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    There is only one person who can save the country, but she's not in authority - YET! It is clear that the Prime Minister, a pacifist at heart, cannot stop the carnage, but the tough-minded Anne Argento, a member of his government can. She needs to take control, and she can only do that if she is Prime Minister.The Prime Minister of Great Britain is to be assassinated – Frederick Vane and Andrew Martin, two government analysts, are sure of it. Do they allow the assassination to continue? Do they tell DCI Isaac Cook, a tall black man of Jamaican heritage? Do they inform Anne Argento? Can a policeman and a politician be trusted with the information?A nuclear-powered submarine has been lost. A cathedral prevented from destruction at the last minute. Shopping centres and churches throughout the length of England subjected to random attacks. Patrons at public houses enjoying a quiet night’s drink slaughtered.The Master, the head of the Islamic State in England is orchestrating the attacks. Durrani, the bomb maker, is giving him the weapons of destruction. Shafi, an unscrupulous drug dealer, is out on the street aiming to infiltrate the Islamic State, and the Master’s daughter, the beautiful Sara, seduces her future husband, a Naval officer, and forces him to sabotage his submarine after she has inadvertently fallen in love with him.The lead policeman, DCI Isaac Cook, and Anne Argento, the Deputy Prime Minister are heading towards a romantic entanglement where their professional proprieties conflict with their personal feelings.

    Deputy Marshal Harold Stampede. But the outlaw has managed to break out and take a dozen hardened convicts with him as they sweep a path of violence across Southern Arizona. The leader of the gang has sworn an oath to kill the deputy marshal for shooting dead his partner, Jimmy So-Fast. And Marshal One-Eyed Jack Black intends to do whatever he can to stop him and protect the citizens of Cochise County – all this, while an unsuspecting killer is on the loose in Peirce City during the lawmen’s absence.

    Less gear. Less anxiety. Less stress. Less fear. A Lesser Photographer is the missing guide you've always wanted to the only gear that really matters: the gear between your ears. In under an hour, you’ll be able to identify the myths you’ve been taught about photography and embrace useful creative habits that will set you apart. Praise for previous editions: “For something beautiful and well-said, check out A Lesser Photographer.” — David duChemin “Amazing read…I really recommend everyone get a copy.” — Chris Marquardt “CJ Chilvers reevaluates what it means to be a photographer in this manifesto. Most of the points apply to virtually any creative endeavor or obsession. ‘The real show is outside the viewfinder.’” — Jim Coudal “I have to say, CJ has a great attitude. If you care at all about photography, he’s a must read.” — Patrick Rhone “Every photographer should follow CJ Chilvers.” — Eric Kim

    The exploration of new technology, as well as the explanation of older technology. No matter what equipment Joe uses and discusses, the most important element of Joe's instruction is that it is straightforward, complete, and honest. No secrets are held back, and the principles he talks about apply generally to the shaping and quality of light, not just to an individual model or brand of flash.He tells readers what works and what doesn't via his let's-see-what-happens approach, he shows how he sets up his shots with plentiful sketches and behind-the-scenes production shots, and he does it all with the intelligence, clarity, and wisdom that can only come from shooting in the field for 30 years for the likes of National Geographic, Time, Life, and Sports Illustrated--not to mention the wit and humor of a clearly warped (if gifted) mind.

    An indispensable and handy resource for anyone who wants to take better pictures in Yosemite and elsewhere.

    It was a scorching Manila morning, and in thirty minutes Ali would go to war with Joe Frazier for the third and final time. Ali yawned and stared at the ceiling of his dressing room. "Just another day's work," he said. "Just gotta go beat on another man." The reporter did what a reporter is supposed to do. He listened and wrote down Ali's words.And so began just another day's work for Dick Schaap, who in the past half-century has carved out his own legend, not with his fists but with his reportorial verve, his indefatigable curiosity, and his irrepressible wit. Now, in Flashing Before My Eyes, the longtime ABC correspondent and host of ESPN"s The Sports Reporters recounts a charmed career in which he has met almost everyone and seen almost everything. He has played golf with Bill Clinton, tennis with Bobby Fischer, cards with Wilt Chamberlain. He has written books with Joe Namath and Joe Montana. He has taken Brigitte Bardot to dinner and Lenny Bruce to a World Series. He saw the Baltimore Colts beat the New York Giants in sudden-death overtime, and the Green Bay Packers beat the Dallas Cowboys in the Ice Bowl. He saw Bill Mazeroski end a World Series with a home run, and Willis Reed lift the New York Knicks to an NBA title. He has covered murders and riots, presidential campaigns and Broadway openings. He introduced Muhammad Ali to Billy Crystal, and Billy Crystal to Joe DiMaggio. He walks with sluggers and senators, cops and comedians, authors and actresses, and he shares the sights he sees and the words he hears in stories that make you laugh and cry.With an introduction by Tuesdays with Morrie author Mitch Albom, Schaap's memoir gives the reader the ultimate highlight reel of the last fifty years and makes a compelling case that if Dick Schaap wasn't there to see it, it didn't happen.

    

    Joining the project is Annie’s new husband, Sean Culver, her best friend at Butterick, Maude Nascato, and a mother figure, Edna Holmquist.   Annie and her colleagues give up their careers, risking everything to follow a shared passion: clothes that are both fashionable and functional for modern, busy women in 1912.   Personal and financial setbacks test old relationships and new romances while threatening to keep the business from ever selling a single dress. No one said it would be easy. But the promise of the American Dream holds a deep hope for those who work hard, trust God, and never give up.

    So Reed tries his hand at the detecting business and what follows is a humorous journey into suspense territory. FAREWELL, MY DEUCE (Book 4) Reed Ferguson returns in his most harrowing adventure yet! Life and the detecting business are running smoothly for private eye Reed Ferguson, until one of the Goofball Brothers goes missing. Reed leads the search and soon discovers Deuce's connection to some unscrupulous characters. As Reed learns more about Deuce's activities, the clues point to intrigue, danger and death. But will Reed find his friend alive, or will it be "Farewell, My Deuce." OUT OF THE PAST (Book 5) Compelled by a dark secret from his past, private investigator Reed Ferguson takes on his most unique case yet: bodyguard for young, spoiled trust-fund baby Stephanie McMahon. As Reed tries to protect her from her father’s enemies, he gets more than he bargained for. Things are not what they seem, no one can be trusted, and the past has a way of coming back to haunt us. And when suspicious deaths begin piling up, Reed knows he might be next. With a twisting plot and film noir fun that readers have come to expect, Out of the Past is Reed Ferguson at his best. TORCH SCENE (Book 6) Denver private investigator Reed Ferguson is between cases when a house fire threatens to consume the home of his girlfriend, Willie. The police think it's arson, and they look to Willie - the owner of the building - as the logical suspect. Worse yet, when a body is found in the charred third-floor apartment, the police think Willie is the killer. Reed hops into action to clear her name, but as his own list of suspects grows, so does the danger. Can Reed find the culprit who committed murder, or will his investigation go up in flames?

    

    Here is everything you need to know: from the most practical advice (the fundamental facts about light sources) to the most sophisticated nuances (how light is measured through photometry), from the basics of the camera (which button controls which function) to the finer points of framing with an LCD viewfinder, featuring a selection of Ang’s most inspiring images. For users of film cameras, Ang explains the differences between types of film and details the various methods of processing and darkroom techniques.Ang delves into the development and transformation of photography by digital techniques. For the digital-camera contingent, there’s a specificity of previously unavailable information about the cameras and about processing, digitizing, and outputting the images. Ang also discusses subjects usually ignored in manuals but of interest to all photographers, including critical theory, the presentation of images, the function of the human eye in the perception of images, and ethical and copyright issues.Fundamentals of Photography is an essential book for every photographer.

    Recognized by one of the top talents in Nashville, it seemed the band might be on its way to a real recording career.But then Candy McAlester, their bass player, was arrested and charged with the murder of her ex-husband, her own son being the star witness against her. In desperation, the band turned to Sam to find the proof that she was innocent, and he returned to PI work to try to clear her name. Only then could he admit to himself that he'd been missing it, that he'd been craving it and the thrills and excitement that it brought along.The case took some surprising turns, and when the dust finally settled, Sam had learned one thing above everything else: being an investigator wasn't just something he had done, it was something that was part of him. No matter how things turned out on this case, Sam knew it wouldn't be his last.Or would it?

    "The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop" is devoted exclusively to the topic and shows you how to make the most of that control. Now that raw image processing technology has matured as an essential aspect of digital photography, you need a modern book that takes a seasoned approach to the technology and explains the advantages and challenges of using Lightroom or Camera Raw to produce magnificent images. Renowned photographer and bestselling author Jeff Schewe outlines a foolproof process for working with these digital negatives and presents his real-world expertise on optimizing raw images. You ll also learn hands-on techniques for exposing and shooting for raw image capture and developing a raw processing workflow, as well as Photoshop techniques for perfecting the master image, converting color to black and white, and processing for panoramic and HDR images. Get the best tone and color from your digital negatives. Use Lightroom and Camera Raw sharpening controls to maximize image quality. Take advantage of Photoshop to do what Lightroom and Camera Raw can t. Produce stunning black-and-white images. Visit the book s companion website at TheDigitalNegativeBook.com for sample images and more!"

    Filled with details on techniques to improve perspective, composition, and exposure, and illustrated with the author's lively and evocative images, as well as advice and photos from 11 contemporary masters of street-shooting style, New Street Photographer's Manifesto has its lens pointed squarely toward the future.