THEORIES OF FALLING is the winner of the 2007 New Issues Poetry Prize. Judge Marie Howe said of THEORIES OF FALLING, "I kept coming back to these poems--the tough lyric voice that got under my skin. Clear, intent, this poet doesn't want to fool herself or anybody else. Desire pushes defeat against the wall, and the spirit climbs up from underground." "Sandra Beasley slices her way down the page with precision and punch. Her haunting 'Allergy Girl' series will set off such an itch, I doubt you'll ever fully recover...This poet leaves us to smolder and ache in small kingdoms where 'even the tame dogs dream of biting clear to the bone.'"--Aimee Nezhukumatathil.

    Wright is one of America’s leading poets, an artist of idiosyncratic vision who demands ever more from words and poems. As Dave Eggers wrote in The New York Times, “C.D. Wright has been writing some of the greatest poetry-cum-prose you can find in American literature.”Rising, Falling, Hovering is a work of profound social, political, and cultural consequence, a collection that uses experimental forms to climb within the unrest teeming around the world and inside the individual. “We are running on Aztec time,” she writes, “fifth and final cycle.”In short lyrics and long sequences, Wright’s language is ever-sharpened with political ferocity as she overlays voices from the United States, Oaxaca, Baghdad, and the borderlands between nations, to reveal the human struggle for connection and justice during times of upheaval and grief.If a body makes 1 centavo per chile picked or5 cents for 50 chiles can Wal-Mex get it down to 3 cents. Pass the savings on to US.Will they open a Supercenter in Falluja once it is pacified. Once the corpsesin the garden have decomposed. Once the wild dogs have finished off the bones.Does the war never end. Is this the war of all against all.Who will build the great wall between us, the illegals, the vigilantes, theevangelicals. . .C.D. Wright, author of twelve collections of poetry and prose, is a professor of English at Brown University and received a MacArthur Fellowship in 2005. She lives outside Providence, Rhode Island.

    Suddenly, that life was over. Her husband, Josiah, announced that he was leaving her and their two young sons.When Josiah took a teaching job at a Midwestern college, Isabel and their sons moved with him from New York City to Ohio, where Isabel taught acting, threw herself into the college community, and delighted in the less-scheduled lives of toddlers raised away from the city. But within a few months, the marriage was over. The life Isabel had made crumbled. "Happens every day," said a friend.Far from a self-pitying diatribe, Happens Every Day reads like an intimate conversation between friends. Gillies has written a dizzyingly candid, compulsively readable, ultimately redemptive story about love, marriage, family, heartbreak, and the unexpected turns of a life. On the one hand, reading this book is like watching a train wreck. On the other hand, as Gillies herself says, it is about trying to light a candle instead of cursing the darkness, and loving your life even if it has slipped away. Hers is a remarkable new voice -- instinctive, funny, and irresistible.

    Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.

    Choices were made without thinking. Young lives came together and would never be the same again. Years on, as Ursula confronts decisions that are not so easy to make, revelations collide with memories of Candelo - and some breathtaking secrets come to light.

    The State places her in a training school for girls. She has to deal with strict rules and gets no sympathy from the staff even though she is pregnant.

    It was in pursuit of this interest, and in the expression of his natural curiosity and wonder, that Eiseley sprang to national fame with the publication of such works as The Immense Journey and The Firmament of Time. In All the Strange Hours, Eiseley turns his considerable powers of reflection and discovery on his own life to weave a compelling story, related with the modesty, grace, and keen eye for a telling anecdote that distinguish his work. His story begins with his childhood experiences as a sickly afterthought, weighed down by the loveless union of his parents. From there he traces the odyssey that led to his search for early postglacial man—and into inspiriting philosophical territory—culminating in his uneasy achievement of world renown. Eiseley crafts an absorbing self-portrait of a man who has thought deeply about his place in society as well as humanity’s place in the natural world.

    Follow him from scabby-kneed schoolboy to ambitious artist, from a squat to a mansion, from rent boys to an aristocratic marriage.

    He even dreams a history of the world as a chronicle of sexual frustration.A Lifetime on Clouds is funny, honest, and sweetly told: a less ribald, Catholic Australian Portnoy's Complaint.

    After months of struggle, he learned how to resume his life as a farmer, running a sheep and cattle property in northwest New South Wales. then he met and fell in love with Jenny Black, an ABC Rural journalist, proposed to her on air, and the rest is history. Jenny tells Sam's story in his own laconic, wry style. By turns romantic, funny and moving, it affirms the strength of iron-willed determination and the power of love.

    Remember the fad a few years ago when people wore bracelets reminding them, “What Would Jesus Do?” Christians state that Jesus is the example of how to live, yet this has been limited in many cases to how we view our moral character. When Christians tell me that they want to live like Jesus, I like to ask if they have multiplied food, healed the sick, walked on water, raised the dead, paid their taxes with fish money, calmed storms, and so forth. I typically receive bewildered looks, but that’s what it is like to live like Jesus!Perhaps we are ignoring a large portion of what living like Jesus really includes. While I agree that we are to live like Jesus, “Those who say they live in God should live their lives as Jesus did” (1 John 2:6 NLT). I am also aware that the application of Jesus’ model has been minimized to something that can be accomplished by living a moral life. Many Christians believe that they can live like Jesus without ever operating in the supernatural. After reading in the Bible about all of the miracles He performed, does that sound right to you? (Excerpt from book)

    Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child’s and an adult’s perspectives, and the second is an omniscient narrator. Claudia’s and Pecola’s points of view are dominant, but the reader also sees things from other character’s points of view.The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the “Dick and Jane narrative” by means of which the novel opens. Furthermore, I will explore the themes “whiteness as the standard of beauty” and “seeing versus being seen” which are sometimes closely connected.'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her.However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

    Whether tender or hard-hitting, McGriff juxtaposes natural images of deep forests, creeks, coyotes, and crows against the harsher oil-grease realities of blue-collar life, creating poems that read like folk tales about the people working in grain mills, forests, and factories."New Civilian"The new law says you can abandon your childin an emergency room,no questions asked. The young fathercarries the sleeping boythrough the hospital doors.Later, alone, parked at the boat basin,he takes a knife from his pocket,cuts an unfiltered cigarette in two,lights the longer half in his mouth.He was a medic in the war.In his basement are five bronze eaglesthat once adorned the wallsof a dictator's palace.Michael McGriff attended the University of Oregon; the University of Texas at Austin, where he was a Michener Fellow in creative writing; and Stanford University, where he was a Stegner Fellow. He is the co-founding editor and publisher of Tavern Books and lives in Salt Lake City, Utah.

    In this book, John Prine curates a selection of his best loved songs. Included are lyrics, guitar chords, commentary from John and over 100 photographs - may never before published - from his personal collection. John Prine has written songs that have become central to the American musical heritage. This former Maywood, Illinois mailman came to prominence with his debut record, 'John Prine' in 1971, which includes classics like, "Angel from Montgomery," "Sam Stone," "Paradise," and "Hello in There." His lyrics speak to the everyday experience of ordinary people, with a simple honesty and an extraordinary ability to connect with the heart.

    The daughter of Lang Hancock – legendary arch-conservative, secessionist, mining millionaire and discoverer of the world's largest iron deposit in the Pilbara – Gina has grown up in a family known as much for its front-page legal stoushes as for its business acumen and toughness.With her reported wealth more than doubling in the last twelve months, Rinehart is beginning to flex the enormous power her money gives, buying large shareholdings in television's Ten Network and newspaper group Fairfax Media. They are moves that will give Rinehart and her controversial views a major place in Australian life and public affairs.Based on painstaking research and a wealth of interviews with Rinehart's colleagues, friends, family and former employees, award-winning journalist Adele Ferguson has written the definitive biography, shining a light into the private world of Gina Rinehart, her family, her feuds and the iron determination that has driven her relentless rise.