Munro) stands alongside Anton Chekhov and O Henry as a master of the short story. His extraordinary stories are a mixture of humorous satire, irony and the macabre, in which the stupidities and hypocrisy of conventional society are viciously pilloried. This collection includes Sredni Vastar and The Unrest Cure. 'We all know that Prime Ministers are wedded to the truth, but like other married couples they sometimes live apart'[Description from back cover]

    Carnacki, the Ghost-Finder is a collection of supernatural detective short stories by author William Hope Hodgson.

    Four of Machen's classic novellas (A Fragment of Life, The White People, The Great God Pan, and The Inmost Light) collected in one volume.

    Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    Includes A Watcher by the Dead by Ambrose Bierce; The Body Snatchers by Robert Louis Stevenson; The Adventure of the German Student by Washington Irving; Dickon the Devil by J. Sheridan Le Fanu; The Fall of the House of Usher by Edgar Allan Poe; and The Open Window by Saki.

    Or caught on one of the most terrifying roller coasters of all time, when suddenly the tracks ahead just disappear. Enter the world of Darkness Creeping, where hollow-eyed skulls arrive in the mail and nothing is as it seems. Boston Globe–Horn Book Award winner and beloved author Neal Shusterman walks on the dark side with this classic collection of masterfully creepy stories so horrifying, you may have to read them twice to remind yourself they’re not real.Contents:• Foreword (Darkness Creeping: Twenty Twisted Tales) (2007) - essay by Neal Shusterman• Catching Cold (2007)• Who Do We Appreciate? (2007)• Soul Survivor (1995)• Black Box (1993)• Resting Deep (1993)• Security Blanket (1995)• Same Time Next Year (1993)• The River Tour (2007)• Flushie (1993)• Monkeys Tonight (1993)• Screaming at the Wall (1993)• Growing Pains (1995)• Alexander's Skull (1993)• Connecting Flight (1995)• Ralphy Sherman's Root Canal (2007)• An Ear for Music (1995)• Riding the Raptor (1995)• Trash Day (1995)• Crystalloid (1995)• Shadows of Doubt (1993)

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    Occult detectives. Ghost hunters. Monster fighters. Humans who unravel uncanny crimes and solve psychic puzzles; sleuths with supernatural powers of their own who provide services far beyond those normal gumshoes, shamuses, and Sherlocks can. When vampires, werewolves, and things that go "bump" in the night are part of your world, criminals can be as inhuman as the crimes they commit, and magic can seep into the mundane - those who solve the mysteries, bring justice, or even save the world itself, might utter spells, wield wands as well as firearms, or simply use their powers of deduction. Some of the best tales of the last decade from top authors of the 21st century's most popular genres take you down mean streets and into strange crime scenes in this fantastic compilation.Contents (alphabetical by author):“Cryptic Coloration” by Elizabeth Bear“The Key” by Ilsa J. Blick“Mortal Bait” Richard Bowes“Star of David” by Patricia Briggs“Love Hurts” by Jim Butcher“Swing Shift” by Dana Cameron“The Necromancer’s Apprentice” by Lillian Stewart Carl“Sherlock Holmes and the Diving Bell” by Simon Clark“The Adakian Eagle” by Bradley Denton“Hecate’s Golden Eye” by P.N. Elrod“The Case of Death and Honey” by Neil Gaiman“The Nightside, Needless to Say” by Simon R. Green“Deal Breaker” by Justin Gustainis“Death by Dahlia” by Charlaine Harris“See Me” by Tanya Huff“Signatures of the Dead” by Faith Hunter“The Maltese Unicorn” by Caitlín R. Kiernan“The Case of the Stalking Shadow” by Joe R. Lansdale“Like a Part of the Family” by Jonathan Maberry“The Beast of Glamis” by William Meikle“Fox Tails” by Richard Parks“Imposters” by Sarah Monette“Defining Shadows” by Carrie Vaughn

    Ripley, Strangers on a Train, A Suspension of Mercy, and others) Highsmith is an all-too-frequently forgotten master of the short story. These stories in this volume examine the dark soul of humanity in a deceptively simple voice that draws you in and won't let go. The sheer beauty of the streamlined prose disguises a complexity of character and situation that is the mark of a true master.Highsmith's ability to create believable characters with very little exposition, but rather through their behavior and dialog, is incredible. None of the stories in this volume is particularly long, but you're drawn in and seduced by the power of the prose. Whether it's a cat driven to commit murder to protect his mistress ("Ming's Biggest Prey"), a rat exacting a horrible revenge on a family that maimed him ("The Bravest Rat in Venice"), or a house party interrupted by something grisly ("Something the Cat Dragged In"), these stories are impossible to put down.A great example of Highsmith's artistry is "Mermaids on the Golf Course," about a presidential adviser who took an assassin's bullet to protect the president. This seemingly heroic man is slowly exposed throughout the story as something completely different, mainly through his dialogue and the reactions of his family to him. Highsmith deftly exposes the many layers in his character, shows that the surface we see often disguises the truth below, and asks the question, "How well do we know anyone?"Likewise, "The Female Novelist" is so consumed with herself and her craft that she destroys herself. "The Hand" is a chilling twist on the age-old custom of asking for someone's hand in marriage. Highsmith's stories linger on after they are read, and show that for true horror, you don't need the supernatural; you merely need to write about people.

    The Dark takes a look at the tormented and unquiet dead; the darkness in us, the living; and the sometimes tenuous boundary between the two.

    Kelley.  "The very best of what crime fiction should deliver." -New York Journal of BooksThe latest Mystery Writers of America story collection, featuring surprising, page-turning twists on the genre from some of the top bestsellers and award winners in crime fictionIt’s been said that all great literature boils down to one of two stories—a man takes a journey, or a stranger comes to town. While mystery writers have been successfully using both approaches for generations, there’s something undeniably alluring in the nature of a stranger: the uninvited guest, the unacquainted neighbor, the fish out of water.No matter how or where they appear, strangers are walking mysteries, complete unknowns in once-familiar territories who disrupt our lives with unease and wonder. In the newest collection of stories by the Mystery Writers of America, each author weaves a fresh tale surrounding the eerie feeling that comes when a stranger enters our midst, featuring stories by prolific mystery writers such as Michael Connelly, Dean Koontz and Joe Hill.

    He was a man on the move, a man who traveled light: and in the end he rode, with all of his possessions, on a rented horse into the Mexican desert to join Pancho Villa -- never to return.Can Such Things Be?Once William Randolph Hearst -- Bierce's employer, who was bragging about his own endless collections of statuary, art, books, tapestries, and, of course real estate like Hearst Castle -- once William Randolph Hearst asked Bierce what he collected. Bierce responded, smugly: "I collect words. And ideas. Like you, I also store them. But in the reservoir of my mind. I can take them out and display them at a moment's notice. Eminently portable, Mr. Hearst. And I don't find it necessary to show them all at the same time." Such things can be. (jacketless library hardcover)

    That is, his specialty is opening safes. Every job is a little mystery, and he has yet to encounter a lock he can't break or a box he can't crack. But the day Holloway gets called in to open a rare, antique safe in a famous author's library, his skills open a door that should have remained closed.In this haunting and singular story, previously published anonymously, Michael Connelly proves once again that he is "superb at building suspense.... the reader can never be sure what sudden turns the plot may take" (Wall Street Journal).

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.