This comprehensive collection includes Asser’s Life of Alfred, extracts from The Anglo-Saxon Chronicle, and Alfred’s own writings, laws, and will.

    English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers.       In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear.      Written in what the author describes as “a shadow tongue”—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster’s world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.

     Stories have the power to captivate listeners and to ignite their imaginations. Our brains crave stories - it's how history was recorded before people learned how to write - but what makes a great story? How can you create and deliver stories which keep your listeners transfixed? Based on Intensive Research on Brain Science, Storytelling, Screenwriting and Public Speaking I spent the last four years studying and evaluating thousands of speakers - some great ones, and others who (to put it mildly) needed a lot of help. I read over two hundred books on the art of public speaking, storytelling and screenwriting, attended countless seminars on the subject and devoured every piece of information I could get on the art of presenting. This book is the result of my intensive research. In it, you will find powerful storytelling and speaking techniques that are used by some of the world’s best speakers to help win audiences over to their way of thinking. If you want to master the art of public speaking, you must master the art of storytelling. In this book, you will discover the public speaking and storytelling techniques used by some of the best public speakers in the world. More specifically, you will learn how to: •Create an opening that instantly hooks your audience into your speech •Keep your audience on the edge of their seats with a spellbinding story •Use the suspended story to keep your audience intrigued •Bring your characters to life •Turn your stories into mental movies for your audience •Create and deliver a speech your audience will remember and talk about for years •Keep ratcheting up the suspense by increasing the intensity of your conflicts •Customize your speech (and your story) for your audience •Add organic humor to your speeches and stories without resorting to jokes •Use anchors to make your points memorable •Use tough-watch logic to inspire your audience •Create smooth transitions to ensure your speech flows logically •Create analogies and metaphors to make your message memorable •Give your audience dialogue to build rapport with them •Add a you-focused check-in to relate with your audience •Use vocal variety to spice up your speech •Create a memorable and repeatable catch-phrase using “the rule of opposites” •Add credibility to your speeches and stories •Take an element out of your story and put it into your audience’s lives •Creatively summarize your main points •Tell a story and deliver a speech that your audience will remember and talk about for years What Makes This Book Different? This book is unlike most books on the subjects of public speaking and storytelling.

    Now, the old world crumbles.  Pirates roam the seas, bandits threaten the highways, and barbarian refugees land at Britannia's shores, uninvited. The rich profit from the chaos, while the poor suffer. A new Dark Age is approaching - but all is not lost.Ash is a Seaborn, a Saxon child found on the beach with nothing but a precious stone at his neck and a memory of a distant war from which his people have fled. Raised on the estate of a Briton nobleman, trained in warfare and ancient knowledge, he soon becomes embroiled in the machinations and intrigues at the court of Wortigern, the Dux of Londinium, a struggle that is about to determine the future of all Britannia. A child of Saxon blood, an heir to Roman family, his is a destiny like no other: to join the two races and forge a new world from the ruins of the old.The Saxon Spears is the first volume of the Song of Ash saga, perfect for fans of Bernard Cornwell's "The Last Kingdom" series, Simon Scarrow and Conn Iggulden.

    There are enormous differences between the two in pronunciation, vocabulary, and grammar, and a monolingual speaker of one cannot understand the other at all. Yet modern English and German have many points in common, and if we go back to the earliest texts available in the two languages, the similarities are even more notable.How do we account for these similarities? The generally accepted explanation is that English and German are divergent continuations of a common ancestor, a Germanic language now lost. This book surveys the linguistic and cultural backgrounds of the earliest kown Germanic languages, members of what has traditionally been known as the English family tree: Gothic, Old Norse, Old Saxon, Old English, Old Frisian, Old Low Franconian, and Old High German.For each language, the author provides a brief history of the people who spoke it, an overview of the important texts in the language, sample passages with full glossary and word-by-word translations, a section on orthography and grammar, and discussion of linguistic or philological topics relevant to all the early Germanic languaes but best exemplified by the particular language under consideration. These topics inclued the pronunciation of older languages; the runic inscriptions; Germanic alliterative pietry; historical syntax, borrowing, analogy, and drift; textual transmission; and dialect variation.

    He describes the Arthurian Age as 'the starting point of future British history', for it saw the transition from Roman Britain to Great Britain, the establishment of England, Scotland, Ireland and Wales from the collapse of the Pax Romana. In exploring political, social, economic, religious and cultural history from the fourth to the seventh century, his theme is one of continuity. That continuity is embodied in Arthur himself: 'in name he was the last Roman Emperor, but he ruled as the first medieval king.'

    Definitive and lively articles focus on the great tales and traditions of the age and includes information on daily and nightly customs andactivities; religious beliefs of the pagan, Christian, Muslim, and Jew; key works of oral and written literature; traditional music and art; holidays and feasts; food and drink; and plants and animals, both real and fantastical.While most books on medieval folklore focus primarily on the West, this unique volume brings together an eclectic range of experts to treat the subject from a global perspective. Especially remarkable are the surveys of the major medieval traditions including Arab-Islamic, Baltic, English, Finno-Ugric, French, Hispanic, Hungarian, Irish, Italian, Jewish, Scandinavian, Scottish, Slavic, and Welsh.For anyone who has ever wanted a path through the tangle of Arthurian legends, or the real lowdown on St. Patrick, or the last word on wolf lore--this is the place to look.The contributors:Ulrich Marzolph -- Arab-IslamicThomas A. DuBois -- BalticJohn McNamara & Carl Lindahl -- EnglishThomas A. DuBois -- Finno-UgricFrancesca Canad� Sautman -- FrenchSamuel G. Armistead -- Hispanic�va P�cs -- HungarianJoseph Falaky Nagy -- IrishGiuseppe C. Di Scipio -- ItalianEli Yassif -- JewishStephen A. Mitchell -- ScandinavianJohn McNamara -- ScottishEve Levin -- SlavicElissa R. Henken & Brynley F. Roberts -- Welsh

    After the political turmoil and battles leading up to 1066, we all know William the Conquerer takes England. But Helen Hollick will have readers at the edge of their seats, hoping that just this once, for Harold, the story will have a different ending.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Suddenly life in England is going to be completely different, especially for Ailith, a young Saxon wife. It is the year in which she loses both her husband and young son, and the year in which the Normans come, not as friends, but in search of conquest. Ailith's grief and despair run so deep that she would have done away with herself and joined her husband and son if a handsome, womanizing Norman, Rolf de Brize, had not happened by in the nick of time. Feeling strangely responsible for the woman whose life he has saved, the normally unreliable Rolf installs Ailith as chatelaine of Ulverton, his English estate. Despite his wife and daughter in France, he and Ailith eventually fall in love and have a daughter, Julitta. But can love truly conquer all - even Rolf's wife's decision to take her rightful place as mistress of Ulverton, and Ailith's discovery of a betrayal at the Battle of Hastings that she can never forgive?

    Eliot), Ernst Robert Curtius (1886-1956), one of the foremost literary scholars of this century, examines the continuity of European literature from Homer to Goethe, with particular emphasis on the Latin Middle Ages. In an extensive new epilogue, drawing on hitherto unpublished material, Peter Godman, Professor of Medieval Latin at the University of Tubingen, analyzes the intellectual and political context and character of Curtius's ideas.

    . . . A masterpiece.” —Margaret Atwood“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster WallaceBy now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.

    Warring kings rule over the British Isles, but the Church rules over the kings, threatening all who oppose them with damnation. Only the dreaded Vikings of Scandinavia do not fear the priests.Shef, the bastard son of a Norse raider and a captive English lady, is torn by divided loyalties and driven by strange visions that seem to come from Odin himself. A smith and warrior, he alone dares to imagine new weapons and tactics with which to carve out a kingdom--and launch an all-out war between....The Hammer and the Cross.

    Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare's life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.

    It contains concise essays on a wide variety of literary concepts among the 50 entries, and everything you need to know about literary techniques and genres.