It seeks to provoke uniquely strong reactions, such as fear, shock, dread or disgust, and yet remains very popular. Horror is most readily associated with the film industry, but horrific short stories and novels have been wildly loved by readers for well over two centuries. Despite its persistent popularity, until now there has been no up-to-date history of horror fiction for the general reader. This book offers a chronological overview of the genre in fiction and explores its development and mutations over the past 250 years. It also challenges the common misjudgement that horror fiction is necessarily frivolous or dispensable. Leading experts on Gothic and horror literature introduce readers to classics of the genre as well as exciting texts they may not have encountered before. The topics examined include: horror’s roots in the Gothic romance and antebellum American fiction; the penny dreadful and sensation novels of Victorian England; fin-de-siècle ghost stories; decadent fiction and the weird; the familial horrors of the Cold War era; the publishing boom of the 1980s; the establishment of contemporary horror auteurs; and the post-millennial zombie trend.

    S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him.The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying.Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

    Authors include Robert Silverberg, Suzy McKee Charnas, Jonathan Carroll, Chelsea Quinn Yarbro, David J. Schow, Karl Edward Wagner, Kathe Koja, Elizabeth Massie, Barry N. Malzberg, Rick Wilbur, Thomas Ligotti, and many more.

    Spring and All contains some of Williams’s best-known poetry, including Section I, which opens, “By the road to the contagious hospital,” and Section XXII, where Williams wrote his most famous poem, “The Red Wheelbarrow.”

    That the books are entertainment seems a given, and for that I'm grateful. That they can be seen as a religious journey is also clear. I am immersed in the questions, and praying for the answers. Lestat, c'est moi. I want you to love all of my characters. I am, in the writing of these and other novels, as ambitious as Dickens. I want everybody to cry when Claudia dies, just like they did for Little Nell."-- Anne RiceFebruary 8, 1995Interview with the Vampire. The Vampire Lestat. The Queen of the Damned. The Talc of the Body Thief Memnoch the Devil. With her bestselling, epic saga, Anne Rice has reinvented the legend and literature of one of fiction's most popular and captivating archetypes. Now, Katherine Ramsland, Anne Rice's biographer, has completely revised and updated the ultimate reference guide to the world, history, and adventures of these haunting characters, from the unforgettable Lestat to Rice's newest chilling creation, Memnoch the Devil.Written with the full cooperation of Anne Rice -- and now with more than 1,200 entries -- The Vampire Companion offers an insightful exploration, appreciation, and interpretation of all the characters and events, names and places, symbols and themes in the five volumes of The Vampire Chronicles, including more than one hundred pages of new entries on Rice's latest vampire novel, Memnoch the Devil. Everything that readers might want to explore further is annotated and analyzed in this entertaining and enlightening work: the unforgettable characters of Louis, Lestat, Claudia, Akasha, Armand, and Memnoch; the important points of interest on Lestat's fascinating tour through Heaven and Hell; ancient lore; Rice's unique contributions to the mythos of vampires; the literary inspirations that echo through the novels; Rice's own reflections and revelations about her work and about the movie Interview with the Vampire; and much more.Richly illustrated with new photos, drawings, maps, and a complete time line of events in The Chronicles, The Vampire Companion is as captivating as the phenomenal saga it explores. It is a guidebook that no visitor to the world of Anne Rice should be without.

    Last volume (E) of the anthology of the American literature from its sixteenth-century origins to the present.

    Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it.   Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.

    Wright argues for poetry as a way of being and seeing, and calls it "the one arena where I am not inclined to crank up the fog machine." Wright's passion for the genre is pure inspiration, and in her hands the answer to the question of poetry is poetry.From "In a Word":I love the nouns of a time in a place, where a sack once was a poke and native skag was junk glass not junk and junk was just junk not smack and smack entailed eating with your mouth open, and an Egyptian one-eye was an egg, sunny side up, and a nation sack was a flannel amulet, worn only by women, to be touched only by women, especially around Memphis. Red sacks for love and green for money…C.D. Wright's most recent volume, One With Others, was a National Book Award finalist. Among her many honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.

    This early novel explores the cavernous landscapes and labyrinthine passages of Sicily's castles and convents to reveal the shameful secrets of its all-powerful aristocracy.

    It is perhaps because of this that the poem is still popular with and of interest to modern readers. Owing to its length and its arguable breadth of focus, the poem might not be thought an elegy or a dirge in the strictest formal sense.The poem is not arranged exactly in the order in which it was written. The prologue, for example, is thought to have been one of the last things written. Critics believe, however, that the poem as a whole is meant to be chronological in terms of the progression of Tennyson's grief. The passage of time is marked by the three descriptions of Christmas at different points in the poem, and the poem ends with a description of the marriage of Tennyson's sister."In Memoriam" is written in four-line ABBA stanzas of iambic tetrameter, and such stanzas are now called In Memoriam Stanzas. Though not metrically unusual, given the length of the work, the meter creates a tonal effect which often divides readers - is it the natural sound of mourning and grief, or merely monotonous? The poem is divided into 133 cantos (including the prologue and epilogue), and in contrast to its constant and regulated metrical form, encompasses many different subjects: profound spiritual experiences, nostalgic reminiscence, philosophical speculation, Romantic fantasizing and even occasional verse. The death of Hallam, and Tennyson's attempts to cope with this, remain the strand that ties all these together.Excerpt: Strong Son of God, immortal Love,Whom we, that have not seen thy face,By faith, and faith alone, embrace,Believing where we cannot prove ;Thine are these orbs of light and shade ;Thou madest Life in man and brute ;[...]

    The definitive exploration of the Sandman mythology.

    Going outside the nursery, with its assortment of parent-approved entertainments, to observe and investigate the day-to-day creative intelligence and activities of children, the Opies bring to life the rites and rhymes, jokes and jeers, laws, games, and secret spells of what has been called "the greatest of savage tribes, and the only one which shows no signs of dying out."

    those read for the classroom. "On Rereading" records the sometimes surprising, always fascinating, results of her personal experiment.Spacks addresses a number of intriguing questions raised by the purposeful act of rereading: Why do we reread novels when, in many instances, we can remember the plot? Why, for example, do some lovers of Jane Austen's fiction reread her novels every year (or oftener)? Why do young children love to hear the same story read aloud every night at bedtime? And why, as adults, do we return to childhood favorites such as "The Hobbit," "Alice in Wonderland," and the Harry Potter novels? What pleasures does rereading bring? What psychological needs does it answer? What guilt does it induce when life is short and there are so many other things to do (and so many other books to read)? Rereading, Spacks discovers, helps us to make sense of ourselves. It brings us sharply in contact with how we, like the books we reread, have both changed and remained the same.

    But dreams can change into nightmares...When one of her students accuses his friend Ethel's grandmother of abusing her, Miss Mayfield cannot let it go. But Ethel won't say anything, despite the evidence of Miss Mayfield's own eyes. But as she attempts to get to the truth of the matter, she stumbles on something far more sinister. Walwyk seems to be in the grip of a centuries-old evil, and anybody who questions events in the village does not last long.Death stalks more than one victim, and Miss Mayfield begins to realise that if she's not careful, she will be the next to die...

    Newly revised and expanded by the author, this study of epic fantasy analyzes the genre from its earliest beginnings in Medieval romances, on through practitioners like Tolkien, up to today's brightest lights.