Martin.A collection of the first three books in Maurice Druon’s epic historical fiction series, The Accursed Kings.“Accursed! Accursed! You shall be accursed to the thirteenth generation!”The Iron King – Philip the Fair – is as cold and silent, as handsome and unblinking as a statue. He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men.A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon himself a curse that will destroy his entire dynasty…This bundle collects the first three novels of The Accursed Kings: THE IRON KING, THE STRANGLED QUEEN and THE POISONED CROWN.

    An extraordinary series of events, fastidiously researched here, saved the city from what Hitler wanted to leave to the Allies "nothing but a field of ruins."

    Artaud, however, was not insane but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud’s vatic thunder still crashes above the "larval confusion" he despised, what is most striking in his writings is an extravagant lucidity.This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense.Antoine Marie Joseph Artaud, better known as Antonine Artaud, was a French dramatist, poet, essayist, actor, and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde.Jack Hirschman (b. December 13, 1933, in New York, NY) is a poet and social activist who has written more than 50 volumes of poetry. Dismissed from teaching at UCLA for anti-war activities in 1966, he moved to San Francisco in 1973, and was the city's present poet laureate. Hirschman translates nine languages and edited The Artaud Anthology.

    And only a pataphysician nurtured lovingly on surrealist excess could have dreamed up The Blue Flowers, Queneau's 1964 novel, now reissued as a New Directions Paperbook. To a pataphysician all things are equal, there is no improvement or progress in the human condition, and a ‘message’ is an invention of the benighted reader, certainly not the author or his perplexing creations – the sweet, fennel-drinking Cidrolin, and the rampaging Duke d'Auge. History is mostly what the duke rampages through – 700 years of it at 175-year clips. He refuses to crusade, clobbers his king with the ‘in’ toy of 1439 – the cannon – dabbles in alchemy, and decides that those musty caves down at Altamira need a bit of sprucing up. Meanwhile, Cidrolin in the 1960s lolls on his barge moored along the Seine, sips essence of fennel, and ineffectually tries to catch the graffitist who nightly defiles his fence. But mostly he naps. Is it just a coincidence that the duke appears only when Cidrolin is dozing? And vice versa? In the tradition of Villon and Céline, Queneau attempted to bring the language of the French streets into common literary usage, and his mad word-plays, bad puns, bawdy jokes, and anachronistic wackiness have been kept amazingly and glitteringly intact by the incomparable translator Barbara Wright.

    People everywhere saw Paris as the centre of Europe and the hub of culture, fashion and invention. But suddenly France, not least to the disbelief of her own citizens, was gripped in the vice of the Prussian armies and forced to surrender on humiliating terms. Almost immediately Paris was convulsed by the savage self-destruction of the newly formed Socialist government, the Commune.In this brilliant study of the Siege of Paris and its aftermath, Alistair Horne researches first-hand accounts left by official observers, private diarists and letter-writers to evoke the high drama of those ten tumultuous months and the spiritual and physical agony that Paris and the Parisians suffered as they lost the Franco-Prussian war.'Compulsively readable'  The Times'The most enthralling historical work'  Daily Telegraph'Essential reading for anyone who wants to understand the civil war that still stirs the soul of France'  Evening StandardOne of Britain's greatest historians, Sir Alistair Horne, CBE, is the author of a trilogy on the rivalry between France and Germany, The Price of Glory, The Fall of Paris and To Lose a Battle, as well as a two-volume life of Harold Macmillan.

    as one of this century's most innovative writers. Now Godine is pleased to issue two of his most powerful novels in one volume: Things, in an authoritative new translation, and A Man Asleep, making its first English appearance. Both provoked strong reactions when they first appeared in the 1960s; both which speak with disquieting immediacy to the conscience of today's readers. In each tale Perec subtly probes our compulsive obsession with society's trappings the seductive mass of things that crams our lives, masquerading as stability and meaning.Jerome and Sylvie, the young, upwardly mobile couple in Things, lust for the good life. "They wanted life's enjoyment, but all around them enjoyment was equated with ownership." Surrounded by Paris's tantalizing exclusive boutiques, they exist in a paralyzing vacuum of frustration, caught between the fantasy of "the film they would have liked to live" and the reality of life's daily mundanities.In direct contrast with Jerome and Sylvie's cravings, the nameless student in A Man Asleep attempts to purify himself entirely of material desires and ambition. He longs "to want nothing. Just to wait, until there is nothing left to wait for. Just to wander, and to sleep." Yearning to exist on neutral ground as "a blessed parenthesis," he discovers that this wish is by its very nature a defeat.Accessible, sobering, and deeply involving, each novel distills Perec's unerring grasp of the human condition as well as displaying his rare comic talent. His generosity of observation is both detached and compassionate.

    Exceptional for their range in mood and situation, these four novels are unparalleled exhibitions of a poetic beauty that is uniquely Duras.

    A woman might write to him admiringly, at first anonymously, as so many did then. What Maurois evokes here so strongly is the writer and the lover and the always hungry dreamer of fame, greatness and happiness. Balzac's feats were prodigious. Hounded by creditors throughout his life, he bought antiques and jewelled walking sticks, and indulged in one ruinous financial deal after another. He worked for months at a frenzied pace. With a passion for unity, he tried to make a comprehensive world from his many works-- ""La Comedie Humaine."" He was lover to many women but he loved only two-Madame de Berny, his mistress in youth and twenty years his senior, and Madame Hanska, whom he married just before his death. Most of the time the narrative is just shy of the many quotations. Maurois is a little like the wise ""friend of the family"" who tells the story with all the intimate speculations, small reproaches and loving (sometimes sentimental) praise one might expect. Names, places and figures abound, and while many of these particulars are only scantily examined, one doesn't mind. Such a French abundance of ""givens"" is in keeping with the rush and energy of Balzac's life. There are good but simple summaries of Balzac's thought but for the most part this close biography draws one headlong into a fantastic life. KIRKUS REVIEW

    As Lucile explores these two versions of love, she vacillates in confusion, but in the end she must choose, and her heart’s instinct is surprising and poignant. Originally published under the title La Chamade, this new translation by Douglas Hofstadter returns a forgotten classic to English.In Translator, Trader, Douglas Hofstadter reflects on his personal act of devotion in rewriting Françoise Sagan’s novel La Chamade in English, and on the paradoxes that constantly plague any literary translator on all scales, ranging from the humblest of commas to entire chapters. Flatly rejecting the common wisdom that translators are inevitably traitors, Hofstadter proposes instead that translators are traders, and that translation, like musical performance, deserves high respect as a creative act. In his view, literary translation is the art of making subtle trades in which one sometimes loses and sometimes gains, often both losing and gaining at the same time. This view implies that there is no reason a translation cannot be as good as the original work, and that the result inevitably bears the stamp of the translator, much as a musical performance inevitably bears the stamp of its artists. Both a companion to the beloved Sagan novel and a singular meditation on translation, Translator, Trader is a witty and intimate exploration of words, ideas, communication, creation, and faithfulness.

    It describes the loss of his beloved mother, the eating of the madeleine that inspired "A la Recherche du Temps Perdu," his love for the young chauffeur Agostinelli, the fame that came to him late in life, and finally his race against time to complete his masterwork. Many of Painter's sources are used here for the first time.

    Ranging from the funny to the furious, they follow Queneau from modernism to postmodernism by way of countless fascinating detours, including his thoughts on language, literary fashions, myth, politics, poetry, and other writers (Faulkner, Flaubert, Hugo, and Proust). Translator Jordan Stump provides an introduction as well as explanatory notes about key figures and Queneau himself.

    The author waited nearly fifty years before writing it, and the perspective of history enhances its value. He writes only of the battles in which he participated (including the Somme and Passchendaele), though his comments on affairs beyond his knowledge at the time, through later study and reflection, are pungent and stimulating. Among other topics, he describes the politicians, the generals, Kitchener's Army, Hore-Belisha, German gas attacks, Picardy, dug-outs, tanks, the sex-life of the soldier, scrounging. trench kits and the censoring of letters. The author saw the First World War from below, as a fighting soldier in a line regiment. In the Second World War he served as a staff officer liaising between the Army and the RAF; serving two tours at RAF Bomber Command HQ at High Wycombe. This equipped him to draw forthright comparisons between the conduct of the two wars.

    In this early piece, Sollers, subsequently a bestselling author because of his smug Don Juan persona, discreetly keeps watch over his fictionalizing self as it moves from nonverbal impressions to verbalized thoughts. He wants to escape the limitations imposed by language ("a trap that works . . . when I think I am the most free"). Inevitably failing, he delivers an open narrative in which "I," "he," and "you" interact by association. Barthes's approving essay, containing Sollers's footnotes, translates this doomed narrative quest into critical discourse, thereby assuring readers that they have indeed understood Sollers.Marilyn Gaddis Rose, Comparative Literature Dept., SUNY at Binghamton

    Paroles is his central work. This selection with translations by Lawrence Ferlinghetti shows both Prévert's violently anarchic moods and the lyricism that makes him a poet of the people. Penguin Modern European Poets D84

    With a novelist's elegant language and psychological insight, Erlanger portrays the Sun King through the decades, showing the crucial effect of a childhood filled with neglect and humiliation, and vividly depicting the King's spectacular style of leadership. "A brilliant, subtle portrait."--Le Monde. "The best work of history written in France for a century." --Le Figaro.

    

    The Americanist Library edition

    Authoritative Italian edition.

    

    Jean Louis Francois Darlan, was assassinated in Algiers, which had been occupied by the Allies only a few weeks earlier. An enigmatic figure, he'd reached a position of power, almost equal, in the hierarchy of Vichy France, to that of Marshal Petain himself. He was an obstacle to the plans of many people, all of whom breathed a sigh of relief as the news came of his death. But who murdered him & for what reasons? Tompkins, a former OSS agent & author of A Spy in Rome, was in Algiers at the time. He has sought for the answers to these questions in the memoirs, diaries & hitherto classified documents of the major figures in the conspiracies leading to the murder. The result is an account of Allied intrigue & espionage before, during & after the Torch invasion of N. Africa. He's unraveled the complex web of plots that linked Darlan to many of the men who led the European underground Fascist movement--figures who came & went between Allies & Nazis, seeking to maintain their privileges, whichever side won the war. He's revealed the events that led many now~famous public figures into the murky waters of betrayal, conspiracy, terrorism & assassination with disastrous results. His background is N. Africa, where the French fought among themselves, fought against the Allies & finally fought against the Germans, some obeying the orders of Darlan & Vichy, some following the instructions of deGaulle, others seeking to cooperate with the USA or to follow the dictates of their own conscience in a moment when loyalty & authority were subverted. The Murder of Admiral Darlan is an important work of history.

    In the course of the search we come to know the inhabitants and someone, himself; "I shall never be able to talk about their affairs...without scrutinizing myself"