Ellen’s beauty was radiant, and Harland had been so struck with her personality and the strength of her character that he knew he could never leave her. When he found that she returned his adoration, he could marry her with joy, bothered just momentarily by a strange premonition. It was only later, when the premonition became a horrifying reality, that he realized the glowing loveliness of the woman he had married was the true face of evil.

    Ripley, Strangers on a Train, A Suspension of Mercy, and others) Highsmith is an all-too-frequently forgotten master of the short story. These stories in this volume examine the dark soul of humanity in a deceptively simple voice that draws you in and won't let go. The sheer beauty of the streamlined prose disguises a complexity of character and situation that is the mark of a true master.Highsmith's ability to create believable characters with very little exposition, but rather through their behavior and dialog, is incredible. None of the stories in this volume is particularly long, but you're drawn in and seduced by the power of the prose. Whether it's a cat driven to commit murder to protect his mistress ("Ming's Biggest Prey"), a rat exacting a horrible revenge on a family that maimed him ("The Bravest Rat in Venice"), or a house party interrupted by something grisly ("Something the Cat Dragged In"), these stories are impossible to put down.A great example of Highsmith's artistry is "Mermaids on the Golf Course," about a presidential adviser who took an assassin's bullet to protect the president. This seemingly heroic man is slowly exposed throughout the story as something completely different, mainly through his dialogue and the reactions of his family to him. Highsmith deftly exposes the many layers in his character, shows that the surface we see often disguises the truth below, and asks the question, "How well do we know anyone?"Likewise, "The Female Novelist" is so consumed with herself and her craft that she destroys herself. "The Hand" is a chilling twist on the age-old custom of asking for someone's hand in marriage. Highsmith's stories linger on after they are read, and show that for true horror, you don't need the supernatural; you merely need to write about people.

    Until he's accused of murder.Attorney Danielle Parkman knows her teenage son Max's behavior has been getting worse—using drugs and lashing out. But she can't accept the diagnosis she receives at a top-notch adolescent psychiatric facility that her son is deeply disturbed. Dangerous.Until she finds Max, unconscious and bloodied, beside a patient who has been brutally stabbed to death.Trapped in a world of doubt and fear, barred from contacting Max, Danielle clings to the belief that her son is innocent. But has she, too, lost touch with reality? Is her son really a killer?With the justice system bearing down on them, Danielle steels herself to discover the truth, no matter what it is. She'll do whatever it takes to find the killer and to save her son from being destroyed by a system that's all too eager to convict him.

    Permanently disfigured by a tragic military accident, he's struggling to find satisfaction from life as a rewrite man for Pacific City's Courier. Shame has led him to isolate himself from closest friends and even his estranged, still faithfully devoted wife, Ellen. Only the bottle keeps him company.But now Ellen has returned to Pacific City, and she's ready to do whatever it takes to get Brown back. Even if it means exposing his deepest secret ... a painful truth Brown would do anything to stop from coming to light. He'd kill a whole lot of people just to keep this one thing quiet--and soon enough, the bodies just happen to start piling up around him...THE NOTHING MAN is Thompson at his most psychologically astute, in a deeply suspenseful and tragic portrait of one man's journey through the dark side of the Postwar Boom.

    In sunbaked Phoenix, Arizona, this never-predictable tale tosses into its antic mix a dead father, his two sons—one a small-time ex-con with a consistent genius for sabotaging his own best interests, the other a straight, uptight solid citizen with a moneymaking chain of dry-cleaning stores and a restive ex-stewardess of a wife named Evelyn—and a sicko cop with a twisted worldview. Recently released from prison—twenty-four months for possession of a truckload of black-market saguaro cacti—and in deep debt to an unforgiving crank dealer, Jimmy Coates returns home only to discover that his brother has cut him out of his inheritance. A not-unjustifiable desire to settle old scores and new sends Jimmy on a robbery spree that wipes out four of his brother's dry-cleaning establishments. But when he finds himself tumbling for a mutinously sexy Evelyn, the impulse to vengeance reverses itself. Unwittingly, however, Jimmy has already set in motion a series of dangerous consequences—adultery, blackmail, love, betrayal—that culminate in a blueprint for murder. And it could be Jimmy himself who is taking the long fall.

    From local bars to train yards to prison, it's the story of two young men, bound to the town by family, responsibility, inertia, and the beauty around them, who dream of a future beyond the factories and abandoned homes.Left alone to care for his aging father after his mother commits suicide and his sister escapes to Yale, Isaac English longs for a life beyond his hometown. When he finally sets out to leave for good, accompanied by his temperamental best friend, they are caught up in a terrible act of violence that changes their lives forever.Evoking John Steinbeck’s novels of restless lives during the Great Depression, American Rust delves into the contemporary American heartland at a moment of profound unrest and uncertainty about the future. It's a dark but lucid vision, a moving novel about the bleak realities that battle our desire for transcendence and the power of love and friendship to redeem us.

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.

    She strikes up an affair with an older Russian �migr� novelist met on the subway and moves into his apartment. But her allusions to a frighteningly eccentric mother and tyrannical father suggest a somberness at the center of her otherwise flippant and sardonic demeanor. Restless, she journeys from literary New York to rural Maine then across the US and into Mexico, trailed everywhere she goes by a string of murders. As the ritualistic killings begin to pile up, Katherine comforts and inspires herself by meditating on cannibalism in literature, art and history in subjects as diverse as Donner, Dante's Count Ugolino, and Gericault's The Raft of the Medusa. Slowly Katherine realizes that at the center of the mysterious deaths lies a bloody truth-something is making itself known. As the story races towards its frightening conclusion, Katherine, and the reader, close in on the true reason for her fascination with aberrant, violent behavior.This is a novel of ideas, a shocking and enlightening modern Gothic and a brilliantly subtle commentary on 21st century consumerism and western culture's obsession with new frontiers. Told in highly intelligent prose, A Carnivore's Inquiry is a sly, unsettling exploration of the questionable appetites that lurk beneath the veneer of civilization.

    He is looking for someone, his boss, 'Sen' - a crooked, 'weasel-faced' Senator, who has set up the murder of his wealthy wife and made it look like a bungled robbery. Sailor is the only person who can finger Sen for the crime, and he intends to make the senator pay a hefty sum for his silence. In a hypnotic style that is pure, unsentimental noir, Hughes builds tension relentlessly and the fates of Sailor and Sen are played out against the increasing fervour of the town's festivities.

    Grace is also the author of You Should Have Known, a book in which she castigates women for not valuing their intuition and calls upon them to examine their first impressions of men for signs of serious trouble later on. But weeks before the book is published, a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

    Timothy comes an ingenious tale of murder and revenge, featuring a retired New York City detective and a young cadet named Edgar Allan Poe.At West Point Academy in 1830, the calm of an October evening is shattered by the discovery of a young cadet's body swinging from a rope just off the parade grounds. An apparent suicide is not unheard of in a harsh regimen like West Point's, but the next morning, an even greater horror comes to light. Someone has stolen into the room where the body lay and removed the heart.At a loss for answers and desperate to avoid any negative publicity, the Academy calls on the services of a local civilian, Augustus Landor, a former police detective who acquired some renown during his years in New York City before retiring to the Hudson Highlands for his health. Now a widower, and restless in his seclusion, Landor agrees to take on the case. As he questions the dead man's acquaintances, he finds an eager assistant in a moody, intriguing young cadet with a penchant for drink, two volumes of poetry to his name, and a murky past that changes from telling to telling. The cadet's name? Edgar Allan Poe.Impressed with Poe's astute powers of observation, Landor is convinced that the poet may prove useful—if he can stay sober long enough to put his keen reasoning skills to the task. Working in close contact, the two men—separated by years but alike in intelligence—develop a surprisingly deep rapport as their investigation takes them into a hidden world of secret societies, ritual sacrifices, and more bodies. Soon, however, the macabre murders and Landor's own buried secrets threaten to tear the two men and their newly formed friendship apart.A rich tapestry of fine prose and intricately detailed characters, The Pale Blue Eye transports readers into a labyrinth of the unknown that will leave them guessing until the very end.

    The bullet so damaged Sonny’s right arm that he had to have it amputated.  While Sonny struggles with recuperating and tries to get used to the idea of living a life with only one arm, Aldo Hernandez, the hospital’s janitor, asks Sonny to help find his daughter and bring her back home. She has got herself mixed up with a couple of brothers involved in a string of robberies. Sonny agrees to help, but is more concerned about a wholly different criminal in town who has taken to killing young women and leaving them in local fields for crows to feast on.Just as Sonny is able to track down Aldo’s daughter, he comes to an uncomfortable realization about who might be responsible for the string of murders and races to nab the killer before another girl is left to the crows.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    Positioned beneath a statue of Leto, the goddess of motherhood, the crime is weighted with meaning and, Ellen discovers, remarkably similar to one from a decade past.Ellen's professional duty is to protect the child, but she's not equipped to contend with a killer. As she races to connect the dots, she knows her time is running out. And the stakes are high: if she fails, another mother is sure to make the ultimate sacrifice.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?