Here is the Creator who nearly destroys his chief creation; the bloodthirsty warrior and the protector of the downtrodden; the lawless law-giver; the scourge and the penitent. Profoundly learned, stylishly written, the resulting work illuminates God and man alike and returns us to the Bible with a sense of discovery and wonder.

    But after all the glamour of naval balls and white weddings, passing beneath the arches of naval swords had not led Kate down the pathway to marital bliss. Not even her cherished twins can compensate for her husband's coldness and mental cruelty and she yearns for the peace of her beloved West Country. Cass, on the other hand, revels in the freedom of movement her husband's long absences on the submarines provide - even with the arrival of the first of her four children, she is not to be denied the frenzied activity of the 1960s sexual revolution! But it is a dangerous game that Cass is playing, and as the decades roll by, Kate may not always be around to pick up the pieces...

    "Up to the author's highest standard in a literary form that was most congenial to her" (Times Literary Supplement (London)). "Exquisitely written" (New Yorker); "The riches of this book are overwhelming" (Christian Science Monitor). Editorial Note by Leonard Woolf.

    One of the outstanding works of Reform Judaism.

    A. S. Byatt does, and her case is persuasive. In a series of essays on the complicated relations between reading, writing, and remembering, the gifted novelist and critic sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.Whether writing about the renaissance of the historical novel, discussing her own translation of historical fact into fiction, or exploring the recent European revival of interest in myth, folklore, and fairytale, Byatt's abiding concern here is with the interplay of fiction and history. Her essays amount to an eloquent and often moving meditation on the commitment to historical narrative and storytelling that she shares with many of her British and European contemporaries. With copious illustration and abundant insights into writers from Elizabeth Bowen and Henry Green to Anthony Burgess, William Golding, Muriel Spark, Penelope Fitzgerald, Julian Barnes, Martin Amis, Hilary Mantel, and Pat Barker, On Histories and Stories is an oblique defense of the art Byatt practices and a map of the complex affiliations of British and European narrative since 1945.

    Armed with spears or pikes, standing shoulder-to-shoulder and with overlapping shields, they presented an impenetrable wall of metal to the enemy until the Roman legion eclipsed the phalanx as the masters of infantry battle.Covering the period in which the legion and phalanx clashed (280-168 BC), this book looks at each formation in detail - delving into their tactics, arms and equipment, organization and deployment. It then examines six documented battles in which the legion fought the phalanx: Heraclea (280 BC), Asculum (279 BC), Beneventum (275 BC), Cynoscephalae (197 BC), Magnesia (190 BC), and Pydna (168 BC).

    Over the course of 36 insightful lectures, you'll follow the Egyptians, the Mycenaean Greeks, the Persians, the Carthaginians, and others as they rise to glory, create administrative and military structures, clash with one another, and eventually collapse.Professor Dise immerses you in the political, administrative, and military details of these thrilling civilizations, analyzing three basic questions: How did this particular empire emerge? How was it governed and defended? How and why did it ultimately fall? These questions raise a host of profound issues on the growth, development, and failures of vast imperial systems.Grounded in a chronological approach, you'll find no better guide through the palatial halls, administrative offices, and war-torn battlefields of these empires than Professor Dise. Each lecture is packed with a range of rich sources on which our current understanding of the ancient Near East rests, including cuneiform tablets, colorful narratives, and archaeological remains.As you comb through these intriguing records, you quickly become more informed about how the past is recorded and passed down to subsequent generations. Spanning thousands of years of human history and encompassing regions both familiar and forgotten, this course is a remarkable tour through the farthest reaches of the ancient world - in all its marvelous diversity.

    Stories include at-a-glance flowcharts that show how Holmes reaches his conclusions through deductive reasoning, and character guides provide handy reference for readers and an invaluable resource for fans of the Sherlock Holmes films and TV series.The Sherlock Holmes Book holds a magnifying glass to the world of Sir Arthur Conan Doyle's legendary detective.

    So says the Marquis de Sade, philosopher and pornographer. His virtuous Justine, who keeps to the rules, is rewarded with rape and humiliation; his Juliette, Justine's triumphantly monstrous antithesis, viciously exploits her sexuality.With brilliance and wit, Angela Carter takes on these outrageous figments of de Sade's extreme imagination and transforms them into symbols of our time: The Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes.Author Bio: Angela Carter (1940-1992) was best known for her subversive short stories, including her most famous collection, The Bloody Chamber. Carter translated the fairy tales of Charles Perrault, and wrote the screenplay for Neil Jordan's 1984 film, The Company of Wolves, based on her short story.

    It is also the world’s most widely distributed book, translated into over two thousand languages, and the world’s best selling book, year after year. But the Bible is a complex work with a complicated and obscure history. Made up of sixty-six “books” written by various authors and divided into two testaments, its contents have changed over the centuries. The Bible has been transformed by translation and, through interpretation, has developed manifold meanings to various religions, denominations, and sects. In this seminal account, acclaimed historian Karen Armstrong discusses the conception, gestation, and life of history’s most powerful book. Armstrong analyzes the social and political situation in which oral history turned into written scripture, how this all-pervasive scripture was collected into one work, and how it became accepted as Christianity’s sacred text. She explores how scripture came to be read for information, and how, in the nineteenth century, historical criticism of the Bible caused greater fear than Darwinism. This is a brilliant, captivating book, crucial in an age of declining faith and rising fundamentalism.

    Duration: 18 hours 40 minsCourse Lecture TitlesArchaeologys Big BangOde on a Grecian UrnA Quest for the Trojan WarHow to DigFirst Find Your SiteTaking the Search Underwater Cracking the CodesTechniques for Successful DatingReconstructing Vanished EnvironmentsNot Artifacts but PeopleArchaeology by ExperimentReturn to VesuviusGourniaHarriet Boyd and the Mother GoddessTheraA Bronze Age Atlantis?OlympiaGames and GodsAthenss AgoraWhere Socrates WalkedDelphiQuestioning the OracleKyreniaLost Ship of the Hellenistic AgeRiaceWarriors from the SeaRomeFoundation Myths and ArchaeologyCaesarea MaritimaA Roman City in JudeaTeutoburgBattlefield ArchaeologyBathHealing Waters at Aquae SulisTorre de PalmaA Farm in the Far WestRoots of Classical CultureThe Texture of Everyday LifeTheir Daily BreadVoyaging on a Dark Sea of WineShows and CircusesRomes Virtual RealityEngineering and TechnologySlavesA Silent Majority?Women of Greece and RomeHadrianMark of the IndividualCrucible of New FaithsThe End of the WorldA Coroners ReportA Bridge across the Torrent

    Harry Thompson looks at the story of Hergé, of Tintin and his origins, and beyond to when President de Gaulle could call Tintin 'his only rival'.

    Palmer's deep and graceful exploration of a spirituality for the busy, sometimes frenetic lives many of us lead. Telling evocative stories from a variety of religious traditions, including Taoist, Jewish, and Christian, Palmer shows that the spiritual life does not mean abandoning the world but engaging it more deeply through life-giving action. He celebrates both the problems and potentials of the active life, revealing how much they have to teach us about ourselves, the world, and God.

    As a non-linear sensibility has come to dominate modern style, curious trendsetters have increasingly found a stimulating muse in writers—many, like Joan Didion, whose personal aesthetic is distinctly "out of fashion." For decades, Didion has used her work, both her journalism and experimental fiction, as a mirror to reflect her innermost emotions and ideas—an originality that has inspired Millennials, resonated with a new generation of fashion designers and cultural tastemakers, and made Didion, in her eighties, the face of Celine in 2015.Legendary Authors and the Clothes They Wore examines fifty revered writers—among them Samuel Beckett; Quentin Crisp; Simone de Beauvoir; T.S. Eliot; F. Scott and Zelda Fitzgerald; Malcolm Gladwell; Donna Tartt; John Updike; Oscar Wilde; and Tom Wolfe—whose work and way of dress bears an idiosyncratic stamp influencing culture today. Terry Newman combines illuminating anecdotes about authors and their work, archival photography, first-person quotations from each writer and current designers, little-known facts, and clothing-oriented excerpts that exemplify their original writing style.Each entry spotlights an author and a signature wardrobe moment that expresses his or her persona, and reveals how it influences the fashion world today. Newman explores how the particular item of clothing or style has contributed to fashion’s lingua franca—delving deeper to appraise its historical trajectory and distinctive effect. Legendary Authors and the Clothes They Wore is an invaluable and engaging look at the writers we love—and why we love what they wear—that is sure to captivate lovers of great literature and sophisticated fashion.

    This, the first of three volumes of her journals and notebooks, presents a constantly and utterly surprising record of a great mind in incubation. It begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.Reborn is a kaleidoscopic self-portrait of one of America's greatest writers and intellectuals, teeming with Sontag's voracious curiosity and appetite for life. We watch the young Sontag's complex self-awareness, share in her encounters with the writers who informed her thinking, and engage with the profound challenge of writing itself—all filtered through the inimitable detail of everyday circumstance.