The play depicts an authoritarian regime and the play's central character, the young Antigone, mirrored the predicament of the French people in the grips of tyranny. One of the masterpieces of the modern French stage.

    While there, they are willing slaves to their former butler, but on return to civilization, the positions are shifted.

    Fortunately, they've been extinct for a hundred and fifty years.Or not.Astrid had always scoffed at her eccentric mother's stories about killer unicorns. But when one of the monsters attacks her boyfriend—thereby ruining any chance of him taking her to the prom—Astrid finds herself headed to Rome to train as a unicorn hunter at the ancient cloisters the hunters have used for centuries.However, at the cloisters all is not what it seems. Outside, the unicorns wait to attack. And within, Astrid faces other, unexpected threats: from the crumbling, bone-covered walls that vibrate with a terrible power to the hidden agendas of her fellow hunters to—perhaps most dangerously of all—her growing attraction to a handsome art student ... an attraction that could jeopardize everything.

    For two hundred years he has wandered the world, enslaved by his lunatic appetites and tormented by the memory of his first and most monstrous crime. Now, the last of his kind, he knows he cannot go on.But as Jake counts down to suicide, a violent murder and an extraordinary meeting plunge him straight back into the desperate pursuit of life — and love.Sexy, smart, bloody and heartbreaking, The Last Werewolf takes literature by the throat.

    The Lehman Trilogy follows the epic rise and fall of three generations of that infamous family and through them tells the story of American ambition and hubris. After leaving his native Bavaria, Henry Lehman arrives in America determined to make a better life. Sensing opportunity in the Deep South, he opens a textile shop in Alabama, laying the foundation for a dynasty that will come to dominate and define modern capitalism. Emanuel and his brother Mayer begin investing in anything and everything that will turn a profit, from cotton to coal to railroads to oil to airplanes—even at the expense of the very nation that forged them. Spanning three generations and 150 years, The Lehman Trilogy is a moving epic that dares to tell the story of modern capitalism through the saga of the Lehman brothers and their descendants. Surprising and exciting, brilliant and inventive, Stefano Massini’s masterpiece—like Hamilton—is a story of immigration, ambition, and success; it is the story of America itself from a daring and original perspective.

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    The country has been invaded and is being governed by a secret organization. There is destruction everywhere; great walls of ice overrun the world. Together with the narrator, the reader is swept into a hallucinatory quest for this strange and fragile creature with albino hair. Acclaimed upon its 1967 publication as the best science fiction book of the year, this extraordinary and innovative novel has subsequently been recognized as a major work of literature in its own right.

    "L'astragale" is the French word for the ankle bone Albertine Sarrazin's heroine Anne breaks as she leaps from her jail cell to freedom. As she drags herself down the road, away from the prison walls, she is rescued by Julien, himself a small-time criminal, who keeps her hidden. They fall in love. Fear of capture, memories of her prison cell, claustrophobia in her hideaways: every detail is fiercely felt.Astragal burst onto the French literary scene in 1965; its fiery and vivacious style was entirely new, and Sarrazin became a celebrity overnight. But as fate would have it, Sarrazin herself kept running into trouble with the law, even as she became a star.She died from a botched surgery at the height of her fame. Sarrazin's life and work (her novels are semi-autobiographical) have been the subject of intense fascination in France; a new adaptation of Astragal is currently being filmed. Patti Smith, who brought Astragal to the attention of New Directions, contributes an enthusiastic introduction to one of her favorite writers.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    Gorgeous, charismatic, and a bit mysterious, Lee seems almost too perfect to be true.But what begins as flattering attention and spontaneous, passionate sex transforms into raging jealousy, and Catherine soon discovers that Lee's dazzling blue eyes and blond good looks hide a dark, violent nature. Disturbed by his increasingly erratic, controlling behavior, she tries to break it off; turning to her friends for support, she's stunned to find they don't believe her. Increasingly isolated and driven into the darkest corner of her world, a desperate Catherine plans a meticulous escape.Four years later, Lee is behind bars and Catherine—now Cathy—is trying to build a new life in a new city. Though her body has healed, the trauma of the past still haunts her. Then Stuart Richardson, her attractive new neighbor, moves in. Encouraging her to confront her fears, he sparks unexpected hope and the possibility of love and a normal life.Until the day the phone rings . . .

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.The Woman in WhiteOne of the greatest mystery thrillers ever written, Wilkie Collins' The Woman in White was a phenomenal bestseller in the 1860s, achieving even greater success than works by Dickens, Collins' friend and mentor. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall readers today.The story begins with an eerie midnight encounter between artist Walter Hartright and a ghostly woman dressed all in white who seems desperate to share a dark secret. The next day Hartright, engaged as a drawing master to the beautiful Laura Fairlie and her half sister, tells his pupils about the strange events of the previous evening. Determined to learn all they can about the mysterious woman in white, the three soon find themselves drawn into a chilling vortex of crime, poison, kidnapping, and international intrigue.Masterfully constructed, The Woman in White is dominated by two of the finest creations in all Victorian fiction: Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant "Napoleon of Crime."

    One college reunion. One unsolved murder. A college reunion turns dark and deadly in this chilling and propulsive suspense novel about six friends, one unsolved murder, and the dark secrets they’ve been hiding from each other—and themselves—for a decade.Ten years after graduation, Jessica Miller has planned her triumphant return to southern, elite Duquette University, down to the envious whispers that are sure to follow in her wake. Everyone is going to see the girl she wants them to see—confident, beautiful, indifferent—not the girl she was when she left campus, back when Heather’s murder fractured everything, including the tight bond linking the six friends she’d been closest to since freshman year. Ten years ago, everything fell apart, including the dreams she worked for her whole life—and her relationship with the one person she wasn’t supposed to love. But not everyone is ready to move on. Not everyone left Duquette ten years ago, and not everyone can let Heather’s murder go unsolved. Someone is determined to trap the real killer, to make the guilty pay. When the six friends are reunited, they will be forced to confront what happened that night—and the years’ worth of secrets each of them would do anything to keep hidden.Told in racing dual timelines, with a dark campus setting and a darker look at friendship, love, obsession, and ambition, In My Dreams I Hold A Knife is an addictive, propulsive read you won’t be able to put down.

    Rodriguez’s desk, the signature evidence hits too close to home. Being unable to stop the murder of his own mother has made Fitz a jaded man. Now, he will stop at nothing to protect the one he loves.Serial killer, Mark Chambers, is like a cat that preys on unsuspecting mice for sport. When a fresh kill no longer quenches his sexual appetite, he sets his sights on Makenna Justice. The fiery-redhead, with her emerald green eyes, ignites a fire in him that he hasn’t had since his first kill.Time is of the essence for all three of them.Mark must feed into his desires once more without leaving a trail.Fitz has to dig himself deep into a killer’s mind to catch him. And Makenna?—She just has to stay alive.This book contains scenes and/or incidents of domestic violence, which may be triggering to survivors. Intended for 18+ mature readers only. Contains strong language and sexual situations, which may be offensive to some people.

    It is a typical example of a Romantic closet drama. Manfred was adapted musically by Robert Schumann in 1852, in a composition entitled Manfred: Dramatic Poem with music in Three Parts, and later by Pyotr Ilyich Tchaikovsky in his Manfred Symphony, Op. 58, as well as by Carl Reinecke. Friedrich Nietzsche was impressed by the poem's depiction of a super-human being, and wrote some music for it. Byron wrote this "metaphysical drama", as he called it, after his marriage failed in scandal amidst charges of sexual improprieties and an incestuous affair between Byron and his half-sister, Augusta Leigh. Attacked by the press and ostracized by London society, Byron fled England for Switzerland in 1816 and never returned. Because Manfred was written immediately after this and because Manfred regards a main character tortured by his own sense of guilt for an unmentionable offense, some critics consider Manfred to be autobiographical, or even confessional.The unnamed but forbidden nature of Manfred's relationship to Astarte is believed to represent Byron's relationship with his half-sister Augusta. Byron commenced this work in late 1816, only a few months after the famed ghost-story sessions which provided the initial impetus for Mary Shelley's Frankenstein. The supernatural references are made clear throughout the poem. In one scene, for example, (Act III, Scene IV, Interior of the Tower), Manfred recalls traveling through time (or astral projection traveling) to Caesar's palace, "and fill'd up, As 't were anew, the gaps of centuries...".