The grisly evidence leads police to the terrifying assumption that a serial killer is on the loose in the quiet suburb. But soon a rumor begins to spread that the evil stalking local teens is not entirely human. Law enforcement, as well as members of the FBI are certain that the killer is a living, breathing madman—and he’s playing games with them. For a once peaceful community trapped in the depths of paranoia and suspicion, it feels like a nightmare that will never end. Recent college graduate Richard Chizmar returns to his hometown just as a curfew is enacted and a neighborhood watch is formed. In the midst of preparing for his wedding and embarking on a writing career, he soon finds himself thrust into the real-life horror story. Inspired by the terrifying events, Richard writes a personal account of the serial killer’s reign of terror, unaware that these events will continue to haunt him for years to come. A clever, terrifying, and heartrending work of metafiction, Chasing the Boogeyman is the ultimate marriage between horror fiction and true crime. Chizmar’s writing is on full display in this truly unique novel that will haunt you long after you turn the final page.

    Escaping from his North Carolina home after his father murders their family and commits suicide, Trevor McGee returns to confront the past, and finds himself haunted by the same demons that drove his father to insanity.

    After a transformative summer, McKenna is welcomed into the elite group of popular girls at Weeping Willow High, led by the gorgeous Olivia Richmond. For the first time in a long time, things are looking up. But everything changes the night of Olivia’s Sweet Sixteen sleepover. Violet, the mysterious new girl in town, suggests the girls play a game during which Violet makes up elaborate, creepily specific stories about the violent ways the friends will die. Though it unsettles McKenna, it all seems harmless at the time. Until a week later, when Olivia dies…exactly as Violet predicted. As Violet rises to popularity and steps into the life Olivia left unfinished, McKenna becomes convinced Olivia’s death wasn’t just a coincidence, especially when a ghost haunting her bedroom keeps leaving clues that point to Violet. With the help of her cute neighbor, Trey, McKenna pledges to get to the bottom of Violet’s secrets and true intentions before it’s too late. Because it’s only a matter of time before more lives are lost.

    The dead are called Histories, and the vast realm in which they rest is the Archive.Da first brought Mackenzie Bishop here four years ago, when she was twelve years old, frightened but determined to prove herself. Now Da is dead, and Mac has grown into what he once was: a ruthless Keeper, tasked with stopping often violent Histories from waking up and getting out. Because of her job, she lies to the people she loves, and she knows fear for what it is: a useful tool for staying alive.Being a Keeper isn't just dangerous-it's a constant reminder of those Mac has lost, Da's death was hard enough, but now that her little brother is gone too, Mac starts to wonder about the boundary between living and dying, sleeping and waking. In the Archive, the dead must never be disturbed. And yet, someone is deliberately altering Histories, erasing essential chapters. Unless Mac can piece together what remains, the Archive itself may crumble and fall.

    Exhausted, lost, and at the end of her rope, she was eager for a hot shower and a bed for the night. Her room was musty but clean and the plumbing worked. Norman Bates, the manager, seemed nice, if a little odd.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient. We learn, as Parker did on his first day at the hospital, of the facility’s most difficult, profoundly dangerous case—a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat him has been driven to madness or suicide. Desperate and fearful, the hospital’s directors keep him strictly confined and allow minimal contact with staff for their own safety, convinced that releasing him would unleash catastrophe on the outside world. Parker, brilliant and overconfident, takes it upon himself to discover what ails this mystery patient and finally cure him. But from his first encounter with the mystery patient, things spiral out of control, and, facing a possibility beyond his wildest imaginings, Parker is forced to question everything he thought he knew. Fans of Sarah Pinborough’s Behind Her Eyes and Paul Tremblay’s The Cabin at the End of the World will be riveted by Jasper DeWitt’s astonishing debut.

    Women are vanishing without a trace overnight, leaving behind husbands and families. When up-and-coming novelist Adam Senft stumbles upon an unearthly scene, it plunges him and the entire town into an ancient nightmare. Folks say the woods in LeHorn's Hollow are haunted, but what waits there is far worse than any ghost. It has been summoned...and now it demands to be satisfied.

    Joseph A. Citro's widely read publications about the more haunting history, legends, and lore of New England have earned him a reputation as an expert on themes of the supernatural. In this book (first published in 1987), however, he deftly melds real-life ancient ruins, a keen eye for the social fabric of small-town Vermont, and a soaring imagination to fashion a gripping tale of a family's life-or-death struggle to save their farm from an enemy far more devastating than banks, taxes, or land developers. Eric Nolan is a man already too familiar with death. His brother's long-ago disappearance, the loss of his parents, and his wife's recent demise in an auto accident have left him near the edge physically and emotionally. In desperation he returns to his boyhood haunt, the family farm in rural Antrim, Vermont, now occupied by his cousin, Pamela, her husband, Clint, and Luke, their four-year-old son. But any solace Eric might find there is short-lived. Something terrible is going on in the woods on Pinnacle Mountain and it seems to be centered around a mysterious stone structure that, a local historian believes may be the relic of an ancient race. The mystery deepens as people begin to vanish one by one, first a village policeman, then a local hermit, a researcher, and finally Clint himself. As baffling and violent incidents continue it becomes harder to deny that a powerful and malevolent force is at work in the Green Mountains, a force that has targeted young Luke. Though it defies Eric's every rational instinct, he must ultimately confront a reality he can neither accept nor deny. As he and the others struggle to quell the rising tide of evil, the siege escalates to a brutal battle for life itself. Citro twists every shock possible out of this finely crafted gothic thriller that tests the limits of legend and belief.

    These tales are richly populated by spirits and ghosts seeking revenge; by grief-stricken women and haunted men coming to terms with their destiny - all rooted deep in the elemental landscapes of Sussex, Brittany and the Languedoc.The collection will include The Mistletoe Bride, La Fille de Melisande, Red Letter Day, The Lending Library, The House on the Hill...

    Who is brave enough to find her--and who won't make it out of the woods?It's been exactly one year since Sara's sister, Becca, disappeared, and high school life has far from settled back to normal. With her sister gone, Sara doesn't know whether her former friends no longer like her...or are scared of her, and the days of eating alone at lunch have started to blend together. When a mysterious text message invites Sara and her estranged friends to "play the game" and find local ghost legend Lucy Gallows, Sara is sure this is the only way to find Becca--before she's lost forever. And even though she's hardly spoken with them for a year, Sara finds herself deep in the darkness of the forest, her friends--and their cameras--following her down the path. Together, they will have to draw on all of their strengths to survive. The road is rarely forgiving, and no one will be the same on the other side.

    She can leave behind the memory of the past winter; of her sickly ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries. When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn’t right on the prairie. She’s heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can’t be sure if the true evil lies in the land, or deep within her soul.

    It's not available anywhere else, and for a limited time, each download from Audible benefits educational charities at DonorsChoose.org.A few words from Neil: "Why tell ghost stories? Why read them or listen to them? Why take such pleasure in tales that have no purpose but, comfortably, to scare?"I don't know. Not really. It goes way back. We have ghost stories from ancient Egypt, after all, ghost stories in the Bible, classical ghost stories from Rome (along with werewolves, cases of demonic possession, and of course, over and over, witches). We have been telling each other tales of otherness, of life beyond the grave, for a long time; stories that prickle the flesh and make the shadows deeper and, most important, remind us that we live, and that there is something special, something unique and remarkable, about the state of being alive. Happy Halloween!""'What kind of story would you like me to tell you?' 'Well,' he said, thoughtfully, 'I don't think it should be too scary, because then when I go up to bed, I will just be thinking about monsters the whole time. But if it isn't just a little bit scary, then I won't be interested. And you make up scary stories, don't you?'"So begins this subtle, witty, deceptive little tale from master storyteller Neil Gaiman. Lock the doors, turn off the lights, and enjoy!Included in the anthology Impossible Monsters, edited by Kasey Lansdale.

    Their ghosts were thickest near the abandoned downtown, where so many of the town’s hopes had died generation by generation. They lingered in the places that mattered to them, and people avoided those streets, locked those doors, stopped going into those rooms... They could hurt you. Worse, they could change you.Jane is haunted. Since she was a child, she has carried a ghost girl that feeds on the secrets and fears of everyone around her, whispering to Jane what they are thinking and feeling, even when she doesn’t want to know. Henry, Jane’s brother, is ridden by a genius ghost that forces him to build strange and dangerous machines. Their mother is possessed by a lonely spirit that burns anyone she touches. In Swine Hill, a place of defeat and depletion, there are more dead than living.When new arrivals begin scoring precious jobs at the last factory in town, both the living and the dead are furious. This insult on the end of a long economic decline sparks a conflagration. Buffeted by rage on all sides, Jane must find a way to save her haunted family and escape the town before it kills them.

    So Hannah accepts a job as live-in director of the Wright Historic House, a museum dedicated to an obscure nineteenth-century philosopher whose life was marred by tragedy.At first, life in this old, creaky house feels cozy. Nick and Hannah explore the deserted museum at night, wandering the twisting halls and sneakily trying out the former owners' original master bed. But as summer turns to fall, Hannah begins to have trouble sleeping; reluctantly, she tells Nick she's hearing whispers in the night. Then one morning, Nick wakes up to find Hannah gone. In his frantic search for her, Nick will discover the hidden legacy of Wright House: a man driven wild with grief, and a spirit aching for home.