There, removed from the eyes of the world, they hoped to live out their quiet lives. But the world outside gradually came to claim the Ladies—first out of curiosity, but eventually on the basis of profound respect, and even love. Visited by such luminaries as Edmund Burke, William Wordsworth, Walter Scott, and Horace Walpole, among many others, Eleanor and Sarah became known throughout Britain and to history as the “Ladies of Llangollen.”

    She has questions about her grandparents that she hopes to find the answers to while preparing the farm to sell. Abigail Price, a neighbor of Syd’s grandmother, has lived on her grandmother’s farm in Iowa for most of her life, leaving only to promote her latest novel. In helping Syd find the answers she’s looking for, they develop a mutual attraction and deeper feelings for each other.Syd has to return to her life in Chicago, but will Abby stay in Iowa, or will she give the big city, and love, a chance?Cover Artist: Sheri HalalGenres: Contemporary / Romance

    She knew it was silly, but she clung to one irrational thread of hope their friend Patty’s concoction would grant her heart’s desire. Shawna’s hopes were dashed when Ashton packed up her things and went away to college completely unaware of Shawna’s feelings. Twenty-three years after Patty’s potion was brewed, Ashton returns to her hometown. She finds time has changed a lot, including Shawna. Ashton has done quite a bit of changing, too, and sees Shawna in a whole new light. Perhaps Patty’s potion was potent after all. In this romantic comedy, Robin Alexander has cooked up a humorous tale about enduring love and friendship.

    Grady Wrenn is a cultural anthropologist, enthralled by a local ghost story about a vengeful spirit known as the River Walker. Elena Montalvo, a spiritual healer, is that tortured spirit’s only defender. Together, Grady and Elena must find a way to end the River Walker’s murderous vendetta— and overcome a maze of cultural barriers to find each other.

    He’s been kicked out of his house, knocked around by an abusive boyfriend, and defined by a heart condition for far too long. So an acceptance letter from a prestigious college is a perfect opportunity to start over, even if it means being away from the one person in the world he has on his side, his twin sister, Aela. All he has to do is be normal, which in Taylor’s book, means acting one hundred percent straight. Too bad that becomes one hundred percent impossible when he meets his roommate’s friend, Calis Schrader, who has a major flirting problem. Especially with Taylor. Calis and his friends force Taylor to question every truth he’s accepted about himself and the world him around him.As Taylor struggles to reconcile his past with his future, he finds himself evaluating what it means to be normal, what it means to be ruined, and what it actually means to be gay.

    Get someone here in one hour or I’m going to put her out of her misery.”An ultimatum that forever changes the lives of police officer Sam Lucas and Dr. Kate Myles.When heavy snowfall isolates the small English village of Birchenlow, a violent robbery shatters the community. Taken as a hostage and stranded with the increasingly desperate criminals, Sam is seriously injured during an ill-fated escape attempt. Already struggling to save the lives of the villagers caught up in the raid, Kate volunteers to walk straight into the lion’s den. Cut off from help, with only each other to rely on, Sam and Kate must find a way to fight the odds and stay alive if the growing attraction between them is to survive.

    But to all the creatures who lived there...." Like a shaman, Monette, the novelist, poet, essayist, AIDS activist and National Book Award winner (Becoming a Man) who died of AIDS in 1995, creates a magic space within this animal fable, which resonates with wisdom and grace. This posthumous offering is an amazingly tender parable of same-sex love full of political overtones sounding Monette's lifelong themes of social justice, the need for tolerance of diversity and the fluid nature of sexual selves. The romantic love that blossoms between Renarda the Fox and Lapine the Rabbit is doubly wrong in the eyes of the dictatorial Great Horned Owl who presides over their forest realm - wrong because it's interspecies and because it's between two females. The Owl (not a wise bird here) commands all the forest creatures to spy on one another and to report any "differentness." By splitting up the forest's denizens into two races, First Ones and second-class "refugees" the Owl sows antagonism and fear, fostering a network of spies and snitches. The lovers, once discovered, are charged with "crimes against nature," arrested and banished to separate rehabilitation camps, until a bumbling apprentice wizard, Albertus the Lesser, exposes the Owl as an impostor and transforms the forest into a haven of tolerance and love. Monette's complex, quicksilver prose aims at the heart and never misses. His entrancing tale is illustrated throughout with luminous, spectral pictures that enhance the moonlit aura of enchantment. (Publisher's Weekly.)In a fairy tale that captures the strangeness of society's rules and the liberating nature of love, the Great Horned Owl sets his intolerant agenda for the forest.

    Within days, she is captivated by Tamara, a Russian émigré whose arts of enchantment include lingering kisses, sudden dismissals, and savage, rapturous reunions. As long as she submits to Tamara, Hélène is permitted to stay near her: reading forbidden novels, meeting Tamara’s bohemian friends, and learning more 'refinements of depravity' than the gossiping matrons of her provincial French town could imagine existed.

    Shalimar, her wife, wishes Adijan would spend more time at home. Their landlord wishes Adijan would pay the rent. Adijan's brother-in-law wishes she would get trampled by a herd of camels so that he could marry his sister Shalimar to someone affluent and influential. And of all the wishes in the world, Adijan wishes the genie she's saddled with would grant her wishes instead of treating her with disdain. Be careful what you wish for in a world of genies, sorcerers, and flying carpets.

    But the classy kind. Pills. She really doesn’t get why people are so uptight about that sort of thing. She has a decent operation, a little business to launder money through, and only a few Mommy issues.Laurel Collins is the perfect girl for Cash. She wears vintage ties and is totally chill. She doesn’t mind the dealing or Cash’s cat. It’s almost like she’s Cash’s dream girl. Sometimes she’s a little closed off about, you know, life. But who isn’t?Sadly, the drug game doesn’t always run smoothly. There are dealers who don’t respect boundaries and unreliable customers. And, of course, dealers don’t fly under the cops’ radar forever. Even when they work with dirty cops. Which is a damn shame. It’s not like they’re hurting anybody, right?

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    Young gay sex and super mundane details--two things I love, together."--Miranda July, author of The First Bad Man"Stephen van Dyck's meticulous sexual records reveal the true recent histories of America, the Internet, the nearly-defunct nuclear family and the author himself. Surprisingly touching, People I've Met From the Internet is a brilliantly written, taxonomic account of growing up queer in turn-of-the-millennium Albuquerque, Los Angeles, and beyond."--Chris Kraus, author of I Love Dick"This is an impressive work, modern, relevant, powerfully startling in its effect."--John Rechy, author of City of Night "Bold, brave, sexy. . .This annotated bibliography of encounters bridging the virtual and real worlds of desire feels like a nineteenth-century erotic novel transposed onto the present, filled with salacious stories and characters. A truly remarkable adventure."--D. A. Powell, author of Cocktails"A brilliant, deadpan account of sexualized youth. . . If it wasn't so effortlessly funny and wry, People I've Met From the Internet would horrify; as it stands, every sentence--every checked-off box of kissing? oral? anal?--brings on the warm flush a real writer gives you." --Dodie Bellamy, author of When the Sick Rule the World"As the internet transformed the gay world from a limited number of spaces to a virtually unlimited homotopia, things were gained and things were lost, but van Dyck was one of its argonauts. . . There's a new kind of queer text here, one needed for a new queer age." --Matias Viegener, author of 2500 Random Things About Me Too"A glowing diorama that is continuously unfolding with mountains, living, men, cities, and sex. I love the sense of absolute openness in Stephen van Dyck's People I've Met From the Internet, how direct it is, how witty, and at times how sweet." --Amina Cain, author of Creature"Stephen van Dyck's People I've Met From the Internet is a wholly original, brilliant and engrossing book. I couldn't put it down." --Kate Durbin, author of E! Entertainment "This is no ordinary memoir. It's a moving, funny and rigorous attending to technology, desire and community as experienced by a whole generation. . . A tour de force of post-internet life writing." --Janet Sarbanes, author of The Protester Has Been ReleasedStephen van Dyck's PEOPLE I'VE MET FROM THE INTERNET is a queer reimagining of the coming-of-age narrative set at the dawn of the internet era. In 1997, AOL is first entering suburban homes just as thirteen-year-old Stephen is coming into his sexuality, constructing selves and cruising in the fantasyscape of the internet. Through strange, intimate, and sometimes perilous physical encounters with the hundreds of men he finds there, Stephen explores the pleasures and pains of growing up, contends with his mother's homophobia and early death, and ultimately searches for a way of being in the world. Spanning twelve years, the book takes the form of a very long annotated list, tracking Stephen's journey and the men he meets from adolescence in New Mexico to post-recession adulthood in Los Angeles, creating a multi-dimensional panorama of gay men's lives as he searches for glimpses of utopia in the available world.

    Oh, wait. She can. Without a career or a place to go when that exact thing happens, she’s forced to move home and take a job at her family’s winery.Taylor Winslow has been in love with Julia since tenth grade. Not the desperate, pining sort, but the kind that never really went away. When Julia reappears, Taylor has a chance to finally win her heart. The only problem? Julia’s hell-bent on making up for lost time by dating every eligible lesbian in town.Signing on as Julia’s wingman may land Taylor in the friend zone for good, but it’s a gamble she’s willing to take. With Taylor in her corner, will Julia find love, and herself, where she least expects it?

    No-one shuffles that frantically to hide books when you come in unexpectedly.And what would any right-minded person do when they opened the kitchen drawer to check what had been hidden? But right-minded isn't a term that's often applied to Beth.The Dildo in the Kitchen Drawer is a short story of paranoia, slippery fingers and recalcitrant dogs.

    In the sterile dormitories and on the quiet winter greens of an American university, a young woman named M— deals with the repercussions of a strange encounter with an angel, one that has left a large bruise on her forehead. Was the event real or imagined? The bruise does not disappear, forcing M— to confront her own existential fears and her wavering desire to tell the story of her imagination. As a writer, M— is breathless, desperate, and obsessive, questioning the mutations and directions of her words while writing with fevered immediacy. Using rhythmic language, suffused with allusions to literature and art, Magdalena Zurawski recasts the bildungsroman as a vibrant and moving form.