At an increasingly fraught time for immigrants and their families, Good Talk delves into the difficult conversations about race, sex, love, and family that seem to be unavoidable these days.Inspired by her popular BuzzFeed piece "37 Difficult Questions from My Mixed-Raced Son," here are Jacob's responses to her six-year-old, Zakir, who asks if the new president hates brown boys like him; uncomfortable relationship advice from her parents, who came to the United States from India one month into their arranged marriage; and the imaginary therapy sessions she has with celebrities from Bill Murray to Madonna. Jacob also investigates her own past, from her memories of being the only non-white fifth grader to win a Daughters of the American Revolution essay contest to how it felt to be a brown-skinned New Yorker on 9/11. As earnest and moving as they are sometimes laugh-out-loud funny, these are the stories that have formed one American life.

    Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.

    The inaugural volume includes stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web.Contributors include Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and Lynda Barry—and unique discoveries such as Justin Hall, Esther Pearl Watson, and Lilli Carré.

    Yet shockingly, a small sector of the population is not enamored with his work. Diffee has met some of these people and reports that they are, without exception, dumb and ugly, whereas the people who enjoy his work are just the opposite. In fact, the smarter and more attractive people are, the more they tend to appreciate Diffee’s humor. This book is for them.This collection contains Diffee’s funniest drawings and writings from the past decade as well as all-new cartoons and sketches organized into categories that will appeal to smart attractive people in all walks of life, based on profession and circumstance: smart attractive Medical Professionals, sharp and good-looking Old People; beautiful geniuses in Prison; brainy handsome Lumberjacks; and more. Are you an alluring well-read utensil user? Well, there’s a chapter just for you!If you’re a fan of Demetri Martin and Jack Handey, or if you happen to be George Clooney or Natalie Portman, Hand Drawn Jokes for Smart Attractive People will leave you laughing your smart attractive ass off.

    She'd sit at the table in silent protest, hide uneaten toast in her bedroom, listen to parental threats that she'd have to eat it for breakfast.But in any life a set of circumstance can collide, and normal behavior might soon shade into something sinister, something deadly.Lighter Than My Shadow is a hand-drawn story of struggle and recovery, a trip into the black heart of a taboo illness, an exposure of those who are so weak as to prey on the vulnerable, and an inspiration to anybody who believes in the human power to endure towards happiness.

    Under the Twitter (@pants) and Instagram handle @PantsPants, Josh Mecouch has a large following who delight in his bizarre and unique illustrations. Now, Conquer the Day invites fans into the larger Pants universe, introducing new characters and never-before-seen art. Pairing encouraging affirmations with emotive black-and-white illustrations—highlighted with the occasional splash of color—Josh takes us on a journey into the world of self-improvement. The contrast between the positive affirmations and the visceral style of the illustrations point to the tension between our hopes and aspirations and the reality of our day-to-day lives as we strive to realize our best selves.Unlock the power of affirmations:I exhale weakness and inhale confidence.I am sexy and people want to be around me.My path to sucess success is inevitable.I focus on what I can control. I organize my socks.

    At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity--what it means and how to think about it--for advocates, friends, and humans everywhere.

    To commemorate its 100th anniversary the heads of newspaper Tozai Shimbun come up with a plan to publish the “Ultimate Menu”. The assignment is given to journalist Yamaoka Shiro, the protagonist of the series. With the help of a female coworker, Kurita Yuko, Yamaoka starts off on what can only be termed an epic saga to find the dishes hat will go into the “Ultimate Menu”. The subject of volume 1 is Nishon ryori, or Japanese cuisine, featuring stories on subjects like how to prepare a proper dashi (broth that is one of the building blocks of Japanese cooking), or matcha (the powdered green tea used in the tea ceremony), or red snapper sashimi. The subjects of the later volumes are: 2) sake, 3) fish, 4) vegetables, 5) rice dishes, 6) udon, and 7) izakaya or “pub” food.

    During the half century from 1850 to 1898, the Chinese population in the Philippines increased drastically from 5000 to perhaps 100,000, and penetrated every part of the archipelago. Liberalized Spanish immigration laws and their own superior business methods enabled the Chinese to profit from the development of an export crop economy, which involved the exchange of Philippine raw products for foreign manufactured goods, and caused a shift in the emphasis of Chinese enterprise - from small-scale retailing to a virtual monopoly of raw material collection and import distribution. Their increased economic power gave impetus to an anti-Chinese campaign in the latter years of the century, and the Philippine Chinese, for the first time, developed community institutions to resist assimilation and turned to China for aid.

    Thoroughly bored with her job at the local museum, Sarah heads to the gallery to take another look at that new drawing, the one she can't stop thinking about, the one of the Hindu god Shiva, who dances...That's when it all begins. The next day, an e-mail message brings her a job offer: to find the few remaining pieces of a 15th-century adventurer's renowned collection of Indian sculptures. Her employer, curiously, wishes to communicate only by computer. She has no idea who he is or why he wants her. But other mysteries soon preoccupy her, such as the meaning of an enigmatic illuminated manuscript—and the sensual transformation that seems to be overtaking her. Through her quirkily decorated diary and the artful e-mail exchanges between Sara and her mentor, Nick Bantock has conjured up a richly illustrated tale of a relentless quest, an amorous legacy, and the resonating power of art—a lush, romantic adventure of the soul that tantalizes the reader to the last line.

    A witty, sometimes curmudgeonly, often helpful look at various fads, crazes, morals, fashions, and mores in America today ranges from comments on good weather to a pontifical guide for the truly ambitious.

    But what does that ghosts look like when he's shy? Or in love? Or a pirate, a llama, a Bona villain, or Russian nesting doll? 100 Ghosts explores every sort of spook in a series of whimsically haunting illustrations. It's a delightful collection for adults, children, and anyone in need of a friendly fright.

    Spontaneous sketches and a travelogue diary document his adventures and quiet moments, creating a raw and intimate portrait of countries, culture and the wandering artist.

    Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape. Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zom­bies, spaceships, or wastelands. Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”

    Thus each rare new story from her pen has been greeted with hurrahsas well they should be, because she's one of the most skillful, caustic, and emphatic cartoon storytellers of her generation. This new book presents the biggest, richest and most delightful collection of Tyler's work to date featuring many new and previously unpublished works.In "Migrant Mother" Tyler tells the grueling story of a cross-country trip with the flu and her terrible twos toddler using her trademark combination of rueful humor and emphathy. The full-color "Just A Bad Seed" is a meditation on a problem child who might not be such a problem after all, while "The Return of Mrs. Kite" chronicles a family crisishow her widowed grandmother fell in with a beau of questionable character. "Gone" (also in full color) is a stirring meditation on all kinds of loss, and "Why I'm A-gin' Southern Men" is a classic rant that dissects that particular breed of maleor at least a certain subspecies of "ex"eswith pitiless wit.Other stories include "Sweet Miss Lee" (a reminiscence of an immigrant roommate and her fate), "There's Something Wrong with a Perfect Lawn" (a tale of suburban obsessiveness), "Little Crosshatch Mind" (where artistic impulses come from), and "Uncovered Property" (discovering the power of sexuality at an early age).Tyler works equally well in delicately crisp black-and-white penstrokes and lushly watercolored paintings (this book will feature 60 pages of her stunning full-color work). All told, the three-dozen stories here will cement Tyler's reputation as a cartoonist to be reckoned with. 136 pages, 60 pages in color.