Fighting time, heat, malaria, and bullets, they make their escape on the rickety steamboat The African Queen...and hatch their own outrageous military plan. Originally published in 1935, The African Queen is a tale replete with vintage Forester drama - unrelenting suspense, reckless heroism, impromptu military manoeuvres, near-death experiences - and a good old-fashioned love story to boot.

    L. Travers, illustrated by Mary Shepard: Mary Poppins, Mary Poppins Comes Back, Mary Poppins Opens the Door, and Mary Poppins in the Park. Featuring a gilded cover, a foreword by Gregory Maguire, and an essay by P. L. Travers about the writing of Mary Poppins, this handsome volume will make a lovely gift for fans new and old.Travel on the east wind to Cherry Tree Lane with Mary in these stories that inspired the classic film, the stage show, and young imaginations the world over.

    . . and menace.Aided only by a beautiful young Florentine with a conspirator’s mind and dark secrets, Franco is soon caught up in a life-and-death struggle from which there is no escape. Relentlessly pursued by deadly assassins and demons of his own, in the end he must confront—and defeat—an evil greater than anything conjured in his worst nightmares.Packed with breathtaking invention and breakneck adventure, The Medusa Amulet is a harrowing ride from the streets of Chicago to the châteaux of France, from the ramparts of the French Revolution to the palazzos of Rome, a story where historical fact meets with fascinating conjecture . . . and the impossible becomes terrifyingly real. Like a masterpiece from the hand of Cellini himself, The Medusa Amulet is a unique and powerful work, as inviting as it is forbidding, as ingenious as it is bold.

    Thompson, The Rum Diary is a tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible.

    Written by Childers—who served in the Royal Navy during World War I—as a wake-up call to the British government to attend to its North Sea defenses, The Riddle of the Sands accomplished that task and has been considered a classic of espionage literature ever since, praised as much for its nautical action as for its suspenseful spycraft.

    Evil stalks the land. Only twelve-year-old Torak and his wolf-cub companion can defeat it. Their journey together takes them through deep forests, across giant glaciers, and into dangers they never imagined. In this page-turning, original, and spectacularly told adventure story, Torak and Wolf are joined by an incredible cast of characters as they battle to save their world, in this first book in the Chronicles of Ancient Darkness.

    In a prison camp, British POWs are forced into labor. The bridge they build will become a symbol of service and survival to one prisoner, Colonel Nicholson, a proud perfectionist. Pitted against the warden, Colonel Saito, Nicholson will nevertheless, out of a distorted sense of duty, aid his enemy. While on the outside, as the Allies race to destroy the bridge, Nicholson must decide which will be the first casualty: his patriotism or his pride.

    Undset re-creates the historical backdrop in vivid detail, immersing readers in the day-to-day life, social conventions, and political undercurrents of the period. Her prose combines the sounds and style of Nordic ballads, European courtly poetry, and religious literature.But the story Undset tells is a modern one; it mirrors post-World War I political and religious anxieties, and introduces a heroine who has long captivated contemporary readers. Defying her parents and stubbornly pursuing her own happiness, Kristin emerges as a woman who not only loves with power and passion but intrepidly confronts her sexuality.

    Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning.

    The time is the 1930s. The loot is bootleg liquor, not pirate gold. The ship is the Black Joke, the speediest, nimblest craft on the Newfoundland coast—with Jonathon Spence owner and master. An unwelcome passenger enmeshes the boat and her crew (young Peter and Kye) in danger and involve the fiercely independent people of the island of Miquelon.

    End of mission. The great bomber had been giving the crew trouble since leaving Italy. Finally over occupied France, it settles like a weary, wounded eagle on what seemed to Franklin a hard, smooth field. The five members of the crew were welded by the crash into a single whole, one tiny forged weapon in the vast territory of the enemy--weak and ineffectual--yet confident as only men can be whose minds are free. Francoise's family accepted them calmly. In Francoise it was faith, a simple piety so humble, so complete that all the mechanized myrmidons of the Reich could not touch her spirit. In her father it was stubbornness, that glorious pigheadedness of the French peasant who won't be pushed around. In her grandmother it was a kinship with the infinite. Having survived two wars, she remained unmoved by the swaggering vainglory of the Nazi. And in Pierre it was hatred, a hatred so deep that only rarely did it flash on the surface. It was natural that Francoise should be so strongly drawn to Franklin, the pilot. His gentle strength, his sensitive mind, the careful restrained warmth of his emotion found a calm, sure response in the simple innocence and candor of the girl. All through the delirious pain of his torn, wounded arm, Franklin felt the girl's presence like a cool, comforting hand. In the end it was her courage and, above all, her faith which saved him--saved him--not only from the enemy but from himself.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    It was fought by two badly matched armies that met in atrocious conditions on St Crispin's Day 1415, and resulted in an extraordinary victory that was celebrated in England long before Shakespeare immortalised it in Henry V. It has always been held to be the triumph of the longbow against the armoured knight, and of the common man against the feudal aristocrat, but those are history's myths. Bernard Cornwell, who has long wanted to write this story, depicts the reality behind the myths.Nicholas Hook is an English archer. He seems born to trouble and, when his lord orders him to London as part of a force sent to quell an expected Lollard uprising, Nick's headstrong behaviour leads to him being proscribed an outlaw. He finds refuge across the Channel, part of an English mercenary force protecting the town of Soissons against the French. What happened at the Siege of Soissons shocked all Europe, and propels Nick back to England where he is enrolled in the archer companyof the doughty Sir John Cornwaille, a leader of Henry V's army. The army was superb, but sickness and the unexpected French defiance at Harfleur, reduce it to near-shambolic condition. Henry stubbornly refuses to accept defeat and, in appalling weather, leads his shrunken force to what appears to be inevitable disaster.Azincourt culminates in the battle. Seen from several points of view on the English side, but also from the French ranks, the scene is vivid, convincing and compelling. Bernard Cornwell has a great understanding of men at war and battlefields and this is his masterpiece. This is what it must have been like to fight at Agincourt.

    Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

    She promises her services to the Sargent family for six long years in return for food and shelter. But life as a "bound-out girl" is full of more hardship than Maggie ever could have imagined. Living with the family in an isolated part of northern Maine, Maggie struggles through the harsh, hungry winter of 1743, the constant threat of Indian attacks, and worst of all, the loneliness she suffers knowing that her own family is lost forever. Will the Sargent's house ever feel like home?