In the title story, an unhappily married couple find their print of an orange fish brings them newfound harmony as they join other owner of the print who gather to extol the miraculous powers of “fishness.” “Chemistry” describes a group of young musicians drawn briefly into an impenetrable circle of love. And in “Hazel,” a middle-aged woman finally comes into her own as a sales rep for a line of kitchen products. The Orange Fish is a collection full of wit and compassion, a series of stories to be read and reread and savored.The orange fish --Chemistry --Hazel --Today is the day --Hinterland --Block out --Collision --Good manners --Times of sickness and health --Family secrets --Fuel for the fire --Milk bread beer ice

    Kindergarten is becoming more like the rest of school. In Lifelong Kindergarten, learning expert Mitchel Resnick argues for exactly the opposite: the rest of school (even the rest of life) should be more like kindergarten. To thrive in today's fast-changing world, people of all ages must learn to think and act creatively--and the best way to do that is by focusing more on imagining, creating, playing, sharing, and reflecting, just as children do in traditional kindergartens.Drawing on experiences from more than thirty years at MIT's Media Lab, Resnick discusses new technologies and strategies for engaging young people in creative learning experiences. He tells stories of how children are programming their own games, stories, and inventions (for example, a diary security system, created by a twelve-year-old girl), and collaborating through remixing, crowdsourcing, and large-scale group projects (such as a Halloween-themed game called Night at Dreary Castle, produced by more than twenty kids scattered around the world). By providing young people with opportunities to work on projects, based on their passions, in collaboration with peers, in a playful spirit, we can help them prepare for a world where creative thinking is more important than ever before.

    A masterpiece of self-analysis by the British novelist Denton Welch, who recounts the far-reaching struggle of his short life through a cloud of personal affliction and tragedy.

    Bitter landowners plot against him, determined cattle thieves sneak right under his nose, and his own son refuses to trust or even know him. Can he catch the thieves, save the ranch, and win his son's love?

    This title covers topics from baby showers to cell phones, chin hair to Hamburger Helper, defrosted turkeys to Barry Manilow, and dumb blonde jokes to well-woman exams. It aims to inspire, entertain and shed light on principles of spiritual wellness and Christian living to enrich the life of the reader.

    One smart Wichita detective suspected the legal secretary's murder might be the first in a string of depraved sexual slayings. He would be right on the mark.A spree of torture and murder...Six days later Michelle Katf was badly beaten and barely escaped with her life. Twenty-year old Joan Butler was not so lucky. She soon disappeared without a trace. But when Richard Grissom, a handsome onetime college student, started driving the dead girl's red Corsica, the cops were hot on his trail. By then the twisted thrill killer, now a desperate fugitive, was already looking foe fresh victims.Nothing could satisfy his lust for death...Attractive roommates, Theresa Brown and Christine Rusch were only too happy to have a handsome guy like Grissom at their Saturday night party. They never suspected that 48 hours later they would be trapped in a horrifying nightmare. For days, Grissom terrorized them, before finally snuffing out their young lives, and sending police on one of the most exhaustive manhunts in Kansas history.Former FBI agent Dan Mitrione follows the dark, twisted path of a man with all the cunning, sexy good looks, sexy good looks and deadly charm of Ted Bundy, exposing Grissom's secret bloody past that shocked even the most jaded detectives.

    Teacher's organizations would do well to consider the use of Miss Grant's Technical Manual as an official textbook." — Dance MagazineTeacher recommended, Gail Grant's Technical Manual has long been one of the most popular and effective ballet reference guides. Completely revised and updated, this third edition is virtually a new work and should be owned by every student, dance teacher, choreographer, and ballet enthusiast — even those who purchased the second edition. Extensive revision, expansion, and the inclusion of more than 300 new terms have added immeasurably to the value of this concise, definitive manual.Moving from "abstract ballet" and "adage, adagio" to "working leg" and "wrapped position," the book fully describes and defines over 1,100 ballet steps (saul de chat, jeté enveloppé, failli, entrechat six, etc.), movements and poses (arabesque, épaulement, attitude, en arrière, retiré, à terre, dégagé, etc.), and other expressions and concepts. For each, first a phonetic transcription is provided, then a literal translation, and finally an explanation of how the step is performed, the pose captured, or the movement executed, of how the concept fits in with actual ballet dancing, or of the purpose or function of the idea. A pronunciation guide, cross-references to alternate names for similar steps and positions that vary from the Russian to the French or Italian schools, and a bibliography are all invaluable aids.But the most important supplement is the 15-page pictorial section, drawn by the author, who is both a successful ballet teacher and dancer. Keyed to the dictionary (and vice-versa), these diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many of the more common ballet steps and movements. This essential and easy reference is a must for every teacher, aspiring dancer, and ballet class.

    Going upstairs, he shot his teenage children, Susan and David. David was slow in dying, so his father finished him off by smothering him with a pillow.Cover UpSpangler had cunningly framed the crime scene, making it appear that his wife had shot their children and then herself. Now he was free to marry his new love, Sharon Cooper. A former high school athlete, he hiked the Grand Canyon with Sharon, who chronicled the trip in a book dedicated to her "soul mate," Spangler. But their happiness was short-lived. The marriage ended in a costly, messy divorce.ConfessionIn April, 1993, when Spangler's third marriage to 59-year-old aerobics instructor Donna Sundling went sour, he took her hiking in the Grand Canyon and pushed her off a 140-foot drop to her death. In 1994, when ex-wife Sharon committed suicide, Spangler became the focus of intense police scrutiny. Wracked with brain cancer, he told all to investigators in the fall of 2000, detailing his shocking serial saga--the story of a two-time widower. . .and a four-time killer.

    He only works when his cash runs out, and his rule is simple: He'll help you find whatever was taken from you, as long as he can keep half. Discover Travis McGee with this special collection of the first three titles of John D. MacDonald's classic series.The Deep Blue Goodbye Travis McGee isn't particularly strapped for cash, but how can anyone say no to Cathy, a sweet girl who's been tortured repeatedly by her manipulative ex-boyfriend Junior Allen? What Travis isn't anticipating is just how many women Junior has torn apart and left in his wake . . . Nightmare in Pink Travis McGee's old army buddy needs a favour. His sister's fiancé has just been murdered in what the authorities claim was a standard Manhattan mugging. But Nina knows better. Travis is determined to get to the bottom of things, but just as he's closing in on the truth he finds himself taken captive. Some people will go to any lengths to make sure their secrets don't get out . . .A Purple Place for Dying Travis McGee isn't sure he wants to help Mona, a woman trapped in a marriage with a wealthy businessman whom she is convinced is stealing from her trust fund. That is until he sees Mona shot dead on the cliffs near her cabin. But when he arrives at the scene, her body is gone. And there's no trace of them ever having met. Will Travis prove that what he saw was real, and unravel a complex murder web, in time to save his own skin?

    Like the old master Henry James, Sheila Bosworth uses the chilling device of using the mirror of innocence to reflect evil. It is a lovely achievement, a superior one."-Walker Percy Clay-Lee Calvert is the love child of two people who are as beautiful as models in a magazine but whose similarity ends there. Her father, Rand, is an artist-easygoing, dreamy, principled, and chronically jobless. Her mother, Constance, is the blue-blooded, pampered, delicate but determined daughter of a state supreme court justice. How their intense passion for each other plays out against the sumptuousness and decay of 1950s New Orleans is something to which no innocent should be privy. In Sheila Bosworth's mesmerizing first novel, the era, the place, the people, of Clay-Lee's childhood all form an air as real as our own pasts, alternately dim and indelible, where everyone bears some guilt, and all are almost innocent.

    The medical world knows him as Fred Epstein, M.D., the neurosurgeon who pioneered life-saving procedures for previously inoperable tumors in children. His patients and their families know him simply as Dr. Fred, the "miracle man" who has extended them both a healing hand and an open heart.Throughout his career Epstein's young patients have been his most important teachers and trusted guides. They are children who--often by sheer force of will--have refused to relinquish life and all its gifts. In this inspiring book, these children teach us the lessons we all need to learn in order to live life to the fullest--lessons about seizing the moment and facing our deepest fears, about embracing the joy and wonder of everyday life. Most of all, they teach lessons about uncommon courage--the courage to do what's hardest, to believe in what we don't understand, to love without boundaries.If I Get to Five takes us inside a world unlike any other, from the high-stakes, high-tech operating room where life and death are separated by a heartbeat to the sickrooms and recovery rooms where parents discover the limits and power of their faith. But most compelling of all is the journey inside the hearts, minds, and souls of the wisest children you will ever encounter.No one who reads this remarkable book will ever look at children--or adversity--in the same way.

    In this concise book, respected apologist Rebecca McLaughlin outlines the evidence that Jesus was a real person, explaining the reliability of the Bible's accounts of his life and why believing in a virgin birth is not as ridiculous as it might sound.This book shows that there is a rational basis for the belief that the world's most famous story is fact, not fantasy--and how those events in history can infuse our lives today with meaning and joy.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The book looks at the myths and legends of Babylonia and Assyria, and how these ancient tales reflect the beliefs and development of these early civilizations. The historical narrative of the book begins with the early Sumerian Age and concludes thirty centuries later with the periods of the Persian and Greek Empires.

    She has become our most important critic, while her brilliant novels and short fiction are, at long last, getting the recognition they deserve. Sontag is above all a writer, which is only to say that, though the form may differ, there is an essential unity in all her work. The truth of this is perhaps more evident in A Susan Sontag Reader than in any of Sontag's individual books. The writer selected a sampling of her work, meaning the choice both to reflect accurately a career and also to guide the reader toward those qualities and concerns which she prizes in her own writing.  A Susan Sontag Reader is arranged chronologically and draws on most of Sontag's books. There are selections from her two novels, The Benefactor and Death Kit,  and from her collections of short stories, I, etcetera. The famous essays from the 1960s--"Against Interpretation," "Notes on Camp," and "On Style"--which established Sontag's reputation and can be fairly said to have shaped the cultural views of a generation are included, as are selctions from her two subsequent volumes of essays, Styles of Radical Will and Under the Sign of Satury. A part of Sontag's best-selling On Photography is also included.  It is astonishing to read these works when they are detached from the books they appeared in and offered instead in the order in which Sontag wrote them. The connections between various literary forms, the progression of themes, are revealed in often startling ways. Moreover, Sontag has included a long interview in which she moves mroe informally over the whole range of her concerns and of her work. The volume ends with "Writing Itself," a previously uncollected essay on Roland Barthes which, in the eyes of many, is one of Sontag's finest achievements. This collection is, in a sense, both a self-potrait and a key for a reader to understand the work of one of the most imporant writers of our time.