This companion to the landmark PBS miniseries vividly and candidly tells how the story of Latino Americans is the story of our country.Author and acclaimed journalist Ray Suarez explores the lives of Latino American men and women over a five-hundred-year span, encompassing an epic range of experiences from the early European settlements to Manifest Destiny; the Wild West to the Cold War; the Great Depression to globalization; and the Spanish-American War to the civil rights movement.Latino Americans shares the personal struggles and successes of immigrants, poets, soldiers, and many others—individuals who have made an impact on history, as well as those whose extraordinary lives shed light on the times in which they lived, and the legacy of this incredible American people.

    His DNA came from El Patrón, lord of a country called Opium -- a strip of poppy fields lying between the United States and what was once called Mexico. Matt's first cell split and divided inside a petri dish. Then he was placed in the womb of a cow, where he continued the miraculous journey from embryo to fetus to baby. He is a boy now, but most consider him a monster -- except for El Patrón. El Patrón loves Matt as he loves himself, because Matt is himself. As Matt struggles to understand his existence, he is threatened by a sinister cast of characters, including El Patrón's power-hungry family, and he is surrounded by a dangerous army of bodyguards. Escape is the only chance Matt has to survive. But escape from the Alacr n Estate is no guarantee of freedom, because Matt is marked by his difference in ways he doesn't even suspect.

    In Domingos Álvares, African Healing, and the Intellectual History of the Atlantic World, James H. Sweet finds dramatic means for unfolding a history of the eighteenth-century Atlantic world in which healing, religion, kinship, and political subversion were intimately connected.

    Calcines was a child of Fidel Castro's Cuba; he was just three years old when Castro came to power in January 1959. After that, everything changed for his family and his country. When he was ten, his family applied for an exit visa to emigrate to America and he was ridiculed by his schoolmates and even his teachers for being a traitor to his country. But even worse, his father was sent to an agricultural reform camp to do hard labor as punishment for daring to want to leave Cuba. During the years to come, as he grew up in Glorytown, a neighborhood in the city of Cienfuegos, Eduardo hoped with all his might that their exit visa would be granted before he turned fifteen, the age at which he would be drafted into the army.In this absorbing memoir, by turns humorous and heartbreaking, Eduardo Calcines recounts his boyhood and chronicles the conditions that led him to wish above all else to leave behind his beloved extended family and his home for a chance at a better future.

    . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.Reviews: "The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald“Deeply engrossing.” –Robert Hurwitt, San Francisco Chronicle“Earnestly poetic…Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition.” –Ben Brantley, New York TimesNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.

    All he can do is recall his life so far, dissect it, write it, gathering all the memories around what would mark his existence forever: his mother’s departure in the summer of 1994, when he was only ten, so that she could join the Zapatista uprising that was shaking up the whole country. Her mysterious escape from one day to the next only worsens with his clumsy father’s secrecy, silence and awkwardness, a man unable to carry the responsibilities for his son and teenage daughter. This worsens with the boy’s erratic investigations to uncover the reasons for his mother’s decision to leave. All he can do is create an anguish-filled parallel world: he will unsuccessfully seek refuge in his origami obsession, or in his sensory deprivation tank in which he locks himself up to see if he can erase his existence. Finally, with the help of Rata, a young delinquent dating his sister, he will undertake a voyage of discovery to the darkest corners of his Mexico City, where he will meet the face of gratuitous cruelty, as well as the selfless kindness of strangers. In his second novel, Daniel Saldaña París has created a bone chilling, exact portrait of a hypersensitive childhood that must torture and repeat itself in the mind of the protagonist.

    The sixth edition preserves the hallmark features that instructors have come to trust, and through its use of current, authentic cultural materials, Deutsch: Na klar! teaches students how to use German in real-life situations effectively and how to communicate successfully in the German-speaking world.

    There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother’s ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there’s a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez’s stories are prayers for self-sovereignty.

    When Carlos Ruweda's wife is suddenly taken from him, he discovers a magical gift: In waking dreams, he had clear visions of the fates of "the disappeared." But he cannot "imagine" what has happened to his own wife. Driven to near madness, his mind cannot be taken away: imagination, stories, and the mystical secrets of the human spirit.

    In the first section, "Customs," Alvarez relates how she and her family fled the Dominican Republic and its oppressive dictator, Rafael Trujillo, settling in New York City in the 1960s. Here Julia begins a love affair with the English language under the tutelage of the aptly named Sister Maria Generosa. Part Two--"Declarations"--celebrates Alvarez's enduring passion for the writing life. From the valentine to mythic storyteller Scheherazade that is "First Muse," to a description of Alvarez's itinerant life as a struggling poet, teacher, and writer in "Have Typewriter, Will Travel," to the sage and witty advice of "Ten of My Writing Commandments," Alvarez generously shares her influences and inspirations with aspiring writers everywhere.

    From the prizewinning title story unfolds a series of family snapshots that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once "tender and sharp-fanged" (L.A. Weekly) as Ana Menendez charts the territory from Havana to Coral Gables, exploring whether any of us are capable, or even truly desirous, of out running our origins.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    

    Revised and expanded, this second edition includes an entirely new introduction and thorough revisions of the last four chapters and conclusion, as well as a completely updated bibliography. It casts important new tight on such contemporary issues as economic integration, environmental protection, drug trafficking, and undocumented migration. Blending analytical rigor with illuminating anecdote, Talons of the Eagle provides a highly readable and up-to-date account of U.S.-Latin American relations over a span of two centuries and offers provocative insight into portents for the future.

    Corral is the 2011 recipient of the Yale Series of Younger Poets award, joining such distinguished previous winners as Adrienne Rich, W. S. Merwin, and John Ashbery. Corral is the first Latino poet to win the competition.Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page. Although Corral's topics are decidedly sobering, contest judge Carl Phillips observes, "one of the more surprising possibilities offered in these poems is joy."From "Self-Portrait with Tumbling and Lasso"I'm a cowboy        riding barebackMy soul is        whirlingabove my head like a lasso.        My right handa pistol. My left        automatic. I'm knockingon every door.        I'm coming on strong . . .