From floral truck bolts and taxi altars to buffalo cart furniture and drinks in a bags, the same exquisite care, craft and improvisation resounds through home and street, bar and wardrobe. Never colonised, Thai culture retains nuanced ancient meaning in the most mundane things. The days are colour coded, lucky numbers dictate prices, window grilles become guardian angels, tattoos entrance the wearer. Philip scoured each region to show how indigenous wisdom both adapts to the present and customises imports, applying Roman architecture to shophouses, morphing rock into festive farm music, turning the Japanese motor-rickshaw into the tuk-tuk. Colour-saturated illustrations help you navigate various social traits, whether white-faced hi-so matrons or Red Bullswilling workers wearing coins in their ear. This is Thai culture as it has never been shown before.

    This playful, trivia-packed book is a long-overdue celebration of all things Canadian, from the mysteries of "eh?" to the difference between an Ogo Pogo and a Windingo to how to prepare moose stroganoff (mmm!). Featuring a dreamy list of Canadian hotties, a toe-tapping roundup of Canadian smash hit songs, a handy CanadianAmerican translator, and pointers on how to eat, dress, and apologize like a Canadian if you weren't lucky enough to be born a Canuck, So, You Want to Be Canadian demonstrates once and for all why Canada is so cool (formerly just cold).

    He is filled with a gnawing sense that his beloved Mexico City’s days as the most gargantuan, chaotic, crime-ridden, toxically contaminated urban stain in the western world are doomed, and the monster he has grown to know and love through a quarter century of reporting on its foibles and tragedies and blight will be globalized into one more McCity.El Monstruo is a defense of place and the history of that place. No one has told the gritty, vibrant histories of this city of 23 million faceless souls from the ground up, listened to the stories of those who have not been crushed, deconstructed the Monstruo’s very monstrousness, and lived to tell its secrets. In El Monstruo, Ross now does.

    Explaining the effects of changes in the modern world, and the latest ideas in technology, culture, business and politics, this book demystifies the Internet, decodes cyberspace and guides you through the innovations of the revolution we are all living through.

    Rita’s Nursing Home perished beneath the rising waters of Hurricane Katrina. Louisiana’s attorney general immediately targeted the owners of St. Rita’s, Sal and Mabel Mangano, for prosecution. A national media frenzy erupted, labeling the couple as selfish, cold-hearted killers, willing to let beloved parents and grandparents drown—but the reality was much different. Flood of Lies tells the real story of the Manganos: a couple who sacrificed everything to save the lives of their beloved residents.

    As the source of this oil, the Ecuadorian Amazon has borne the far-reaching social and environmental consequences of a growing U.S. demand for petroleum and the dynamics of economic globalization it necessitates. Crude Chronicles traces the emergence during the 1990s of a highly organized indigenous movement and its struggles against a U.S. oil company and Ecuadorian neoliberal policies. Against the backdrop of mounting government attempts to privatize and liberalize the national economy, Suzana Sawyer shows how neoliberal reforms in Ecuador led to a crisis of governance, accountability, and representation that spurred one of twentieth-century Latin America’s strongest indigenous movements.Through her rich ethnography of indigenous marches, demonstrations, occupations, and negotiations, Sawyer tracks the growing sophistication of indigenous politics as Indians subverted, re-deployed, and, at times, capitulated to the dictates and desires of a transnational neoliberal logic. At the same time, she follows the multiple maneuvers and discourses that the multinational corporation and the Ecuadorian state used to circumscribe and contain indigenous opposition. Ultimately, Sawyer reveals that indigenous struggles over land and oil operations in Ecuador were as much about reconfiguring national and transnational inequality—that is, rupturing the silence around racial injustice, exacting spaces of accountability, and rewriting narratives of national belonging—as they were about the material use and extraction of rain-forest resources.

    Sahara is the story of Paula's struggle to overcome her innermost demons and take control of her journey, her camels, and the men she hires to guide her through one of planet's most extreme regions. Illness, landmines, and political red tape stand between Paula and the realization of a life's dream. Though the wheels have fallen off her marriage on the course of her journey and her funds are quickly drying up, she is determined to complete the walk through the romantic Big Empty of Northern Africa to Cairo. Both a thrilling adventure and a story of joy, heartache, inspiration, and despair, Sahara is—above all—a celebration of the greatness of human spirit in all its guises.

    Volume 2 of the Selected Writings is now available in paperback in two parts.In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar Germany's newspapers.Part 2 contains, in addition to the important longer essays, "Franz Kafka," "Karl Kraus," and "The Author as Producer," the extended autobiographical meditation "A Berlin Chronicle," and extended discussions of the history of photography and the social situation of the French writer, previously untranslated shorter pieces on such subjects as language and memory, theological criticism and literary history, astrology and the newspaper, and on such influential figures as Paul Valery, Stefan George, Hitler, and Mickey Mouse.

    of photos.

    Never in the course of human history has the market for celebrities been as saturated as it is today. Nearly every day most Americans will consume something a celebrity is selling—a fragrance, a sneaker, a song, a movie, a show, a tweet, or a photo in a magazine.With the benefits of Piazza’s unique access to the celebrity market, Celebrity, Inc. explains in detail what generates cash for the industry and what drains value faster than a starlet downs cChampagne—in twelve fascinating case studies that tackle celebrities the way industry analysts would dissect any consumer brand.“An economist at heart, Jo Piazza has consistently dug deeper to try to figure out why celebrities behave the way they do and what the consequences of their behavior will be. This book puts celebrities in context, but it also puts the consumer of celebrity in context. No one should feel bad about enjoying pop culture, but they should understand how it is being marketed to them. [Celebrity, Inc.] gives the reader the tools to do exactly that.”—Bonnie Fuller, President of HollywoodLife.com

    Proposing instead that kitsch is the product of a larger sensibility of loss, Celeste Olalquiaga shows how it enables the momentary re-creation of experiences that exist only as memories or fantasies. Simultaneously exposing and celebrating this process, Olalquiaga gives us a bold, trenchant analysis of what and how we see when we look at kitsch.

    She finds that the clubs provide an intermediate space—not work, not home—where men can enjoyably experience their bodies and selves through conversation, fantasy, and ritualized voyeurism. At the same time, she shows how the dynamics of male pleasure and privilege in strip clubs are intertwined with ideas about what it means to be a man in contemporary America.Frank’s ethnography draws on her work as an exotic dancer in five clubs, as well as on her interviews with over thirty regular customers—middle-class men in their late-twenties to mid-fifties. Reflecting on the customers’ dual desires for intimacy and visibility, she explores their paradoxical longings for "authentic" interactions with the dancers, the ways these aspirations are expressed within the highly controlled and regulated strip clubs, and how they relate to beliefs and fantasies about social class and gender. She considers how regular visits to strip clubs are not necessarily antithetical to marriage or long-term heterosexual relationships, but are based on particular beliefs about marriage and monogamy that make these clubs desirable venues. Looking at the relative "classiness" of the clubs where she worked—ranging from the city’s most prestigious clubs to some of its dive bars—she reveals how the clubs are differentiated by reputations, dress codes, cover charges, locations, and clientele, and describes how these distinctions become meaningful and erotic for the customers. Interspersed throughout the book are three fictional interludes that provide an intimate look at Frank’s experiences as a stripper—from the outfits to the gestures, conversations, management, coworkers, and, of course, the customers.Focusing on the experiences of the male clients, rather than those of the female sex workers, G-Strings and Sympathy provides a nuanced, lively, and tantalizing account of the stigmatized world of strip clubs.

    When she comes to America for a better life, she marries a drug kingpin, whose son learns Maria’s darkest secret, leading to the most violent gangland bloodbath in organized crime history. Maria M. collects 2013’s Book One (now out of print), and the never-before-published Book Two, presenting the complete graphic novel for the first time. Longtime readers of Hernandez’s books will recognize a metatwist worthy of Maria M.’s pulpy pages: Maria M. doubles as a “biopic” of the mother of Hernandez’s most beloved character: Luba from Love and Rockets!

    Now Michael Casey tells the remarkable story of this image, detailing its evolution from a casual snapshot to an omnipresent graphic—plastered on everything from T-shirts to vodka to condoms—and into a copyrighted brand. As Casey follows it across the Americas and through cyberspace, he finds governments exploiting it and their dissenters attacking it, merchants selling it and tourists buying it. We see how this image is, ultimately, a mercurial icon that still ignites passion—and a reflection of how we view ourselves.

    Chafe has written powerfully about the relationship between personality and politics. Bill and Hillary: The Politics of the Personal represents the culmination of this approach to political history. Having written widely on civil rights and women’s history, Chafe brings the themes of all his scholarship together in this book about the Clintons’ “co-presidency,” two people committed to both sex and race equality. From the beginning, Chafe argues, the personal chemistry between the Clintons shaped definitively their political careers. She was instrumental in his triumphs as Arkansas governor and “saved” his presidential candidacy by standing with him during the Gennifer Flowers sex scandal. He responded by delegating presidential powers to her that no other First Lady had ever exercised. Often tempestuous, their relationship had as many lows as it did highs, but the trajectory of the Clintons’ political lives can only be understood through the prism of their personal relationship.  Full of insights about health care, Kenneth Starr, and welfare reform, Bill and Hillary gives texture and depth to the Clintons’ lives, including the extent to which the Lewinsky scandal finally freed Hillary to become a politician in her own right and return to the consensus reformer she had been in college and law school.