With 12 chapters and 1,244 practice problems, students can build fundamental skills in math and verbal through targeted practice. Plus, through easy-to-follow explanations and step-by-step applications, each question will help students cement their understanding of those concepts tested on the GRE. Purchase of this book includes access to additional online resources.

    She writes of the world's beauty, but fears that it may be deceptive, even deadly. She is a religious poet, but much of her work is driven by uncertainty. Her poems are restrained, even secretive, but they seek nothing less than the mystery of Life and Death.This edition contains Rossetti's strongest and most distinctive work: poetry (including 'Goblin Market', 'The Prince's Progress', and the sonnet sequence 'Monna Innominata'), stories (including the complete text of Maude), devotional prose (with nearly fifty entries from the 'reading diary' Times Flies), and personal letters. Those poems which Rossetti published, and those which she withheld from publication, are here brought together in chronological order, allowing the reader to observe her poetic trajectory. This edition also records the major revisions made by Rossetti when preparing her poems for publication. It brings together the fullest range of Rossetti's poetry and prose in one volume, and is an indispensable introduction to this entrancing writer.

    A new word burst into popular usage to describe these descents into the precincts of poverty to see how the poor lived: slumming. In this captivating book, Seth Koven paints a vivid portrait of the practitioners of slumming and their world: who they were, why they went, what they claimed to have found, how it changed them, and how slumming, in turn, powerfully shaped both Victorian and twentieth-century understandings of poverty and social welfare, gender relations, and sexuality.The slums of late-Victorian London became synonymous with all that was wrong with industrial capitalist society. But for philanthropic men and women eager to free themselves from the starched conventions of bourgeois respectability and domesticity, slums were also places of personal liberation and experimentation. Slumming allowed them to act on their irresistible attraction of repulsion for the poor and permitted them, with society's approval, to get dirty and express their own dirty desires for intimacy with slum dwellers and, sometimes, with one another.Slumming elucidates the histories of a wide range of preoccupations about poverty and urban life, altruism and sexuality that remain central in Anglo-American culture, including the ethics of undercover investigative reporting, the connections between cross-class sympathy and same-sex desire, and the intermingling of the wish to rescue the poor with the impulse to eroticize and sexually exploit them.By revealing the extent to which politics and erotics, social and sexual categories overflowed their boundaries and transformed one another, Koven recaptures the ethical dilemmas that men and women confronted--and continue to confront--in trying to love thy neighbor as thyself.

    It is also a book about the often amusing and sometimes painful counterpoint between worldliness and holiness in Isherwood’s own life. Sexual sprees, all-night drinking bouts, a fast car ride with Greta Garbo, script-writing conferences at M-G-M, and intellectual sparring sessions with Bertolt Brecht alternated with nights of fasting at the Vedanta Center and a six-month period of celibacy and sobriety. Seldom has a single man been endowed with such strong drives toward both sensuality and spirituality, abandon and discipline. . . . In these pages, Isherwood has reinvented the spirit of devotion for the modern reader."  Edmund White, New York Times Book Review"This book is a humbling tribute to someone who revealed to Isherwood inner grounds for spiritual awareness." Alan Hollinghurst, New StatesmanA major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904–1986) is the author of Down There on a Visit, Lions and Shadows, A Meeting by the River, The Memorial,  Prater Violet, A Single Man, and The World in the Evening, all available from the University of Minnesota Press.

    From Bannockburn and Robert the Bruce to the union of the crowns and Mary, Queen of Scots; from the Reformation and John Knox, to the Enlightenment and the Highland Clearances, and right up to devolution, Scotland is the definitive history of a country that has experienced centuries of dramatic change.Michael Lynch, named as 'one of the most influential historians in Scotland of the last thirty years', has penned an extraordinary one-volume history of the country that spans twenty centuries, from the Picts to the present day.Thrilling, comprehensive, provocative and timely, Scotland is a monumental work of scholarship.

    Most of our friends and beloved relations will die in a busy hospital in the care of strangers, doctors and nurses they have known at best for a couple of weeks. They may not even know they are dying, victims of the kindly lie that there is still hope. They are unlikely to see even their family doctor in their final hours, robbed of their dignity and fed through a tube after a long series of excessive and hopeless medical interventions. This is the starting point of Seamus O’Mahony’s thoughtful, moving and unforgettable book on the western way of death. Dying has never been more public, with celebrities writing detailed memoirs of their illness, but in private we have done our best to banish all thought of dying and made a good death increasingly difficult to achieve.

    Marrying each other in pursuit of the finer things in life, their unlikely union was tempestuous from the off, rocked by affairs (with a whole host of society figures, including Cecil Beaton, Diana Mitford and Winston Churchill, amongst others) on both sides, and degenerated into one of London’s bitterest, and most talked about, divorce battles. In this compelling new book, Lyndsy Spence follows the rise and fall of their relationship, exploring their decadent society lives in revelatory detail and offering new insight into some of the mid twentieth century’s most prominent figures.

    Salford 1970: the Khan children, caught between bellbottoms and arranged marriages, are buffeted this way and that by their Pakistani father's insistence on tradition, their English mother's laissez-faire and their own wish to be citizens of the modern world.

    He wanted to be a person, unlike his father, who knew how to work and get things done. He found himself in the oil fields of North Dakota during the Bakken fracking boom of 2013, where he spent a year as a swamper, assisting the truck drivers who hauled oil rigs from one site to another.The Good Hand is a saga of fear, danger, exhaustion, suffering, loneliness, and grit that explores the struggles and rewards of one of the most difficult jobs on the planet. In doing so, the story delves into the internal struggles of people who seem naturally drawn to hard work and hard luck--the rough-hewn, castoff, disposable men who populate boomtowns. As an oil field greenhorn, Smith finds the job is a continual battle; men are mocked and clobbered by equipment. But he comes to love the intensity and camaraderie, forming close bonds with a number of fellow workers, including Huck, an aw-shucks friendly young giant of a man who is constantly getting into trouble with the law, and "The Wildebeest," a truck driver in his fifties who initially torments Smith but later becomes instrumental in helping him to become "a good hand." Smith also examines his troubled relationship with his father--a trait that most of his coworkers seem to share--and draws fascinating parallels between his labor as an oil field hand and his previous careers in theatre and folk music.The Good Hand is ultimately a book about transformation--a classic American story about submitting to something elemental and larger than oneself. Smith discovers that the communities forged by hard work can awaken both the heart and the hands.

    forces seized Baghdad in the spring of 2003. Army Colonel Peter R. Mansoor, the on-the-ground commander of the 1st Brigade, 1st Armored Division—the “Ready First Combat Team”—describes his brigade’s first year in Iraq, from the sweltering, chaotic summer after the Ba’athists’ defeat to the transfer of sovereignty to an interim Iraqi government a year later. Uniquely positioned to observe, record, and assess the events of that fateful year, Mansoor now explains what went right and wrong as the U.S. military confronted an insurgency of unexpected strength and tenacity. Drawing not only on his own daily combat journal but also on observations by embedded reporters, news reports, combat logs, archived e-mails, and many other sources, Mansoor offers a contemporary record of the valor, motivations, and resolve of the 1st Brigade and its attachments during Operation Iraqi Freedom. Yet this book has a deeper significance than a personal memoir or unit history. Baghdad at Sunrise provides a detailed, nuanced analysis of U.S. counterinsurgency operations in Iraq, and along with it critically important lessons for America’s military and political leaders of the twenty-first century.

    What emerges is both a perspective appraisal of his work and a revealing life history of the man who was arguably the greatest artist of all time.

    Never before has a book so thoroughly represented that variety: 110 lavish color plates and more than 200 halftones convey the brilliance of his portraits, the exuberance of his watercolors, the stately pomp of his murals. It is perhaps the watercolors that are most exciting to contemporary eyes — bold, spontaneous, and vividly hued, they have a breathtaking immediacy.Born in Florence in 1856 to American parents, Sargent spent a nomadic childhood before going to Paris to study painting. He learned quickly and by the 1880s had begun the steady climb to fame that ultimately placed him at the center of his world, with a circle of friends and rivals that included Henry James, Claude Monet, and James McNeill Whistler. When Sargent died in 1925, a childhood companion wrote in her memorial that "the summing up of a would-be biographer must, I think be: He painted." It is the strikingly beautiful results of that lifelong devotion to his art that glow throughout the pages of this incomparable book.

    Yet for an increasing number of people, turf care is a cause of ecological anxiety. In Lawn People, author Paul Robbins, asks, "How did the needs of the grass come to be my own?" In his goal to get a clearer picture of why people and grasses do what they do, Robbins interviews homeowners about their lawns, and uses national surveys, analysis from aerial photographs, and economic data to determine what people really feel about-and how they treat-their lawns.

    The majority of the fourteen queens considered here, from Catherine de Valois and Elizabeth Woodville to Elizabeth of York, Jane Seymour and Catherine Parr, were consorts, the wives of kings. Although less frequently examined than ruling queens, queen consorts played a crucial and central role within the Royal Court. Their first duty was to bear children and their chastity within marriage had to be above reproach. Any suspicion of sexual misconduct would cast doubt on the legitimacy of their offspring. Three of these women Margaret of Anjou, Anne Boleyn and Catherine Howard were accused of such conduct, and two were tried and executed. A queen also had to contribute to her husband's royal image. This could be through works of piety or through humble intercession. It could also be through her fecundity because the fathering of many children was a sign of virility and of divine blessing. A queen might also make a tangible contribution to her husband's power with her marriage as the symbol of an international diplomatic agreement. A ruling queen was very different, especially if she was married, insofar as she had to fill the roles of both king and queen. No woman could be both martial and virile, and at the same time submissive and supportive. Mary I solved this problem in a constitutional sense but never at the personal level. Elizabeth I sacrificed motherhood by not marrying. She chose to be mysterious and unattainable "la belle dame sans merci." In later life she used her virginity to symbolize the integrity of her realm and her subjects remained fascinated by her unorthodoxy. How did they behave (in and out of the bedchamber)? How powerful were they as patrons of learning and the arts? What religious views did they espouse and why? How successful and influential were they? From convenient accessory to sovereign lady the role of queen was critical, colorful, and often dramatic. "The Tudor Queens of England" is the first book of its kind to intimately examine these questions and more.

    His idea of establishing a bank to issue paper money with credit revived the French economy and earned Law the right to trade in France's vast American territories. Shareholder profits from his company created history's first millionaires and sent Paris into a frenzy of speculation, conspiracies, and conspicuous consumption. Janet Gleeson recreates in lively detail the meteoric rise and spectacular fall of Law's fame and fortune, its repercussions throughout Europe at the time, and its enduring legacy in today's markets.