Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. His audacious, still chillingly relevant eyewitness history is a work about race and humanity-that in this new millennium still has something important to say to every American.

    As late as the 1940s and 1950s, he argues, poor Southern rednecks were regarded by Northern employers and law enforcement officials as lazy, lawless, and sexually immoral. This pattern was repeated by blacks with whom they shared a subculture in the South. Over the last half century poor whites and most blacks have moved up in class and affluence, but the ghetto remains filled with black rednecks. Their attempt to escape, Sowell shows, is hampered by their white liberal friends who turn dysfunctional black redneck culture into a sacrosanct symbol of racial identity. In addition to Black Rednecks and White Liberals, the book takes on subjects ranging from Are Jews Generic? to The Real History of Slavery.

    of photos.

    In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.

    Using a decade of original research into the 17th and 18th century, this text unearths ideas and stories about liberty, democracy and freedom that terrified the ruling classes of the time and form the foundations of modern revolutions.

    Here schools and churches were completely integrated, blacks and whites intermarried, and power and wealth were shared by both races. But for this to happen, the town’s citizens had to keep secrets, break the laws of the world outside, and sweep aside fear and embrace hope. In a historical-detective feat, Anna-Lisa Cox uncovers the heartening story of this community that took the road untaken. Beginning in the 1860s, the people of Covert, Michigan, attempted to do what then seemed impossible: love one’s neighbor—regardless of skin color—as oneself. Drawing on diaries, oral histories, and contemporary records, Cox gives us intimate glimpses of Covert’s people, from William Conner, the Civil War veteran who went on to become Michigan's first black justice of the peace, to Elizabeth Gillard, who, shipwrecked and washed onto Covert's shores, ultimately came to love the unusual community she would call home. In bringing these and other stories of this small town to light, Cox presents a vision of what our nation might have been, and could be.

    This is the moving and powerful account of two remarkable boys struggling to survive in Chicago's Henry Horner Homes, a public housing complex disfigured by crime and neglect.

    was a cautious nineteen-year-old rookie preacher when he left Atlanta, Georgia, to attend divinity school up north. At Crozer Theological Seminary, King, or “ML” back then, immediately found himself surrounded by a white staff and white professors. Even his dorm room had once been used by wounded Confederate soldiers during the Civil War. In addition, his fellow seminarians were almost all older; some were soldiers who had fought in World War II, others pacifists who had chosen jail instead of enlisting. ML was facing challenges he’d barely dreamed of.   A prankster and a late-night, chain-smoking pool player, ML soon fell in love with a white woman, all the while adjusting to life in an integrated student body and facing discrimination from locals in the surrounding town of Chester, Pennsylvania. In class, ML performed well, though he demonstrated a habit of plagiarizing that continued throughout his academic career. But he was helped by friendships with fellow seminarians and the mentorship of the Reverend J. Pius Barbour. In his three years at Crozer between 1948 and 1951, King delivered dozens of sermons around the Philadelphia area, had a gun pointed at him (twice), played on the basketball team, and eventually became student body president. These experiences shaped him into a man ready to take on even greater challenges.   Based on dozens of revealing interviews with the men and women who knew him then,The Seminarian is the first definitive, full-length account of King’s years as a divinity student at Crozer Theological Seminary. Long passed over by biographers and historians, this period in King’s life is vital to understanding the historical figure he soon became.

    environmental movement that covers the colonial period through 1999. It provides students with a balanced, historical perspective on the history of the environmental movement in relation to major social and political events in U.S. history. The book highlights important people and events, places critical concepts in context, and shows the impact of government, industry, and population on the American landscape. Comprehensive yet brief, First Along the River discusses the religious and philosophical beliefs that shaped Americans' relationship to the environment, traces the origins and development of government regulations that impact Americans' use of natural resources, and shows why popular environmental groups were founded and how they changed over time.

    This is also the story of two outsiders - Billie Holiday, a young black woman raised in poverty, and Abel Meeropol, the son of Jewish immigrants - whose combined talents created a truly unforgettable song.

    It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"—Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

    When Anatole Broyard reveals on his deathbed that he is actually black, it sets his daughter Bliss on a search through New York and New Orleans for the family she never knew.

    But there is far more to the story, including the bizarre scheme that Booth first concocted to kidnap Lincoln and trade him for Confederate soldiers held in Northern prisons. Here is the full story of the plot, the bumbling plotters that Booth recruited, Lincoln's lingering death, the manhunt for the assassin, and the trial of the conspirators. It is essential knowledge of a tragedy that shaped America for a century to come.

    Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude Ma Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith--published here in their entirety for the first time--Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

    But by the time their first night in the state had ended, three volunteers were dead, black churches had burned, and America had a new definition of freedom. This remarkable chapter in American history, the basis for the controversial film Mississippi Burning, is now the subject of Bruce Watson's thoughtful and riveting historical narrative. Using in- depth interviews with participants and residents, Watson brilliantly captures the tottering legacy of Jim Crow in Mississippi and the chaos that brought such national figures as Martin Luther King Jr. and Pete Seeger to the state. Freedom Summer presents finely rendered portraits of the courageous black citizens-and Northern volunteers-who refused to be intimidated in their struggle for justice, and the white Mississippians who would kill to protect a dying way of life. Few books have provided such an intimate look at race relations during the deadliest days of the Civil Rights movement, and Freedom Summer will appeal to readers of Taylor Branch and Doug Blackmon.