“How long had this been going on?” she wondered, on behalf of the rest of the nation. “Was it something that we said?”The more she looked at Texas, the more she realized it was at the heart of the American political story. The Tea Party had Texas roots, with its passion for states’ rights and sense of persecution by an overreaching Washington. But Texas also seemed to be running the federal government it despised. Through its vigorous support of banking deregulation, which began with the savings and loan crisis of the 1980s and ended calamitously with the Wall Street crash of 2008, Texas’s boot prints were deep. In education, Texas had managed both to be the model for the wildly influential No Child Left Behind law and to provide some of the loudest political voices calling for the law to be trashed. In energy, Texas was the heart of the drill-baby-drill movement and the war against the whole concept of global warming.Collins brilliantly frames this national movement through the outsized behavior and inimitable swagger of some of Texas’s most colorful and influential political figures, from former House of Representatives Majority Leader Tom DeLay, who got into politics when the EPA banned his favorite fire ant repellent, to Perry himself, who when confronted with the fact that his state had the country’s third-highest teen pregnancy rate, defended its abstinence-only sex education policy by doggedly asserting, “I’m just going to tell you from my own personal life. Abstinence works.”Digging beneath the veneer of cowboy hats, oil derricks, and Alamo cries, Collins has produced a profoundly original work demonstrating that much of what ails America was first birthed in Texas. Like it or not, as Texas goes, so goes the nation.

    In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

    Long out of print, this collection of early, seminal essays helped to establish Chomsky as a leading critic of United States foreign policy. These pages mount a scathing critique of the contradictions of the war, and an indictment of the mainstream, liberal intellectuals—the “new mandarins”—who furnished what Chomsky argued was the necessary ideological cover for the horrors visited on the Vietnamese people.As America’s foreign entanglements deepen by the month, Chomsky’s lucid analysis is a sobering reminder of the perils of imperial diplomacy. With a new foreword by Howard Zinn, author of A People’s History of the United States, American Power and the New Mandarins is a renewed call for independent analysis of America’s role in the world.

    The Instinct for Cooperation innovatively balances those real-life stories of struggle with conversations the author has had with Chomsky on how best to understand them. Although the themes are wide-ranging, this book is ultimately about the importance and need for spaces of resistance in countering state and other institutional forms of violence. For example, when discussing the removal of books by police and sanitation workers from Zuccotti Park in November of 2011, Chomsky paused to say "Arizona knows all about that," referring to the 2010 ban of Mexican American Studies in Tucson schools under Arizona House Bill 2281, which deemed classes that taught "ethnic solidarity" to be illegal. Rather than footnote the reference, Wilson tells that story. Like Joe Sacco's animated political journalism, this book offers a unique perspective on current issues, while providing a major contribution to the understanding of Chomsky's political theories.

    

    A century after its founding, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, prize-winning authors Michael Chabon and Ayelet Waldman have curated an anthology of essays about landmark cases in the ACLU’s 100-year history. In Fight of the Century, bestselling and award-winning authors present unique literary takes on historic decisions like Brown v. Board of Education, the Scopes trial, Roe v. Wade, and more. Contributors include Geraldine Brooks, Michael Cunningham, Jennifer Egan, Dave Eggers, Louise Erdrich, Neil Gaiman, Lauren Groff, Marlon James, Viet Thanh Nguyen, Morgan Parker, Ann Patchett, Salman Rushdie, George Saunders, Elizabeth Strout, Jesmyn Ward, Meg Wolitzer, and more. Fight of the Century shows how throughout American history, pivotal legal battles, fought primarily by underdogs and their lawyers, have advanced civil rights and social justice. The ACLU has been integral in this process. The essays range from personal memoir to narrative history, each shedding light on the work of one remarkable organization as it shaped a country. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

    Music sure as hell changed me." - Tom MorelloRock god. Justice fighter. Rabble-rouser. Ivy Leaguer. An American renegade and fearless truth teller. Rage Against the Machine’s guitar virtuoso, Tom Morello, is many things, but perhaps he himself sums it up best: a one man revolution. For the first time ever, hear Morello fuse the deeply personal with the political in a rapturous, badass, one-man show that skillfully balances soul-bearing stories with spellbinding guitar fury. This is Tom Morello at Minetta Lane Theatre: Speaking Truth to Power Through Stories and Song.Executive produced by the legendary, multi-Grammy winning producer and composer T Bone Burnett, Morello’s performance adds to a growing list of iconic talent (Patti Smith, James Taylor, Common) who give voice to Audible’s Words and Music series: a new type of audio-only memoir that blends storytelling, music, and performance to create a one-of-a-kind listening experience.Morello begins at the beginning, opening up about his tumultuous childhood in small-town Illinois, his grappling with sense of identity and ultimate artistic purpose. "I was the only black kid in an all-white town, the only anarchist at a conservative high school, the only heavy metal shredding guitar player at Harvard University, and the only Ivy League Star Trek loving nerd in the world’s biggest political rock rap band." As Morello takes us thru poignant moments of an astounding and meaningful career (Rage Against the Machine, Audioslave, the Nightwatchman, Springsteen and the E-Street Band, Prophets of Rage, The Atlas Underground) we hear firsthand of the triumphs and tragedies, riffs and rebellions that mark a life in shattering artistic bounds, confronting the establishment, and creating/collaborating on music that matters.By the time Tom closes out the show by leading a palpably super-charged audience through a banging version of "Killing in the Name Of", Lennon’s working-class anthem "Power to the People", and, finally, a spirited and wholly sincere "This Land Is Your Land", a piercing truth resounds: Tom Morello is a singular force and a most essential type of artist: the kind who not only inspires but empowers. In the words of T Bone Burnett, who provides a tender lead-in to the rare performance, "There is no more articulate or intelligent musician today than Tom Morello. He is a magical guitarist and a deep storyteller whose life and artistry reflect and challenge the time we live in."©2019 Tom Morello (P)2020 AO Media LLC

    It's usually seen as meaning chaos and disorder -- or even nothing at all. And yet, from Occupy Wall Street to Pussy Riot, Noam Chomsky to David Graeber, this philosophical and political movement is as relevant as ever. Contrary to popular perception, different strands of anarchism -- from individualism to collectivism -- do follow certain structures and a shared sense of purpose: a belief in freedom and working towards collective good without the interference of the state. In this masterful, sympathetic account, political theorist Ruth Kinna traces the tumultuous history of anarchism, starting with thinkers and activists such as Peter Kropotkin and Emma Goldman and through key events like the Paris Commune and the Haymarket affair. Skilfully introducing us to the nuanced theories of anarchist groups from Russia to Japan to the United States, The Government of No One reveals what makes a supposedly chaotic movement particularly adaptable and effective over centuries -- and what we can learn from it.

     Anarchy, A Graphic Guide is an account of people's attempts to build a world and live a life free of imposed authority. From the thirteenth century Free Spirits, to Emma Goldman and Alexander Berkman, from Noam Chomsky to the Zapatistas, Clifford Harper chronicles, in word and illustration, ordinary people's extraordinary efforts to overcome authoritarian social and economic conditions.Harper's beautifully rendered drawings add a distinctive elegance to his writings. With entirely new illustrations-over 350-and prose, this handsome reissue can hardly be called a reprint. His celebrated style brings new life to history's forgotten and maligned heroes: the Diggers, William Godwin, Pierre-Joseph Proudhon, Peter Kropotkin, the Grimke Sisters, Francisco Ferrer, Buenaventura Durruti, the Kronstadt sailors, Kenneth Rexroth, Paul Goodman, and Carol Ehrlich. In addition, he addresses anarchism's relationship to broader movements, including art, feminism, environmentalism, abolitionism, labor, intellectualism, atheism, and education.

    It recounts crow's efforts with others in the community to found Common Ground Collective, a grassroots relief organization that built medical clinics, set up food and water distribution, and created community gardens when local government agencies, FEMA, and the Red Cross were absent or ineffective. The members also stood alongside the beleaguered residents of New Orleans in resisting home demolitions, white militias, police brutality, and FEMA incompetence. This vivid, personal account maps the intersection of radical ideology with pragmatic action and chronicles a community's efforts to translate ideals into tangible results. Resisting indifference, rebuilding hope amidst collapse, and independence from government entities emerge as persistent themes in this call to activism, demonstrating what can be done by determined individuals in extreme circumstances.

    Through the lens of these conflicts, O’Neill examines the legacy of white supremacy in America, in a sobering and fascinating work.When O’Neill first moved to Alabama, as a white Northerner, he felt somewhat removed from the racism Confederate monuments represented. Then one day in Selma, he stumbled across a group of citizens protecting a monument to Forrest, the officer who became the first Grand Wizard of the Ku Klux Klan. O’Neill sets off to visit other disputed memorials to Forrest across the South, talking with men and women who believe they are protecting their heritage, and those who have a different view of the man’s poisonous history.

    It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving over 400 people on the premises. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola Prison in Louisiana, a former plantation named for the country from which most of its enslaved people arrived and which has since become one of the most gruesome maximum-security prisons in the world. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. In a deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods—like downtown Manhattan—on which the brutal history of the trade in enslaved men, women and children has been deeply imprinted. Informed by scholarship and brought alive by the story of people living today, Clint Smith’s debut work of nonfiction is a landmark work of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in understanding our country.

    Called “the voice of the resistance” by the New York Times, she has emerged as an essential guide to our times, through incisive commentary on feminism, violence, ecology, hope, and everything in between.In this powerful and wide-ranging collection of essays, Solnit turns her attention to the war at home. This is a war, she says, “with so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later.” To get to the root of these American crises, she contends that “to acknowledge this state of war is to admit the need for peace,” countering the despair of our age with a dose of solidarity, creativity, and hope.The loneliness of Donald Trump --Coda (July 16, 2018) --Milestones in misogyny --Twenty million missing storytellers --Ideology of isolation --Naïve cynicism --Facing the furies --Preaching to the choir --Climate change is violence --Blood on the foundation --Death by gentrification: the killing of Alex Nieto and the savaging of San Francisco --No way in, no way out --Bird in a cage: visiting Jarvis Masters on death row --Coda: case dismissed --The monument wars --Eight million ways to belong --The light from Standing Rock --Break the story --Hope in grief --In praise of indirect consequences

    In addition to articles in which Fonercalls out politicians and the powerful for their abuse and misuseof American history, Foner assesses some of his fellow leadinghistorians of the late 20th century, including Richard Hofstadter,Howard Zinn and Eric Hobsbawm. Foner ends with an open letterto Bernie Sanders analysing the great tradition of radicalism thathe has spent his career studying and which, he argues, Americansof progressive disposition should seek to celebrate and retrieve.

    But to do so robs the millions who suffered in bondage of their full legacy.As historian Edward Baptist reveals in The Half Has Never Been Told, the expansion of slavery in the first eight decades after American independence drove the evolution and modernization of the United States. In the span of a single lifetime, the South grew from a narrow coastal strip of worn-out tobacco plantations to a continental cotton empire, and the United States grew into a modern, industrial, and capitalist economy. Until the Civil War, Baptist explains, the most important American economic innovations were ways to make slavery ever more profitable. Through forced migration and torture, slave owners extracted continual increases in efficiency from enslaved African Americans. Thus the United States seized control of the world market for cotton, the key raw material of the Industrial Revolution, and became a wealthy nation with global influence.Told through intimate slave narratives, plantation records, newspapers, and the words of politicians, entrepreneurs, and escaped slaves, The Half Has Never Been Told offers a radical new interpretation of American history. It forces readers to reckon with the violence at the root of American supremacy, but also with the survival and resistance that brought about slavery’s end—and created a culture that sustains America’s deepest dreams of freedom.