Best of
Classics

1610

Jin Ping Mei (the Golden Lotus)


Lanling Xiaoxiao Sheng - 1610
    This edition was derived from the Egerton translation, minus the Latin, with a few euphemisms thrown in, but is considerably more complete than the Olympia Press version most Westerners are familiar with. Given the fine academic tradition of disassociating one's self from erotica in any form, Western scholars will often compare this book with... Don Quixote and other non-English masterpieces of a certain age. To which we at Silk Pagoda reply: considering that Jin Ping Mei comes to us as part of a literary cycle (Outlaws of the Marsh) and is primarily a fin de siecle romance with adultery as key theme, the book it best compares to is of course Mort d'Arthur, and Jin Ping Mei's author should be celebrated for, unlike Mallory, experiencing life outside prison walls.

The Plum in the Golden Vase Or, Chin P'Ing Mei, Volume Three: The Aphrodisiac


Lanling Xiaoxiao Sheng - 1610
    This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but also in a world-historical context.Written during the second half of the sixteenth century and first published in 1618, The Plum in the Golden Vase is noted for its surprisingly modern technique. With the possible exception of The Tale of Genji (ca. 1010) and Don Quixote (1605, 1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in earlier Chinese fiction, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.Replete with convincing portrayals of the darker side of human nature, it should appeal to anyone interested in a compelling story, compellingly told.