They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    A recognized classic of cultural anthropology, this book explores the political, religious, and economic life of Japan from the seventh century through the mid-twentieth, as well as personal family life.

     The invasion of Guadalcanal was a long, cruel holding operation fought with too little equipment and support, not enough food and ammunition, and too few men. The marines on the island were subjected to bombing raids and strafing by Japanese aircraft, bombardment by battleships, cruisers, destroyers, submarines, and land artillery, as well as being continually attacked by Japanese tanks and infantry. For five long months they were attacked day and night before being eventually relieved by Army units. Who were these men who faced overwhelming odds? And how did they survive? T. Grady Gallant, who fought at Guadalcanal himself, answers these questions in his brilliant book On Valor’s Side Gallant’s account begins with an account of the grueling training that he and his fellow marines received in places such as Parris Island, before they undertook last minute preparations in New Zealand and made the journey towards Guadalcanal. It is a fascinating work that gives an eyewitness view of one of the most ferocious encounters that the United States Marines had to face through the course of the Second World War. “recreates the real-life training, fighting and comradeship of men at arms, from North Carolina to Guadalcanal.” — Kirkus Review “A great book” — Leon Uris T. Grady Gallant was a journalist, editor, columnist, author and editor. He served as a Sergeant of Special Weapons in the U.S. 1st marine Division, Fleet Marine Force 1941-1945, in the assault at Guadalcanal, and served a second tour with the 4th marine Division, Fleet Marine Force and was in the assault and Battle of Iwo Jima during World War II. His book On Valor’s Side was first published in 1963 and he passed away in 2009.

    Beyond the prison walls, the war rages. Inside, a man is found brutally murdered. What follows is a searing portrait of Korea before their civil war, and a testimony to the redemptive power of poetry.Watanabe Yuichi, a young guard with a passion for reading, is ordered to investigate a murder. The victim, Sugiyama, also a guard, was feared and despised throughout the prison and inquiries have barely begun when a powerful inmate confesses. But Watanabe is unconvinced; and as he interrogates both the suspect and Yun Dong-ju, a talented Korean poet, he starts to realize that the fearsome guard was not all he appeared to be...As Watanabe unravels Sugiyama's final months, he begins to discover what is really going on inside this dark and violent institution, which few inmates survive: a man who will stop at nothing to dig his way to freedom; a governor whose greed knows no bounds; a little girl whose kite finds an unlikely friend. And Yun Dong-ju—the poet whose works hold such beauty the can break the hardest of hearts.As the war moves towards its devastating close and bombs rain down upon the prison, Watanabe realizes that he must find a way to protect Yun Dong-ju, no matter what it takes. As he digs further and further in to his investigation, the young guard discovers a devastating truth.At once a captivating mystery and an epic lament for lost freedom and humanity, The Investigation, inspired by a true story, is a sweeping and gripping tale by an international literary star.

    In a land where marriages can still be arranged and a woman1s place is most definitely in the home, love hotels dot the landscape and late-night television is brazenly risqué by Western standards. Censorship is perverse: no pubic hair may be shown, yet violent porno-comics featuring gang-rape and mutilation are openly read on the train. Homosexuality has a long, venerable history of tolerance, but an office worker < gay or not < will forgo promotion if he doesn1t marry. These are just some of the paradoxes explored in this provocative book. Written nearly a decade ago, but still timely, this is an eye-opening examination of Japanese love, marriage, and eroticism.

    A companion volume to his best-selling Armageddon, Max Hastings' account of the battle for Japan is a masterful military history.Featuring the most remarkable cast of commanders the world has ever seen, the dramatic battle for Japan of 1944-45 was acted out across the vast stage of Asia: Imphal and Kohima, Leyte Gulf and Iwo Jima, Okinawa, and the Soviet assault on Manchuria.In this gripping narrative, Max Hastings weaves together the complex strands of an epic war, exploring the military tactics behind some of the most triumphant and most horrific scenes of the 20th century. The result is a masterpiece that balances the story of command decisions, rivalries, and follies with the experiences of soldiers, sailors, and airmen of all sides as only Max Hastings can.

    Saitō Tamaki’s work of popular psychology provoked a national debate about the causes and extent of the condition.Since Hikikomori was published in Japan in 1998, the problem of social withdrawal has increasingly been recognized as an international one, and this translation promises to bring much-needed attention to the issue in the English-speaking world. According to the New York Times, “As a hikikomori ages, the odds that he’ll re-enter the world decline. Indeed, some experts predict that most hikikomori who are withdrawn for a year or more may never fully recover. That means that even if they emerge from their rooms, they either won’t get a full-time job or won’t be involved in a long-term relationship. And some will never leave home. In many cases, their parents are now approaching retirement, and once they die, the fate of the shut-ins—whose social and work skills, if they ever existed, will have atrophied—is an open question.”Drawing on his own clinical experience with hikikomori patients, Saitō creates a working definition of social withdrawal and explains its development. He argues that hikikomori sufferers manifest a specific, interconnected series of symptoms that do not fit neatly with any single, easily identifiable mental condition, such as depression.Rejecting the tendency to moralize or pathologize, Saitō sensitively describes how families and caregivers can support individuals in withdrawal and help them take steps toward recovery. At the same time, his perspective sparked contention over the contributions of cultural characteristics—including family structure, the education system, and gender relations—to the problem of social withdrawal in Japan and abroad.

    Over the following weeks, the world watched in horror as a natural disaster became a man-made catastrophe: fail-safes failed, cooling systems shut down, nuclear rods melted.In the first definitive account of the Fukushima disaster, two leading experts from the Union of Concerned Scientists, David Lochbaum and Edwin Lyman, team up with journalist Susan Q. Stranahan, the lead reporter of the Philadelphia Inquirer’s Pulitzer Prize–winning coverage of the Three Mile Island accident, to tell this harrowing story. Fukushima combines a fast-paced, riveting account of the tsunami and the nuclear emergency it created with an explanation of the science and technology behind the meltdown as it unfolded in real time. Bolstered by photographs, explanatory diagrams, and a comprehensive glossary, the narrative also extends to other severe nuclear accidents to address both the terrifying question of whether it could happen elsewhere and how such a crisis can be averted in the future.

    Nakane deals with his own society as a social anthropologist using some of the methods which he was accustomed to applying in examining any other society. However, its form is not that of a scientific thesis (as may be seen at once from the absence of a bibliography; the author also refrains from quoting any statistical figures or precise data directly obtained from field surveys). Nakane has tried to construct a structural image of Japanese society, synthesizing the major distinguishing features to be found in Japanese life. He has drawn evidence almost at random from a number of different types of community to be found in Japan today--industrial enterprises, government organizations, educational institutions, intellectual groups, religious communities, political parties, village communities, individual household and so on. Throughout this investigation of groups in such varied fields, Nakane has concentrated my analysis on individual behavior and interpersonal relations which provide the base of both the group organization and the structural tendencies dominating in the development of a group.

    These fans have a powerful desire to protect and nurture the young, beautiful and innocent characters they adore—like Sagisawa Moe in Dinosaur Planet and Tomoe Hotaru in Sailor Moon. They create their own websites, characters, stories, discussion groups, toys and games based around the original manga and anime roles.Author Patrick Galbraith is the world's acknowledged expert on MOE and a journalist based in Tokyo. For this book, he interviewed twenty important figures in the world of Japanese manga and anime to gain their insights on the MOE phenomenon. These interviews provide us with the first in-depth survey of this subject. Galbraith uncovers how MOE is influencing an entire generation of manga artists and readers. For those new to anime, manga, and youth culture in Japan, he discusses what constitutes the ideal MOE relationship and why some fans are even determined to marry their fictional sweethearts. He reveals key moments in the development of MOE, and current and future trends in the spread of MOE works and characters from Japan to other parts of the world.The Moe Manifesto provides an insider's look at the earliest MOE characters such as Ayame by Tezuka Osamu. The book has over 100 illustrations of the most famous MOE characters, many in color, and it is sure to delight manga and anime fans of every age.

    The hero of this novel is the young and idealistic Nobuo Nagano, who finds himself forced to make a heart-rending decision, when he must choose between his childhood sweetheart, Fujiko, and his newly found Christian faith. Set in Hokkaido at the turn of the nineteenth century, when for the first time Western culture and ideas were beginning to challenge Japan's long-held traditions, Shiokari Pass takes an intriguing look at Japanese life and thought of a hundred years ago. Filled with drama and featuring a spectacular climax amidst the snows of Hokkaido, the book was a bestseller in Japanese and a successful motion picture as well. Based on the life of a high-ranking railway employee who was revered for his humanitarian deeds, Shiokari Pass offers a revealing glimpse of the long, hard road traveled by Japanese Christians.

    Convinced the Japanese would abandon the city, he planned a victory parade down Dewey Boulevard—but the enemy had other plans. The Japanese were determined to fight to the death. The battle to liberate Manila resulted in the catastrophic destruction of the city and a rampage by Japanese forces that brutalized the civilian population, resulting in a massacre as horrific as the Rape of Nanking. Drawing from war-crimes testimony, after-action reports, and survivor interviews, Rampage recounts one of the most heartbreaking chapters of Pacific War history.

    Not the typical romantic fantasies so often seen in Japanese writing, filled with water sprites and vengeful ghosts, these stories are a mixture of fantastic allegory, slightly skewed fables, and affecting romantic tales. Revealing the wide range of Dazai's imaginative powers, they also give a glimpse of his humane and idealistic side. From the title story, about an impoverished, henpecked scholar who is transformed by the love of a voluptuous bird, to "The Chrysanthemum Spirit," about a passionate gardener who meets a brother and sister with extraordinary powers, Dazai creates a world of fantasy and romance that is infused with his own psychological concerns. Many readers may recall the poignancy of Oscar Wilde's The Happy Prince or Han Christian Andersen. The collection is capped by two delightful stories-within-a-story, in which the assorted members of a quirky family compose alternate episodes of a slightly gothic romance with hints of Poe and Saki (in "On Love and Beauty") and a wildly elaborate retelling of Rapunzel that is engaging, horrifying, and touching by turns (in "Lanterns of Romance"). All in all, these warm, inventive, and life-affirming stories will strike a deep, satisfying chord in many readers.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    From cute handwriting came manga, Hello Kitty, and Harajuku, and the kawaii aesthetic now affects every aspect of Japanese life. As colorful as its subject matter, this book contains numerous interviews with illustrators, artists, fashion designers, and scholars. It traces the roots of the movement from sociological and anthropological perspectives and looks at kawaii's darker side as it morphs into gothic and gloomy iterations. Best of all, it includes hundreds of colorful photographs that capture kawaii's ubiquity: on the streets and inside homes, on lunchboxes and airplanes, in haute couture and street fashion, in cafes, museums, and hotels.