The turbulent political weather of the twenty-first century generates anxiety and makes it difficult to know how to react. Olivia Laing makes a brilliant, inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living.Funny Weather brings together a career’s worth of Laing’s writing about art and culture, and their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Wolfgang Tillmans, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, Funny Weather celebrates art as an antidote to a terrifying political moment.

    Short Haul Engine is one great twist of fate and fury after another. The writing is clear, striking and open to all sorts of possibilities. Even at their most playful, these poems dive much deeper than initially expected. There's a remarkably dark sense of humour at work here, but tempered with a haunting vulnerability that makes even the sharpest lines tremble.from "Signs Taken for Wonders" ... Too delicate for these dog-days, small, clover-blonde, my sister sews indoors. I ask her to fashion me into something nice, ivory silk. I am a big girl, sunburnt skin like raw meat, sweating two pews in front of the Blessed Virgin....

    There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred — with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Céline Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate.

    The first part of what has come to be known as the Mercer Series, Leaving Home tells the story of a Newfoundland family that has emigrated and lost all sense of its place in the world.Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada.

    Throughout the year, Goldstein asks weighty questions that would stump a person less seasoned. For example: What is it about a McRib that drives people crazy? Can we replace extending an olive leaf with extending an olive jar? How much wisdom can we glean from episodes of Welcome Back, Kotter? His friends and family, many of them known through their appearances on WireTap, weigh in with hilarious results as Goldstein eats, sleeps, and watches bad TV all the way to his date with destiny.

    And in the process of building myself back up, I learned that you are allowed to leave some pieces behind-you are allowed to become the person you design yourself to be.'A collection of notes and poetic reflections, journaling how April learned to let go of everything that was holding her back in order to grow into the person she deserved to become.Bloom for Yourself II is a book you can plant in your soul and return to each time you feel ready to let go and grow.April Green's second book in the 'Bloom for Yourself' series gives readers even more help and guidance in overcoming pain and heartache. Her words are shared by thousands of people all over the world, including Jenna Dewan and Shantel Vansanten.The 'Bloom for Yourself' books are written for anyone feeling lost, alone, depressed or unworthy. They are books to be read many times over as you come to experience April's extraordinary gift for helping you understand that you are never truly alone.

    She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when her parents disobey the law? Based on the life of co-author Jenny Kay Dupuis’ grandmother, I Am Not a Number is a hugely necessary book that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to.

    She can’t do anything right, except draw, but she draws the wrong pictures. When her father moves the family to a small prairie city, Raphaelle wants to leave behind the misfit rebel, the outcast, the vengeful trouble-maker she was. Reborn as “Ella,” she plans fit in at her new school, while her perfect younger sister goes to the Catholic girls’ school and her emotionally fragile mother looks for a job. But Ella might just be a different kind of misfit. She’s drawn to a brooding boy in her art class, Samir, and expresses her confused feelings in an explicit artwork. When a classmate texts a photo of Ella’s art to a younger friend, the horrendous fallout spreads though Ella’s life like an uncontrollable disease. Ella is expelled from school and faces pornography charges, her mother is hospitalized, her sister fails all her classes, and her distant father finally notices something is wrong.

    Hogtown is dead. A shining metropolis lives." -- Peter C. NewmanIn the last sixty years, Toronto has been transformed from a provincial town to significant urban heavyweight. Few cities have experienced such sustained growth, and the packed streets of North America’s fourth-largest city are a far cry from the origins of the city as "Little York," which was comprised of the lieutenant-governor’s muddy tent --which he shared with his wife and many children -- and some barracks. Between then and now, fervent Orangemen have imposed strict morals on the growing provincial town, and an influx of immigrants changed the face of the city.Allan Levine delves into the character of a city that strives to balance urban development with the preservation of its distinct neighbourhoods, to maintain its status without losing its individuality. Its inhabitants have fought tooth and nail to prevent an expressway being built to the downtown core, have called in the army to clear the city of snow after a blizzard and consistently pack the Maple Leafs' arena every game, win or lose, making the hockey team the most valuable franchise in the NHL. The city can also claim one of the first Canadian politicians to stand up for gay rights, a store owner who almost single-handedly preserved theatre in Toronto, and then there’s Mayor Rob Ford...With the same eye for character, anecdote and circumstance that made Peter Ackroyd's London and Colin Jones's Paris so successful, Levine's captivating prose integrates the sights, sounds and feel of Toronto with a broad historical perspective, linking the city's present with its past through themes such as politics, transportation, public health, ethnic diversity and sports. Toronto invites readers to discover the city’s lively spirit over four centuries and to wander purposefully through the city's many unique neighbourhoods, where they can encounter the striking and peculiar characters who have inhabited them: the powerful and powerless, the entrepreneurs and the entertainers, and the moral and the corrupt, all of whom have contributed to Toronto's collective identity.

    But we don’t have to let them. Instead, we can use these events as opportunities for growth. In Things No One Else Can Teach Us, Humble the Poet flips the conventional script for happiness and success, showing us how our most painful experiences can be our greatest teachers.Humble shares raw, honest stories from his own life—from his rocky start becoming a rapper to nearly going broke to being the victim of racial prejudice—to demonstrate how a change in mindset can radically alter our outlook. This shift in perspective—one that stops seeing the negative and starts seeing the lesson or positive spin—is what no one else can teach us. We must figure things out on our own, often through difficult and heartbreaking experiences.Humble inspires us to create these silver linings ourselves, preparing us to better handle any challenges that may arise. From a breakup to going broke to losing a loved one, our hardest moments can help us flourish, but onlyif we recognize and seize the opportunity. By doing so, we will become more self-aware, grateful, and empowered.Simple yet profound, Humble’s message is clear. While we can’t control the vagaries of life, we have the power to control how we react to them. Things No One Else Can Teach Us reminds us all that we have the power within us to transform the way we respond to everyday challenges and ultimately be our best selves.

    Those selected for Bomber Command operations went on to rain devastation upon the Third Reich in the great air battles over Europe, but their losses were high. German fighters and anti-aircraft guns took a terrifying toll. The chances of surviving a tour of duty as a bomber crew were almost nil.Murray Peden's story of his training in Canada and England, and his crew's operations on Stirlings and Flying Fortresses with 214 Squadron, has been hailed as a classic of war literature. It is a fine blend of the excitement, humour, and tragedy of that eventful era.

    Patterson left a comfortable position with the Bank of England for a life in with wilds of Canada. Here, he hunted, trapped, fished and prospected his way along the rivers he would later write about. This spellbinding book, his most famous account, chronicles his two journeys down the treacherous Nahanni River between the Yukon and the Mackenzie River, spurred on by his irrepressible lust for adventure and his quest for gold. The New Yorker called this "a truly enchanting book."

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader. Noted essayist Alberto Manguel moves from this essential moment to explore the 6000-year-old conversation between words and that magician without whom the book would be a lifeless object: the reader. Manguel lingers over reading as seduction, as rebellion, as obsession, and goes on to trace the never-before-told story of the reader's progress from clay tablet to scroll, codex to CD-ROM.

    She holds up the Indigenous trans body as a site of struggle, liberation, and beauty. A confessional poet, Benaway narrates her sexual and romantic intimacies with partners as well as her work to navigate the daily burden of transphobia and violence. She examines the intersections of Indigenous and trans experience through autobiographical poems and continues to speak to the legacy of abuse, violence, and colonial erasure that defines Canada. Her sparse lines, interwoven with English and Anishinaabemowin (Ojibwe), illustrate the wonder and power of Indigenous trans womanhood in motion. Holy Wild is not an easy book, as Benaway refuses to give any simple answers, but it is a profoundly vibrant and beautiful work filled with a transcendent grace.Praise for Holy Wild:"This is a heart wrenching, thought provoking, honest, and graceful walkthrough of trans realities both on the homeland and in urban settings." —Joshua Whitehead, author of Jonny Appleseed, longlisted for the Scotiabank Giller Prize, and Full-Metal Indigiqueer"As the poet says, "they want one thing and I am many." This book is many things, and we are grateful." —Katherena Vermette, author of the award-winning novel The Break"Benaway conjures trans life in a place that is both prior to and in excess of the violence that mires it. It is the emotional infrastructure for something like freedom. Let Benaway lead you there." —Billy-Ray Belcourt, author of This Wound is a World