"Choose any angle you like," she writes, "The world is split in two." One poem, "Bicameral," moves from a child's cleft palate to a gunshot wound to the hanging skeins of a fabric in a postwar art exhibit. In the wool cut from the sheep to make the materials of art, she finds a tangled record of violence and repair: "The body it becomes will ever / bind it to the human and a trail of woe."Longtime readers of Gregerson's poetry will be facinated by her departure from the supple tercets in which she has worked for nearly twenty years: Magnetic North is a bold anthology of formal experiments. It is also a heartening act of sustained attention from one of our most mindful poets.

    Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (the haiku master Basho, Nietzsche, St. Teresa of Avila, and especially his father, James Wright) as he explores the continually unfolding loss of childhood and the mixed blessings that follow it. Taken together, the pieces deliver the diary of a poet—“a fairly good egg in hot water,” as he describes himself—who seeks to narrate his way through the dark wood of his title, following the crumbs of language. “Take everything,” Wright suggests, “you can have it all back, but leave for a little the words, of all you gave the most mysteriously lasting.” With a strong presence of the dramatic in every line, Kindertotenwald pulls us deep into this journey, where we too are lost and then found again with him.

    Drawing from his eleven collections and including twenty-three previously unpublished poems, Search Party is the essential compilation of this beloved poet's work. Edited by his son, Sebastian Matthews, and William Matthews's friend and fellow poet Stanley Plumly (who also introduces the book), Search Party is an excellent introduction to the poet and his glistening riffs on twentieth-century topics from basketball to food to jazz.

    Cassiopeia. A sister. A Marco Polo. A somnambulist. A documentary on the voyages of Columbus. A cartographer. Star charts. Young intellectuals in black robes. Jean-Michel Basquiat. More birds and still more birds. A mathematician. All these things appear in The To Sound’s beautifully warped cosmology. This is a stunning book that builds its own world, a world of ambiguous relations and loaded words; a lyrical world that explores the unstated connections between things. . . ."

    The language, the invention, the imagination, and the sheer fun of his poems is astounding. It's not all dazzle either. The poems are also moving. This man reminds us that there is nothing more serious than a joke' - Charles Simic, final judge and author of "Jackstraws", "Walking the Black Cat", and "A Wedding in Hell".

    Even more than a century on, Poe dwells in the dark corner of our literary consciousness. Reading Edgar Allan Poe’s works still feels like walking a razor’s edge between grim amusement and irrevocable madness. Introducing “Edgar Allan Poe: Complete Poems and Tales” Our aim was to prepare a perfectly-formatted collection of Edgar Allan Poe's books that was designed specifically for your e-reader device at a fantastic price. We are pleased to offer you the result of our work! This tremendous "Edgar Allan Poe: Complete Works and Tales" series comes with the following great features: • The complete original text of over 150 works by Edgar Allan Poe, including short stories and poems;• Free audiobook access to full-length recordings of Edgar Allan Poe's works;• A beautifully illustrated version of Poe's most famous work - "The Raven";• Clean formatting designed to fit any screen size;• An easy-to-use active table of contents;• BONUS - Poe's Influence - Film and Television Adaptations, Poe in Music, Literature and Comics!• BONUS - Most Famous Quotes from Edgar Allan Poe! All works by Edgar Allan Poe are included in this wonderful collection. The most famous are: Short Stories: ”The Black Cat”, "The Pit and the Pendulum", "The Tell-Tale Heart", "The Fall of the House of Usher", "The Masque of the Red Death", "The Premature Burial", "The Purloined Letter", “The Cask of Amontillado”, “The Murders in the Rue Morgue”, “The Facts in the Case of M. Valdemar”, “Hop-Frog” and many more! Poems: "The Raven", "Annabel Lee", "The Bells", "The City in the Sea", "A Dream Within a Dream", "To Helen", "Lenore", "Ulalume" and many more! Novels: The Narrative of Arthur Gordon Pym of Nantucket—Poe's only complete novelCollected Essays The readers are raving about „Edgar Allan Poe: Complete Poems and Tales”: “Finding this incredible compendium, leaves me in total disbelief. I am thrilled. Yes, this is indeed Edgar Allan Poe: Ultimate Collection, incredibly well presented, well formatted and incredibly easy to use. What a gift to Edgar Allan Poe devotees. Highly Recommended!”“The book covers everything from his influence: film and tv adaptations, to his music, comics, and more. Beautifully written. Whether you are a Poe fan, or simply looking for a comprehensive resource - you will find everything you are looking for here - and maybe even a few surprises.”“From the beautiful and classical looking cover to the well-woven story of his life into the book, the quality of this work is top notch and SO easy to navigate&l

    Priceless lessons, that only mistakes and sorrow can teach, leap out from the middle part of the book with the forethought to heal an inner wound that is still raw, still painful. This book of yearning, heartache and realisations gradually comes to a beautiful end in part three by unveiling how love is supposed to look like when it truly enters one’s life. By expressing some of the sweet feelings of falling in love and being consumed by it in this last section, with the right person this time, the aim of the book is one: to give hope to souls that propels them to the continuous search for Love. True Love. Throughout this book, loss, lessons and love have been portrayed in a brief, whimsical, poetic manner with meanings that are intensely deep.

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    Now, in Spring Comes to Chicago, McGrath pushes deeper into the jungle of American culture, exposing and celebrating our native hungers and dreams. In the centerpiece of the book, "The Bob Hope Poem," McGrath confronts the paradoxes that energize and confound us--examining his own avid affection for People magazine and contemplating such diverse subjects as Wittgenstein, meat packers, money, and, of course, Bob Hope himself. Whether viewing this life with existential gravity or consumerist glee, McGarth creates poetry that is at once public and profoundly personal.

    With the first thirty poems of "Passages," which form the structural base in Bending the Bow, he has begun a second open series––a multiphasic projection of movements in a field, an imagined universe of the poem that moves out to include all the terms of experience as meaning. Here Duncan draws upon and in turn contributes to a mode in American poetry where Pound’s Cantos, Williams’s Paterson, Zukofsky’s “A,” and Olson’s Maximus Poems have led the way. The chronological composition of Bending the Bow emphasizes Duncan’s belief that the significance of form is that of an event in process. Thus, the poems of the two open series belong ultimately to the configuration of a life in poetry in which there are forms moving within and interpenetrating forms. Versions of Verlaine’s Saint Graal and Parsifal and a translation of Gérard de Nerval’s Les Chimeres enter the picture; narrative bridges for the play Adam’s Way have their place in the process; and three major individual poems––"My Mother Would Be a Falconress," "A Shrine to Ameinias," and "Epilogos"––among others make for an interplay of frames of reference and meaning in which even such resounding blasts of outrage at the War in Vietnam as "Up Rising" and "The Soldiers" are not for the poet things in themselves but happenings in a poetry that involve all other parts of his experience.

    Heralded as "one of our most vital, unclassifiable writers" by the Voice Literary Supplement, Fanny Howe has published more than twenty books and is the recipient of the Gold Medal for Poetry from the Commonwealth Club of California. In addition, her Selected Poems received the 2001 Lenore Marshall Poetry Prize for the Most Outstanding Book of Poetry Published in 2000 from the Academy of American Poets.The poems in Gone describe the transit of a psyche, driven by uncertainty and by love, through various stations and experiences. This volume of short poems and one lyrical essay, all written in the last five years, is broken into five parts; and the longest of these, "The Passion," consecrates the contradictions between these two emotions. The New York Times Book Review said, "Howe has made a long-term project of trying to determine how we fit into God's world, and her aim is both true and marvelously free of sentimental piety." With Gone, readers will have the opportunity to experience firsthand Howe’s continuation of that elusive and fascinating endeavor.

    Volkman develops a new lyric density that marries the immediacy of image-centered poetry to the rhythmic resources of prose. Her first poem begins, Someone was searching for a Form of Fire, and this wild urge to seek form- and thus definition-in the most uncontainable of elements propels the book forward; each poem maps the mind's evolving positions in response to its variable and perilous encounters. Sometimes the encounter is romantic or purely carnal, a sensual landscape of human relations. At other times, nature itself has an almost humanly emotional connection to the speaker. While very much a living voice, the poems' speaker is not a consistent self but a mutable figure buffeted by tenderness, terror, irony, or lust into elaborate evasions, exclamations, verbal hijinks, and lyric flights. As its title suggests, Spar embodies both resistance and aspiration, while its epigraphs further emphasize the simultaneous allure and danger of the unknown within the sensual and material worlds and in the mind itself.

    Suffused with hope yet unafraid to mock his own credulity, Simic's searing metaphors unite the solemn with the absurd. His raindrops listen to each other fall and collect memories; his wildflowers are drunk with kissing the red-hot breezes; and his God is a Mr. Know-it-all, a wheeler-dealer, a wire-puller. In this latest lyrical gathering, Simic continues to startle his fans with the powerful and surprising images that are his trademark-slangy images of the ethereal, fantastic visions of the everyday, foreign scenes of the all-American-and moments full of humor and full of heartache.

    Moved by the presence and withdrawal of light, these internal clocks influence rhythms of sleeping and waking: the opening and closing of flowers, the speed at which the heart pumps blood, the migratory cycles of birds. With love poems and wintry prayers, Joanna Klink offers us patterns of glowing alertness and shared life, patterns that speak to the flickering circuit between inner and outer landscapes, that bind each beating heart to the pull of the tides.

    This debut full-length poetry collection by Ben Mirov was the winning manuscript in the 2009 Caketrain Chapbook Competition, as judged by Michael Burkard.