A close-knit group of friends, the chance to model a beautiful masculinity, and a vocal implant that lets him sing even better than he did before transitioning. But deep on tour, Tyler realizes he wants more from one of his bandmates, yearns for a love that would never fit the image that has been carefully crafted for him. His manager wants him to be the heartthrob: available, wholesome, and pure. And since his manager gave Tyler his voice, he can always take it away again.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet.Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where mystery, science, and art intersect.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    Henderson is in a rut. When he’s not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he’s holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden’s social media account and post a picture of Pen’s aloe plant, Alice, tied to a curse:Whosoever beholds the aloe will be pushed into the Shadowlands.When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants’ collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn’t just the people who birthed you.Magnificently imagined, linguistically dazzling, and riotously fun, Future Feeling presents an alternate future in which advanced technology still can’t replace human connection but may give the trans community new ways to care for its own.

    "Poignant, sexy. . . lyrical, passionate. . . cool and delicate. . . hot as a chili pepper."--Boston Globe.

    Most importantly, Joanna Russ's THE FEMALE MAN is a suspenseful, surprising and darkly witty chronicle of what happens when Jeannine, Janet, Joanna, and Jael—four alternative selves from drastically different realities—meet.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    And humanity’s only hope just happens to carry pom-poms.Laura Clark thought she was just your average college freshman—until the day she saw a cheerleader on a skateboard get into a superhuman brawl with a lightning-wielding stranger in a trenchcoat. And the weirdest thing of all? Nobody else saw it happen. Nobody, that is, except the beautiful but standoffish Shailene, one of the mysterious (and possibly super-powered) cheerleaders from Laura’s rival school, Bayview University. When girls start disappearing all over the City, Laura suddenly realizes that she may have seen more than she should. And if she wants to keep from disappearing herself, she needs to find some answers. But though Laura can’t shake the feeling that they’re somehow connected, Shailene is more than a little reluctant to share her secrets. With strange, bug-like creatures and a sinister man in a dark coat stalking her every step, Laura will have to uncover the truth fast if she wants to survive.The fate of the planet just might hang in the balance.

    From poems of painful self-inquiry, to celebrating the simple beauty of baking frittatas, Walker offers us a window into her magical, at times difficult, and liberating world of activism, love, hope and, above all, gratitude. Whether she’s urging us to preserve an urban paradise or behold the delicate necessity of beauty to the spirit, Walker encourages us to honor the divine that lives inside all of us and brings her legendary free verse to the page once again, demonstrating that she remains a revolutionary poet and an inspiration to generations of fans.

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.

    She’s captain of the Number Ninjas, her schedule is perfect, and her best friend Jacqueline Flores is going to be right by her side for all of it. But on the first day back at Dearington, Jac throws a wrench in Anabelle’s tidy plans. Not only has she rearranged her classes and dropped Number Ninjas, she’s joined the Girls who Like Girls Program, leaving Anabelle’s entire schedule in upheaval. Jac is never around anymore, and when she is, she’s got new friends (who Anabelle hates) or she’s running off to a lecture on alternative footwear. Anabelle is left to deal with the changes on her own, and suddenly, Jac’s inability to keep their dorm room tidy is the very least of Anabelle’s problems.

    Scatter. Take your mates and your offspring and run.The escape pods fall to Earth one by one over the course of weeks, a mysterious and diverse alien diaspora, each pod containing a different alien race and leaving the world's governments scrambling to deal with this unexpected immigration. Serge Kosygin, still grieving and isolated after his husband's death, watches events with gray disinterest until one day he witnesses a pod crash for himself while driving home. Two of the alien visitors have died, but one survives, badly injured, and Serge is determined that if this alien is also going to die, it won't be under the harsh lights of a government facility.Devastated by the loss of his life mates in their desperate effort to reach safety, the knowledge that Een is the last Aalana in this sector of the galaxy only compounds his sorrow. He wakes in an alien dwelling under the care of one of the native dominant builder species, a being who appears to share nothing with Een besides a bipedal structure. Slowly, with the help of his patient and kind host, he discovers they are more similar than he imagined as they share harmonies and his host assists him with language acquisition.Their tentative first contact soon evolves into a deepening friendship, a balm for two grief-weary souls. They'll need each other and their growing bond for the troubles lurking just ahead.Publisher's Note:Eating Stars was previously published as part of Meteor Strike: Serge & Een as a novelette. It has undergone extensive rewrites and edits with over 10,000 words of new content added.

    That role brings with it violent throw downs and access to the hottest boydega clubs, but the sixteen-year-old grows weary of the life. Her dream is to get off the streets and make a home in the exclusive Mega Towers, in which only a chosen few get to live. To make it to the Mega towers, Nalah must prove her loyalty to the city's benevolent founder and cross the border in a search for a mysterious gang the Ashé Ryders. Led by a reluctant guide, Nalah battles other crews and her own doubts, but the closer she gets to her goal, the more she loses sight of everything—and everyone— she cares about.Nalah must do the unspeakable to get what she wants—a place to call home. But is a home just where you live? Or who you choose to protect?

    Blythe Baird deftly and uniquely charts a course through various modes of womanhood and women's bodies. Through love, loss, and the struggles of disordered eating, If My Body Could Speak uses sharp narratives and visceral imagery to get to the heart of a many-layered existence, speaking to many generations at once.

    What they find is a race of humanoids who are sentient, but as emotionless and serene as the plants and placid lakes they tend. B, captain of the mission, doesn't believe that the "Silvers" are intelligent, and lets his crew experiment on them. But then he bonds with Imms, who seems different from the others-interested in learning, intrigued by human feelings. And B realizes that capturing, studying, and killing this planet's natives has done incalculable damage.When a fire aboard B's ship kills most of the crew and endangers Imms, B decides to take him back to Earth. But the simplicity of the Silver Planet doesn't follow them. Imms learns the full spectrum of human emotions, including a love B is frightened to return, and a mistrust of the bureaucracy that wants to treat Imms like a test subject, even if they have to eliminate B to do it.(Note: This is a revised second edition, originally published elsewhere.)