Lenz is a dispassionate account on the nervous system of a schizophrenic, perhaps the first third-person text ever written from the “inside” of insanity. At his death at the age of 23 in 1837, Georg Büchner also left behind Leonce and Lena, Woyzeck, and Danton’s Death—psychologically and politically acute plays well ahead of their time.Richard Sieburth’s translations include Hölderlin’s Hymns and Fragments, Walter Benjamin’s Moscow Diary, Gérard de Nerval’s Selected Writings and Henri Michaux’s Emergences/Resurgences. His English edition of the Nerval writings won the 2000 PEN Book-of-the-Month-Club Translation Prize.

    A German cruise ship turned refugee carrier, it was attacked by a Soviet submarine in January 1945. Some 9,000 people went down in the Baltic Sea, making it the deadliest maritime disaster of all time. Born to an unwed mother on a lifeboat the night of the attack, Paul Pokriefke is a middle-aged journalist trying to piece together the tragic events. While his mother sees her whole existence in terms of that calamitous moment, Paul wishes their life could have been less touched by the past. For his teenage son, who dabbles in the dark, far-right corners of the Internet, the Gustloff embodies the denial of Germany's wartime suffering. "Scuttling backward to move forward," Crabwalk is at once a captivating tale of a tragedy at sea and a fearless examination of the ways different generations of Germans now view their past.Winner of the Nobel Prize

    Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentaries, including0 suggestions for discussion and analysis. In addition, numerous practical questions stimulate ideas on staging and encourage students to explore the play's dramatic qualities. Agamemnon is suitable for students of both Classical Civilisation and Drama. Useful features include full synopsis of the play, commentary alongside translation for easy reference and a comprehensive introduction to the Greek Theatre. Agamemnon is aimed primarily at A-level and undergraduate students in the UK, and college students in North America.

    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.

    Walter Faber is an emotionally detached engineer forced by a string of coincidences to embark on a journey through his past.

    The secret marriage of Cymbeline’s daughter, Imogen, triggers much of the action, which includes villainous slander, homicidal jealousy, cross-gender disguise, a deathlike trance, and the appearance of Jupiter in a vision.Cymbeline displays unusually powerful emotions with a tremendous charge. Like some of Shakespeare’s other late work—especially The Winter’s Tale and The Tempest—it is an improbable story lifted into a nearly mythic realm.

    His own libretto to the operas, translated by Andrew Porter, is an intricate system of metric patterns, imaginative metaphors and alliteration,combining to produce the music in text.'Andrew Porter's utterly natural, often poetic, faithfully rendered English text should be a revelation...The immediacy of instant comprehension gives the entire drama an added dimension.'--The New York Times

    As Strindberg himself wrote in his Preface, he wanted “to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.”Caryl Churchill’s spare and resonant new version was first staged at the National Theatre, London, in a production by Katie Mitchell, where A Dream Play was called “fresh, new and magical” (Telegraph).Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.August Strindberg (1849-1912) was a novelist and playwright from Stockholm, Sweden. His plays include Miss Julie, The Father, To Damascus, A Dream Play, and The Pelican. In 1912 Strindberg's birthday was marked by a torchlight procession through Stockholm, where his radical journalism had earned him the title of ‘people’s writer.’

    Dover examines the two versions of the play, recounts the history of the text, and analyzes a number of problems surrounding the play's overall interpretation, including the Greek notion of right and wrong, the purpose of the chorus, and Aristophanes' sexual jokes.

    As he travels towards Rome he wrestles with the enigma of his own identity while pursued by his murderous doppelganger. The monk's only hope for salvation lies with the beautiful Aurelie; but in order to escape the curse which lies over his family, he must evade the sinister powers of the living and the dead. In this lively and disturbing gothic tale, Hoffmann combines elements of the fantastic and the sublime to analyse the seductive ambiguities of art and the deeply divided nature of the human imagination.

    Thomas Mann (1875-1955), was awarded the Nobel Prize for literature in 1929, and "Tonio Kroger" occupies a central position in his spiritual and artistic development. A study of youth, it draws together many strands of his life and work: the duality of his parentage; his abhorrence of discipline; and the influence of Schopenhauer and Wagner on his early phase of writing.

    It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.

    First, there are Kafka's own commentaries and entries in his diary. When he re-read the story, for instance, he noted that only he could penetrate to the core of the story which, much like a newborn child, "was covered with dirt and mucus as it came out of him"; he also commented in his diary that he wanted to write down all possible relationships within the story that were not clear to him when he originally wrote it. This is not surprising for a highly introverted writer like Kafka, but it does illustrate the enormous inner pressure under which he must have written "The judgment."

    The play depicts an authoritarian regime and the play's central character, the young Antigone, mirrored the predicament of the French people in the grips of tyranny. One of the masterpieces of the modern French stage.

    The 'scholars' are a cross-section of the local community, from a semi-literate young farmer to and elderly polygot autodidact who reads and quotes Homer in the orginal.In a nearby field camps a recently arrived detachment of the Royal Engineers, engaged on behalf of the Britsh Army and Government in making the first Ordnance Survey. For the purposes ofr cartography, the local Gaelic place names have to be recorded and transliterated - or translated - into English, in examining the effects of this operation on the lives of a small group of people, Irish and English, Brian Friel skillfully reveals the unexperctedly far-reaching personal and cultural effects of an action which is at first sight purely administrative and harmless. While remaining faithful to the personalities and relationshiops of those people at that time he makes a richly suggestive statement about Irish - and English - history.