Born in the last quarter of the sixth century, Aeschylus had fought with the victorious Greeks in one and probably both of the Persian Wars (190 and 480-79). He died around 456 at about seventy years of age in Gela, Sicily. His epitaph records his role as a soldier at Marathon, not his artistic achievements, but these were many. The author of more than seventy plays, he won his first of thirteen tragic victories in 484. Of these plays, only seven remain. The Oresteia is Aeschylus' only complete surviving trilogy; the satyr play with which it was first performed, Proteus, is lost. Peter Meineck has aimed to translate the Oresteia for the modern stage.

    She needs a paycheck. But neither expect the heat in their marriage of convenience.No one backs CEO Jack Sutton into a corner, not even his mother... or her will. If he wants his inheritance, he needs to be married, but no one said the marriage had to be anything other than a business arrangement. There are plenty of willing women, and they'll play by the rules: stick to the script and don't fall in love. He only has to find one in time. Too bad he only left himself a few hours.Kelly Bradley made it into the law school of her dreams, but she has no way to pay and the tuition deadline is fast approaching. Marrying a billionaire might be a bit drastic, but spending one year on his arm will make all her problems go away... if she can keep her heart in check. That's never been a problem in the past.It's a business arrangement, but when one thing leads to another will Jack be able to let Kelly go? Or can he find a way to renegotiate the deal of his life?Reuniting with the Billionaire:Two people whose past ensures they can never fully trust again.Jill can play with Andrew Weston. She can have fun with him. She can even have a wild, no-strings-attached rebound fling with him. But she can’t lose my heart to him. Because if they fall in love and that love died the way her ex-husband’s love for her died, she wouldn’t be able to handle it. She can’t go through that again. Not with the sexy billionaire from her past who tempts her at every turn.********He’s falling for Jill Walsh. He knows it’s happening but can’t stop it. But no matter what happens, he can’t let her know how he feels. Sharing feelings makes you vulnerable and he can’t let himself be vulnerable to a woman like that again. So he’ll keep his feelings a secret while he uses his vast fortune to make sure she marries him and never walks away.5-star billionaire romance that will have you turning pages to the very end!Reuniting with the Billionaire was originally published in a shorter version as part of the Sutton Capital Series. It’s a stand-alone book that can be read in any order in the series.The Billionaire Op:Can she ever get over her broken heart?Jennie Evans has known true love, and it died with her husband. But she's found balance in her life: friends and a job she loves at Sutton Capital. And there might be a man that caught her eye, but she'll never give him her heart.Chad Thompson sees what others don't: Jennie's hurting inside and hiding it from the world. Their chemistry may be off the charts, but he vows not to push. Even if true happiness might be within reach.When their meddling friends throw Jennie and Chad together in a plot designed to push them out of their comfort zones, she ends up in more danger than anyone could have imagined. To keep her safe, Chad will have to risk his body and his heart, and no matter how things end, one of them is going to get hurt.The Billionaire Op is a standalone book in the Sutton Billionaires Series. A shorter version of it was previously published as part of the Sutton Capital Series.

    It’s never going to happen! I am William Carson, a billionaire, and billionaires like me don’t need therapists. Talking to a therapist is simply not in the billionaire code! I would never concede to needing anyone, especially Kathleen Warren, the sexy, naive counselor assigned to me. She is too young. What does she know about real life? *** Kathleen Warren is fresh out of college and recently licensed as a counselor. She accepts William Carson as a patient against her better judgment – he’s too damn sexy, thinks the world revolves around him, and talks dirty. And he’s got way too much baggage – an ex-wife, a new fiancée, and a teenage son. The first time he steps into her office, Kathleen knows she should have sent him away. But she didn’t because she plans to maintain the boundary lines between her and her patient. After all, she knows all about boundaries – her entire graduate thesis is based on boundary points. Going beyond professional boundary points is disastrous and can lead to the loss of her counselor’s license, something she worked too hard to obtain. She wouldn’t allow William Carson to affect her to the point of losing her livelihood, even if he is charming, stubborn, sexy, and a freaking billionaire! *** But Bill has no respect for set boundaries! In his world, he gets everything he wants and he wants young Katie – boundaries or not! For a limited time, HEAL ME contains a free billionaire bad boy romance novel

    Two village belles. A promise. A charade. And falling in love... Vikram and Vishal are the heirs to the well-known Saaho Group fortune. London bred and educated, the handsome brothers are accustomed to a jet-setting lifestyle while they win cutthroat business deals, date beautiful women and spend time with their doting family. But what are Vikram and Vishal doing in a small village in India? Why are they putting on a pretence by working as an accountant and a driver for the modest Gulati family? When the sweet, kindhearted older Gulati sister begins to melt Vikram’s ruthless heart, and the bold, feisty younger one steals away Vishal’s peace of mind, will the Saaho brothers continue with their charade? THE PROMISE is a sweet and passionate standalone romance.

    Léry had undertaken his fascinating and arduous voyage in 1556, as a youthful member of the first Protestant mission to the New World. Janet Whatley presents the first complete English translation of one of the most vivid early European accounts of life in the New World.

    Finding herself impatient with increasingly calcified positions taken in the interminable wars over same-sex marriage, divorce, fatherlessness, marital fidelity, and the like, she struck out to profile unfamiliar cultures of contemporary love, marriage, and family values from around the world.Built on bracing original research that spans gay men’s intimacies and parenting in this country to plural and non-marital forms of family in South Africa and China, Unhitched decouples the taken for granted relationships between love, marriage, and parenthood. Countering the one-size-fits-all vision of family values, Stacey offers readers a lively, in-person introduction to these less familiar varieties of intimacy and family and to the social, political, and economic conditions that buttress and batter them.Through compelling stories of real families navigating inescapable personal and political trade-offs between desire and domesticity, the book undermines popular convictions about family, gender, and sexuality held on the left, right, and center. Taking on prejudices of both conservatives and feminists, Unhitched poses a powerful empirical challenge to the belief that the nuclear family—whether straight or gay—is the single, best way to meet our needs for intimacy and care. Stacey calls on citizens and policy-makers to make their peace with the fact that family diversity is here to stay.

    The dagongmei are women in their late teens and early twenties who move from rural areas to urban centers to work in factories. Because of state laws dictating that those born in the countryside cannot permanently leave their villages, and familial pressure for young women to marry by their late twenties, the dagongmei are transient labor. They undertake physically exhausting work in urban factories for an average of four or five years before returning home. The young women are not coerced to work in the factories; they know about the twelve-hour shifts and the hardships of industrial labor. Yet they are still eager to leave home. Made in China is a compelling look at the lives of these women, workers caught between the competing demands of global capitalism, the socialist state, and the patriarchal family.Pun Ngai conducted ethnographic work at an electronics factory in southern China’s Guangdong province, in the Shenzhen special economic zone where foreign-owned factories are proliferating. For eight months she slept in the employee dormitories and worked on the shop floor alongside the women whose lives she chronicles. Pun illuminates the workers’ perspectives and experiences, describing the lure of consumer desire and especially the minutiae of factory life. She looks at acts of resistance and transgression in the workplace, positing that the chronic pains—such as backaches and headaches—that many of the women experience are as indicative of resistance to oppressive working conditions as they are of defeat. Pun suggests that a silent social revolution is underway in China and that these young migrant workers are its agents.

    S. Eliot, Daniel Albright, Douglas Archibald, Harold Bloom, George Bornstein, Elizabeth Cullingford, Paul de Man, Richard Ellman, R. F. Foster, Stephen Gwynn, Seamus Heaney, Marjorie Howes, John Kelly, Declan Kiberd, Lucy McDiarmid, Michael North, Thomas Parkinson, Marjorie Perloff, James Pethica, Jahan Ramazani, Ronald Schuchard, Michael J. Sidnell, Anita Sokolsky, and Helen Vendler. A Chronology and Selected Bibliography are included.

    Manhein assists law enforcement officials across the country in identifying bodies and solving criminal cases. In Trail of Bones, her much-anticipated sequel to The Bone Lady, Manhein reveals the everyday realities of forensic anthropology. Going beyond the stereotypes portrayed on television, this real-life crime scene investigator unveils a gritty, exhausting, exacting, alternately rewarding and frustrating world where teamwork supersedes individual heroics and some cases unfortunately remain unsolved.A natural storyteller, Manhein provides gripping accounts of dozens of cases from her twenty-four-year career. Some of them are famous. She describes her involvement in the hunt for two serial killers who simultaneously terrorized the Baton Rouge, Louisiana, region for years; her efforts to recover the remains of the seven astronauts killed in the Columbia space shuttle crash in 2003; and her ultimately successful struggle to identify the beheaded toddler known for years as Precious Doe. Less well-known but equally compelling are cases involving the remains of a Korean War soldier buried for more than forty years and the mystery of "Mardi Gras Man," who was wearing a string of plastic beads when his body was discovered. Manhein describes how the increased popularity of tattoos has aided her work and how forensic science has labored to expose frauds--including a fake "big foot" track she examined from Louisiana's Kisatchie National Forest. She also shares ambitious plans to create a database of biological and DNA profiles of all of the state's missing and unidentified persons.Possessing both compassion and tenacity, Mary Manhein has an extraordinary gift for telling a life story through bones. Trail of Bones takes readers on an entertaining and educating walk in the shoes of this remarkable scientist who has dedicated her life to providing justice for those no longer able to speak for themselves.

    "This big-shouldered book, full of ardor...offers us a reasonable hope that with attention and care we can again make public education what it was meant to be, and must yet be."—The Los Angeles Times.

    immigration policy--a process that profoundly shaped ideas and practices about citizenship, race, and state authority in the 20th century.Mae Ngai offers a close reading of the legal regime of restriction that commenced in the 1920s--its statutory architecture, judicial genealogies, administrative enforcement, differential treatment of European and non-European migrants, and long-term effects. In well-drawn historical portraits, Ngai peoples her study with the Filipinos, Mexicans, Japanese, and Chinese who comprised, variously, illegal aliens, alien citizens, colonial subjects, and imported contract workers.She shows that immigration restriction, particularly national-origin and numerical quotas, re-mapped the nation both by creating new categories of racial difference and by emphasizing as never before the nation's contiguous land borders and their patrol. This yielded the illegal alien, a new legal and political subject whose inclusion in the nation was a social reality but a legal impossibility--a subject without rights and excluded from citizenship. Questions of fundamental legal status created new challenges for liberal democratic society and have directly informed the politics of multiculturalism and national belonging in our time.Ngai's analysis is based on extensive archival research, including previously unstudied records of the U.S. Border Patrol and Immigration and Naturalization Service. Contributing to American history, legal history, and ethnic studies, Impossible Subjects is a major reconsideration of U.S. immigration in the 20th century.

    Confined in an upstairs room to recuperate by her well-meaning but dictatorial and oblivious husband, the yellow wallpaper in the room becomes the focal point of her growing insanity.

    This haunting, unforgettable story centers on a young woman named Catarina, increasingly paralyzed and said to be mad, living out her time at Vita. Anthropologist João Biehl leads a detective-like journey to know Catarina; to unravel the cryptic, poetic words that are part of the “dictionary” she is compiling; and to trace the complex network of family, medicine, state, and economy in which her abandonment and pathology took form.As Biehl painstakingly relates Catarina’s words to a vanished world and elucidates her condition, we learn of subjectivities unmade and remade under economic pressures, pharmaceuticals as moral technologies, a public common sense that lets the unsound and unproductive die, and anthropology’s unique power to work through these juxtaposed fields. Vita’s methodological innovations, bold fieldwork, and rigorous social theory make it an essential reading for anyone who is grappling with how to understand the conditions of life, thought and ethics in the contemporary world.

    The structure of the contemporary University is changing rapidly, and we have yet to understand what precisely these changes will mean. Is a new age dawning for the University, the renaissance of higher education under way? Or is the University in the twilight of its social function, the demise of higher education fast approaching? We can answer such questions only if we look carefully at the different roles the University has played historically and then imagine how it might be possible to live, and to think, amid the ruins of the University.Tracing the roots of the modern American University in German philosophy and in the work of British thinkers such as Newman and Arnold, Bill Readings argues that historically the integrity of the modern University has been linked to the nation-state, which it has served by promoting and protecting the idea of a national culture. But now the nation-state is in decline, and national culture no longer needs to be either promoted or protected. Increasingly, universities are turning into transnational corporations, and the idea of culture is being replaced by the discourse of "excellence." On the surface, this does not seem particularly pernicious.The author cautions, however, that we should not embrace this techno-bureaucratic appeal too quickly. The new University of Excellence is a corporation driven by market forces, and, as such, is more interested in profit margins than in thought. Readings urges us to imagine how to think, without concession to corporate excellence or recourse to romantic nostalgia within an institution in ruins. The result is a passionate appeal for a new community of thinkers.

    While public outrage over sweatshops builds in intensity, this book shows us who these workers really are and how they are leading campaigns to fight for their rights.In-depth, accessible analyses of the immigration, labor, and trade policies, which together have forced these women into the most dangerous, poorly paid jobs, dovetail with vivid portraits of the women themselves. Louie, a longtime writer/activist and well-known figure in feminist, immigrant, and labor circles, is uniquely poised to make her case: that the labor of immigrant women worker-activists not only sustains families and communities, but the vibrant social activism that undergirds democracy itself.With chapters on successful campaigns against Levi-Strauss, Donna Karan, and restaurants in Los Angeles; Koreatown, among others.Miriam Ching Yoon Louie is a longtime writer/activist in campaigns to organize women of color. She is national campaign media director of Fuerza Unida, a board member of the Women of Color Resource Center, and former media director of Asian Immigrant Women Advocates. Her essays and articles on immigrant women and labor issues have been widely anthologized, including in the 1997 collection Dragon Ladies: Asian American Feminists Breathe Fire (South End Press) and she speaks at public events internationally. She is the co-author, with Linda Burnham, of Women’s Education in the Global Economy (Women of Color Resource Center, 2000).