfully irreverent yet ingeniously plotted, Trent’s Last Case is widely regarded as a masterwork of the mystery genre.

    Now the author of the Lincoln Rhyme series ("The Cold Moon" and "The Bone Collector," among others) has compiled a second volume of his award-winning, spine-tingling short stories of suspense.While best known for his twenty-four novels, Jeffery Deaver is also a short story master -- he is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, "Twisted. The New York Times" said of that book: "A mystery hit for those who like their intrigue short and sweet . . . [The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver's title promises." The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.