Americans worship their infallible Emperor, and nobody believes that Japan’s conduct in the war was anything but exemplary. Nobody, that is, except the George Washingtons – a shadowy group of rebels fighting for freedom. Their latest subversive tactic is to distribute an illegal video game that asks players to imagine what the world might be like if the United States had won the war instead.   Captain Beniko Ishimura's job is to censor video games, and he's working with Agent Akiko Tsukino of the secret police to get to the bottom of this disturbing new development. But Ishimura's hiding something... He's slowly been discovering that the case of the George Washingtons is more complicated than it seems, and the subversive videogame's origins are even more controversial and dangerous than either of them originally suspected. Part detective story, part brutal alternate history, United States of Japan is a stunning successor to Philip K Dick’s The Man in the High Castle. File under: Science Fiction [ Gamechanger | Area #11 | Robot Wars | Strike Back the Empire ]

    Ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

    The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun...

    Jim Pike, the disillusioned manager of a hotel that is hosting a Star Trek convention, finds himself leading a ragtag crew of survivors as a strange virus turns the convention-goers into zombies...

    . .The doomed crew of a starship follow their blind, mad captain on a quest into deepest space to joust with destiny, eternity, and God Himself . . .Now and Forever is a bold new work from an incomparable artist whose stories have reshaped America's literary landscape; two bewitching novellas that have never before appeared in print—each distinctly different, yet uniquely Bradbury—demonstrating the breathtaking range of the master's talent and the irrepressible vitality of his mind, spirit, and heart.In Somewhere a Band Is Playing, a writer is drawn by poetry and dreams to tiny Summerton, Arizona, a community hidden in plain view, where no small children play, and where the residents never seem to age. Enchanted by its powerful rural magic—and by a beautiful, enigmatic lady who bears the name of an Egyptian queen—the writer sets out to uncover Summerton's mysteries before the inevitable arrival of a ruthless destruction.With Leviathan '99, the author who once colonized Mars returns to the cosmos to brilliantly reimagine Herman Melville's classic masterwork of obsession and the sea, transforming a great whale into a worlds-devouring comet. In the year 2099, fledgling astronaut Ishmael Hunnicut Jones boards the Cetus 7, placing his fate in the hands of a relentless madman who is blindly chasing the celestial monster's tail. And in the merciless void, a crew of earthborn and alien star-travelers will face a divine judgment, and an "enemy" wielding the most fearsome weapon of all . . . Time.More than a half century into his remarkable career, Ray Bradbury continues to delight and astound with grand visions, lyrical prose, and provocative thought. Rich in poetry, wonder, imagination, and truth, here is proof positive that the words and stories of the inimitable Bradbury will live on . . . Now and Forever.

    The Separation suggests an alternate history lying along a road not taken in World War II. But there are complications. In 1999, history author Stuart Gratton is intrigued by a minor mystery of the European war which ended on 10 May 1941. The British-German armistice signed that month has had far-reaching consequences, including a resettlement of European Jews in Madagascar. In 1936, the identical twin brothers Joe and Jack Sawyer win a rowing medal for Britain in the Berlin Olympics: it's presented to them by Rudolf Hess. The brothers are separated not only by a twin's fierce need "to be treated as a separate human being", but by sexual rivalry and even ideology. When war breaks out Jack becomes a gung-ho bomber pilot, Joe a conscientious objector. Still they're inescapably linked, and sometimes confused. Both suffer injuries and hauntingly similar ambulance journeys. Churchill writes a puzzled memo (later unearthed by Gratton) about the anomaly of a registered-pacifist Red Cross worker flying planes for Bomber Command. Hess has significant, eventually incompatible meetings with both men. Contradictions are everywhere. As in his magical 1995 novel The Prestige Priest is fruitfully fascinated by the legerdemain of twins, doubles, impostors, symmetrical roles. Churchill's double briefly appears. So does the famous conspiracy theory that the Hess who flew to Britain with his quixotic peace deal wasn't the real Hess ring true? Clearly The Separation was impressively, extensively researched. Its evocations of bombing raids--from either side of the bomb sites--are memorable. The unfolding story strands become increasingly disorienting and hallucinatory; the easy escape route of dismissing one strand as delusion is itself subtly undermined. The Separation is filled with a sense of the precariousness of history; of small events and choices with extraordinary consequences. --David Langford

    That single tragedy set off a whole series of events, resulting in the Spanish Armada's defeat of England and subsequent demise of Protestantism. Now it's the 20th century, and the Church of Rome reigns supreme. People live a pastoral existence of guilds and farming, with technology held back to the level of the steam locomotive and primitive radio. Still, science cannot be held back forever...a revolution is building.

    Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity's ancestral habitat. She's spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.

    Kitty McCulley, a young and inexperienced nurse tossed into a stressful and chaotic situation, is having a difficult time reconciling her duty to help and heal with the indifference and overt racism of some of her colleagues and with the horrendously damaged soldiers and Vietnamese civilians whom she encounters during her service at the China Beach medical facilities.She is unexpectedly helped by the mysterious and inexplicable properties of an amulet, given to her by one of her patients, an elderly, dying Vietnamese holy man, which allows her to see other people's "auras" and to understand more about them as a result. This eventually leads to a strange, almost surrealistic journey through the jungle, accompanied by a one-legged boy and a battle-seasoned but crazed soldier and, by the end of the journey, McCulley has found herself and a way to live and survive through the madness and destruction.

    But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news. The entire cosmos, they tell him, has been hopelessly hooked on humanity’s music ever since “Year Zero” (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything—and the aliens are not amused. Nick now has forty-eight hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.

    Exiled, widowed, and on the brink of poverty…she reluctantly goes to work for the Pinkerton National Detective Agency in Chicago.Adding insult to injury, her first big assignment is commissioned by the Union Army. In short, a federally sponsored transport dirigible is being violently pursued across the Rockies and Uncle Sam isn’t pleased. The Clementine is carrying a top secret load of military essentials—essentials which must be delivered to Louisville, Kentucky, without delay.Intelligence suggests that the unrelenting pursuer is a runaway slave who’s been wanted by authorities on both sides of the Mason-Dixon for fifteen years. In that time, Captain Croggon Beauregard Hainey has felonied his way back and forth across the continent, leaving a trail of broken banks, stolen war machines, and illegally distributed weaponry from sea to shining sea.And now it’s Maria’s job to go get him.He’s dangerous quarry and she’s a dangerous woman, but when forces conspire against them both, they take a chance and form an alliance. She joins his crew, and he uses her connections. She follows his orders. He takes her advice.And somebody, somewhere, is going to rue the day he crossed either one of them.

    Librarian Note: An alternative cover for this ISBN can be found here Dom Salabos had a lot of advantages.As heir to a huge fortune he had an excellent robot servant (with Man-Friday subcircuitry), a planet (the First Syrian Bank) as a godfather, a security chief who even ran checks on himself, and on Dom's home world even death was not always fatal.Why then, in an age when prediction was a science, was his future in doubt?

    If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    A conscripted soldier is beginning to consider her life after the war and the family she has left behind. But for Scur—and for humanity—peace is not to be.On the brink of the ceasefire, Scur is captured by a renegade war criminal, and left for dead in the ruins of a bunker. She revives aboard a prisoner transport vessel. Something has gone terribly wrong with the ship.Passengers—combatants from both sides of the war—are waking up from hibernation far too soon. Their memories, embedded in bullets, are the only links to a world which is no longer recognizable. And Scur will be reacquainted with her old enemy, but with much higher stakes than just her own life.