. . . A powerful and affecting novel."--The New York TimesA tragic accident sets in motion a cycle of violence and retribution in John Burnham Schwartz's riveting novel Reservation Road. Two haunted men and their families are engulfed by the emotions surrounding an unexpected and horrendous death. Ethan, a respected professor of literature at a small New England college, is wracked by an obsession with revenge that threatens to tear his family apart. Dwight, a man at once fleeing his crime and hoping to get caught, wrestles with overwhelming guilt and his sense of obligation to his son. As these two men's lives unravel, Reservation Road moves to its startling conclusion. This is an astonishing tale of love and loss, rage and redemption, that is as suspenseful as it is emotionally compelling. "Thrums with suspense and moral ambiguity. . . . This is one of those rare--very rare--novels that you don't so much read as inhabit and that makes everyday life seem altogether mysterious." --Entertainment Weekly"A triumph . . . character-driven as it is, it reads like a thriller, swift and complete."--The New York Times Book Review

    Raised by remarkable parents, he has grown up happy and grounded, uninterested in his "other parents" or in why they might have had to give him up.Having lost her father at fifteen, and still suffering a terrible relationship with "mother", Eva has more issues than she cares to admit, and it falls to an unexpected visit by two policemen to uncover a secret she has kept from her husband since the first day they met.With the past at last explained, and the worst of it now apparently behind them, today has been a day of good news, which Eva is looking forward to sharing with the friends who have invited them to dinner. But their hosts seem to have very different plans for the evening, and the air is thick with tension as gradually the reason for their invitation begins to come out...Its satirical humor sometimes black and irreverent, POLK, HARPER & WHO is a contemporary tale of complex family relationships, of friendships being put to the test, and of imperfect London love within imperfect London lives.

    He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA Film School, and the script was purchased by Paramount. The film, directed by Hal Ashby, was released in 1971 and it bombed. But soon this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. This novelization was written by Higgins and published shortly after the film’s release but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.

    The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    It is truly extraordinary work of fiction, taking readers into a small English seaside town, and into the minds and hearts of its remarkable inhabitants -- a man named Ronny, weed killer by trade, who has some strange things in common with a man he finds dangling from a bridge; Nathan, the son of a pedophile, who toils in the Underground's Lost Property department, endlessly logging missing items; Sara, purveyor of her family boar farm, and Lily, her teenage daughter, tragically born with unformed organs and blood that refuses to clot. Starkly original and at turns hilarious, sad, and hopeful, Wide Open brilliantly displays Nicola Barker's delightfully singular literary talent.

    So when Sierra inherits Chance, a quirky old gelding she doesn't have a clue what to do with, she thinks her best bet may be to sell the horse to cover another month's rent-a decision that devastates her children.Enter Ross Morgan, a handsome landscaper who just happens to have an empty barn and fenced pasture, perfect for an old horse to live out his days as the pet of three wounded kids. Ross develops a soft spot for eldest child Braden and he just might have one for Braden's mother. But what he doesn't have is time for distractions-he's got a landscaping business to run and nursery plants to tend.But Sierra has a secret. She's terrified of horses and—thanks to her past—wary of attractive men. Yet seeing the way her angry son idolizes Ross and adores that old horse forces Sierra to confront her fears. Will she remain distrustful and self-reliant, or will she seek help from God and those who love her?

    In those few, short seconds, a black hole opened up in my life and I fell right in." Tina McGuff’s life was perfect – or so she thought. Living in Dundee with her devoted parents and three younger sisters, she was a happy, healthy, and confident 13-year-old. But all that changed in one horrifying act of revenge, and Tina’s world collapsed overnight. Terrified, lost, and confused, she turned to the one thing she thought she could control—food. And so began the biggest fight of her life. Tina’s life-or-death struggle with anorexia is told with devastating honesty in this extraordinary account of a girl at war with herself. Through her years in and out of psychiatric wards, Tina takes us to some of the darkest places of the mind. But in the end her courage, conviction, and sheer determination win out. It took Tina seconds to snap and a lifetime to recover—but today, as a passionate campaigner for mental health, she is living proof that there is always a reason to hope that one day, things will get better.

    Missions are pillaged, native peasants are abused, and innocent men and women are persecuted by the corrupt governor and his army.But a champion of freedom rides the highways. His identity hidden behind a mask, the laughing outlaw Zorro defies the tyrant's might. A deadly marksman and a demon swordsman, his flashing blade leaves behind . . .First published in 1919, The Mark of Zorro has inspired countless films and television adventures. Now read how the legend began.

    Gina Shaw is a servant in his uncle’s house. Clearly out of place in the position in which she has been discovered, she becomes a source of fascination . . . and curiosity. A girl with a blighted past and a fortune she deems a curse, Gina has lowered herself in order to find escape from her family and their scheming designs. But when she is found, the stakes suddenly become dire. All Gina wants is the freedom to live her life as she would wish. All her aunts want is the money that comes with her. But there is more than one way to trap an insect. An arranged marriage might turn out profitable for more parties than one. Mr. Hamilton is about to make the acquisition of a lifetime. But will the price be worth it? Can a woman captured and acquired learn to love the man who has bought her?

    But no wagging tongue prepared her for the gorgeous male -- lean, tanned, gleaming with sweat -- shingling his roof.John Smith had a personality to match his appealing looks, and a slow smile that set Pepper's pulses simmering. Though wary of men, she couldn't resist when his warm friendliness deepened with sensuous intent for he aroused so much in her.

    A free collection of excerpts from Spencer Quinn’s irresistible and bestselling Chet and Bernie Mystery Series.

    IT WAS NEVER MEANT TO DIE HERE. Christopher Nolan takes on the infinite canvas of space to deliver a cutting-edge, emotionally charged adventure that will amaze movie audiences of all ages. This is the living blueprint of Nolan's journey. Interstellar, Nolan's much anticipated sci-fi film, opens in November 2014 and stars, among others, Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Casey Affleck, William Devane, Topher Grace, John Lithgow.

    Nelson and Angela Armstrong are wealthy, successful, determined, and stubborn. The freshness of their love has gradually turned to the staleness of noncommunicating separateness. And Angela wants the separateness to be permanent. Nelson acquiesces, for he knows no way to recapture the glow which Angela seems so determined to snuff out entirely. But there is someone else who is concerned - one who died in 1848, yet his presence is uncannily real. And because of his own mistakes, he is determined to teach the Armstrongs what he learned about life, love, and survival.

     Reba runs away from her shabby and desolate rural community for the lure of New York City. Her tall and awkward frame lands her work modeling, but she is not prepared for the glamorous, drug-fueled life of a celebrated mannequin. After a series of painful relationships, she sees hope and an exit toward stability and sanity in the man who saves her brother's life. This man is Rick, a successful SoHo general practitioner with a warm family and an idyllic life that has left him restless and hollow. He doesn't take Reba seriously until he finds himself so enmeshed in her beauty that he risks losing everything--his home, his children and his beloved wife. Now this master monologist and author of the acclaimed Mall returns with a sprawling novel of urban desperation and desire that brings to mind the winding narratives of Tom Wolfe salted with the dark urges of Philip Roth. The New York Times hailed Eric Bogosian's fiction as "caustic, fast-paced....Adapting himself to fiction with...the same garrulous intensity he brings to plays and monologues, Mr. Bogosian sets in motion a suburban nightmare." And Entertainment Weekly has lauded his "merciless satirical vision (that) takes you deep into the dark heart of the American dream." Wasted Beauty is Bogosian's enthralling journey through the high life of drugs and fashion celebrity, middle-class guilt and sexual obsession. Copyright © 2005 by Simon & Schuster

    As she begins to question their relationship and herself, Celeste is haunted by painful memories: of her past in well-heeled, blue-blooded Connecticut; of the friends and family who seem to have disappeared from her life; and of Nathan, for whom Celeste still carries a lingering passion. At last coming to terms with the lies and illusions that have propelled her forward for years, Celeste must take responsibility for the choices she has made. She decides to be true to herself -- and so challenges her fiancé, her family, and the very society in which she's steeped.