Lillian Faderman persuasively argues that their lesbianism may in fact have facilitated their accomplishments. A book of impeccable research and compelling readability, TO BELIEVE IN WOMEN will be a source of enlightenment for all, and for many a singular source of pride.

    This spirit-nourishing collection of 366 authentic goddess prayers, invocations, chants, and songs was culled from dozens of diverse eras and cultures. Each ancient prayer rings out in clear language that maintains the sacred spirit of the originals.-A different traditional prayer, invocation, or chant to the goddess for each day of the year -Each is illuminated by readings about the ancient quote that offer rich material for reflection, inspiration, and bliss -Multiple indices allow you to find information by goddess name, subject, or cultural origin -Explore the goddess as envisioned by 68 different cultures throughout the ages--including the Americas, classical Greece and Rome, Asia, ancient Sumeria and Babylonia, Europe, the Middle East, and Africa -Find prayers that encompass nearly 130 aspects of the goddess, from Aida Weydo and Amaterasu to White Buffalo Calf Woman and Zemyna -Use the perpetual calendar to meditate upon one goddess prayer each dayThe Goddess Companion does far more than simply give you meditations and prayers. The readings associated with each will give you incredible insights into a wide variety of cultures and, just as importantly, into your very nature. Written by one of the leaders of the contemporary goddess movement, The Goddess Companion will help you on your spiritual path to self-understanding.

    it will certainly be read seriously in Chicano/a studies." --Women's Review of BooksEmma Perez discusses the historical methodology which has created Chicano history and argues that the historical narrative has often omitted gender. She poses a theory which rejects the colonizer's methodological assumptions and examines new tools for uncovering the hidden voices of Chicanas who have been relegated to silence.

    Anthony were two heroic women who vastly bettered the lives of a majority of American citizens. For more than fifty years they led the public battle to secure for women the most basic civil rights and helped establish a movement that would revolutionize American society. Yet despite the importance of their work and they impact they made on our history, a century and a half later, they have been almost forgotten.Stanton and Anthony were close friends, partners, and allies, but judging from their backgrounds they would seem an unlikely pair. Stanton was born into the prominent Livingston clan in New York, grew up wealthy, educated, and sociable, married and had a large family of her own. Anthony, raised in a devout Quaker environment, worked to support herself her whole life, elected to remain single, and devoted herself to progressive causes, initially Temperance, then Abolition. They were nearly total opposites in their personalities and attributes, yet complemented each other's strengths perfectly. Stanton was a gifted writer and radical thinker, full of fervor and radical ideas but pinned down by her reponsibilities as wife and mother, while Anthony, a tireless and single-minded tactician, was eager for action, undaunted by the terrible difficulties she faced. As Stanton put it, "I forged the thunderbolts, she fired them." The relationship between these two extraordinary women and its effect on the development of the suffrage movement are richly depicted by Ward and Burns, and in the accompanying essays by Ellen Carol Dubois, Ann D. Gordon, and Martha Saxton. We also see Stanton and Anthony's interactions with major figures of the time, from Frederick Douglass and John Brown to Lucretia Mott and Victoria Woodhull. Enhanced by a wonderful array of black-and-white and color illustrations, Not For Ourselves Alone is a vivid and inspiring portrait of two of the most fascinating, and important, characters in American history.

    opens old family wounds and ultimately exposes a widespread murder conspiracy and shameful episode in American history.

    Concerned by what she finds--young women who flatly refuse to identify themselves as feminists and working-class and minority women who feel the movement hasn't addressed the issues that dominate their daily lives--she outlines a new vision of feminism that calls for workplaces focused on the needs of families and, in divorce cases, recognition of the value of family work and its impact on women's earning power. Williams shows that workplaces are designed around men's bodies and life patterns in ways that discriminate against women, and that the work/family system that results is terrible for men, worse for women, and worst of all for children. She proposes a set of practical policies and legal initiatives to reorganize the two realms of work in employment and households--so that men and women can lead healthier and more productive personal and work lives. Williams introduces a new 'reconstructive' feminism that places class, race, and gender conflicts among women at center stage. Her solution is an inclusive, family-friendly feminism that supports both mothers and fathers as caregivers and as workers.

    Think of this book as a signpost on your spiritual travels, designed to help you nurture your own connection to the goddess and share in her boundless wisdom. Call her into your life with beautiful and ancient invocations. Create your own rituals to honor the lessons she has to teach. As you ponder life-changing questions and venture on brave new experiments, you fan the divine spark into flame--and, in that fire, you are transformed.The Goddess Path includes myths, symbols, feast days, ancient invocations, and suggestions for connecting with the following goddesses for these purposes and more:-Amaterasu for clarity -Aphrodite for passion -Artemis for protection -Athena for strength -Brigid for survival -The Cailleach for power -Demeter and Persephone for initiation -Gaia for abundance -Hathor for affection -Hera for dignity -Inanna for inner strength -Isis for restorative love -Kali for freedom -Kuan-Yin for mercy -The Maenads for ecstasy -The Muses for inspiration -Oshun for healing love -Paivatar for release -Pomona for joy -Asule and Saules Meita for family healthMonaghan, a faculty member at DePaul University, is a leader of the contemporary goddess movement. In The Goddess Path, she presents a means to work with the goddess, using ancient and modern techniques that will thrill and amaze you. For new levels of peace, joy, and increased closeness to the Divine, get The Goddess Path.

    Her groundbreaking work offers sound information on complementary therapies such as bio-identical hormones, vitamin supplementation, herbs, diet, and exercise and helps you make informed choices about your health.Learn how to:Treat a whole range of female health issues, from contraception to menopause, heart conditions to infectionsSafely integrate alternative therapies with traditional medicineDetermine when you should seek a practitioner's helpAnd much moreCompassionate and authoritative, Women's Encyclopedia of Natural Medicine demonstrates that an informed, integrative approach to staying well is often the best medicine."This is a book that should be in every woman's health library and every alternative practitioner's library. It is a resource for the new breed of conventional practitioners who are open to a more integrative health-care system." --Christiane Northrup, M.D., author of Women's Bodies, Women's Wisdom

    Yet during medieval and Renaissance times, European writers portrayed Muslim women in exactly the opposite way, as forceful queens of wanton and intimidating sexuality. In this illuminating study, Mohja Kahf traces the process through which the "termagant" became an "odalisque" in Western representations of Muslim women. Drawing examples from medieval chanson de geste and romance, Renaissance drama, Enlightenment prose, and Romantic poetry, she links the changing images of Muslim women to changes in European relations with the Islamic world, as well as to changing gender dynamics within Western societies.

    "The Living Goddess" also offers a vision of what our own Goddess heritage in the West must have been, revealing how much we lost when humans turned away from the Divine Female.

    Now Dr. Bonnie J. Morris takes readers on an breathtaking insider's journey through 25 years of this cultural phenomenon. From Michigan to Mississippi, Eden Built by Eves is a splendidly full archive of festival herstory: conflicts, scandals, new music, rain, sun work, family, joy. What does festival culture mean to the audiences, artists, and activists who loyally return each year? A vibrant and soaring tribute to the work of thousands of women, this volume brims with candid backstage interview with festival performers and produces, moving testimony, and often hilarious anecdotes from "festiegoers." A plethora of photographs, articles, comic strips, illustrations, and excerpts from festival literature provide a thorough explanation of the music, relationships, and issues that have shaped an entire generation of lesbian memories in America. With affection, intensive research, and the experience of a lifetime attending festivals, Morris has created a stunning and important contribution to both musical and women's history.

    Celebrates the lives of black women who have influenced and changed the course of history in America, including Harriet Tubman, Oprah Winfrey, Rosa Parks, Ella Fitzgerald, and Alice Walker.

    Her major books--The House of the Spirits, Of Love and Shadows, Eva Luna, The Stories of Eva Luna, The Infinite Plan, and Paula--have been translated into nearly thirty languages and have sold more than 10 million copies worldwide. The first two novels have been made into successful Hollywood films. A marvelous ability for storytelling, particularly the hidden stories of women's lives, is the secret of Allende's success. In this collection of thirty-four interviews spanning the 1980s and 1990s, she tells her own story in her own words, from her early years as a Chilean TV personality and niece of the late Chilean president Salvador Allende through the major transformations of her adult life, first as a political refugee in Venezuela, then as a United States visitor, permanent California resident, newly remarried wife, and renowned world writer. The interviews spotlight issues in Allende's life, art, and working habits that have consistently fascinated her readers and critics. Five of the interviews have not been published before, and several that originally appeared in Spanish, German, and Dutch are here translated into English for the first time. As a collection, the interviews constitute a sharply focused, intimate short autobiography of Isabel Allende--the first to appear in any language. Family photographs selected by Allende (including some never before published) complement the text.

    Their courageous responses to tragedies brought on by European contact make up the heart of the book. The narrative begins with Molly Mathilde (1665-1717), a mother, a peacemaker, and the daughter of a famous chief. Born in the mid-1600s, when Wabanakis first experienced the full effects of colonial warfare, disease, and displacement, she provided a vital link for her people through her marriage to the French baron of St. Castin. The sage continues with the shrewd and legendary healer Molly Ockett (1740-1816) and the reputed witchwoman Molly Molasses (1775-1867). The final chapter belongs to Molly Dellis Nelson (1903-1977) (known as Spotted Elk), a celebrated performer on European stages who lived to see the dawn of Wabanaki cultural renewal in the modern era.

    The book introduces a wonderfully diverse group of women and a series of voices that have rarely been heard in history, from Deborah Brackley, a poor Devon servant, to Katharine Whitstone, Oliver Cromwells sister, and Queen Anne. Drawing on unpublished, archival materials, Womens Worlds explores the everyday lives of ordinary early modern women, including their: * experiences of work, sex, marriage and motherhood* beliefs and spirituality* political activities* relationships* mental worldsIn a time when few women could write, this book reveals the multitude of ways in which their voices and experiences leave traces in the written record, and deepens and challenges our understanding of womens lives in the past.

    But she discovered that this was the best thing that ever happened to her. In her book, "In Praise of the Crone, "she reveals her discoveries for making this the best time in her life. You can make this an exhilarating, fun transition, too. For too long, society has been saying that age is not good and that older people have no energy or verve. Youth has it's importance, but so does maturity. Here you will learn the truth: that personal value, self-worth, and true beauty all increase with age. Remember when you were very young and wished to be older? This book confirms what you've always suspected: that maturity is the beginning of life's liberties and freedom. You'll discover that youth is only a dress rehearsal for the fun, happiness, and satisfaction that come with the menopausal transition. As we have wandered farther from Pagan and natural roots, menopause has caused problems for many women. "In Praise of the Crone "shows you how to use spells, formulas, rituals, recipes, and meditations in order to use this stage of life to increase your levels of joy and pleasure. You'll learn home remedies to avoid the need for hormone replacement therapy or prescription drugs. This book is a sassy guide to Cronehood. It gives practical techniques and herbs you can use to prevent some of the nuisances normally associated with menopause. It even shows you how you can actually use the energy of this transition ("hot flash energy") to empower your magic! This book is fun, lively, and entertaining. If you are approaching menopause, experiencing it, or past it, get a copy today. Winner of the 2000 Coalition of Visionary Resources (COVR) Award for best Biographical/Personal Book

    Buddhist Women Across Cultures documents both women's struggle for religious equality in Asian Buddhist cultures as well as the process of creating Buddhist feminist identity across national and ethnic boundaries as Buddhism gains attention in the West. The book contributes significantly to an understanding of women and religion in both Western and non-Western cultures.[Contributors include Paula Arai, Cait Collins, Lorna Devaraja, Beata Grant, Rita Gross, Theja Gunawardhana, Elizabeth Harris, Anne Klein, Sarah Pinto, Dharmacharini Sanghadevi, Sara Shneiderman, Haeju Sunim (Ho-Ryeaon Jeon), Senarat Wijayasundara, and Janice D. Willis.]

    A child prodigy and the daughter of famed socialist activist Grace Vern Silver, founder of the Industrial Workers of the World (IWW), Queen Silver was the subject of Cecil B. De Mille's film The Godless Girl. She matured to become an international feminist, atheist, and socialist, living a remarkable and inspiring life, of which few feminists today are aware.Queen Silver: The Godless Girl is a fiery and profound biography of one of America's most amazing feminist thinkers, a woman who remained an active advocate of intellectual independence to the moment of her death in 1998 at the age of 86. Prolific feminist writer Wendy McElroy sympathetically chronicles the life of Queen Silver from personal interviews with her friends, published reports, letters, and a vast library of the family's personal papers. What emerges is a life like none other. A well-known thinker by the time she was 11-years-old, giving speeches titled "Pioneers of Freethought," "The Rights of Children," and "Science and the Workers," Queen challenged three-time presidential candidate William Jennings Bryan to a debate on evolution (he declined); organized an atheist group at her high school; and left home at 15 to marry a doctor three-times her age, which later became the source of a highly publicized divorce.As a teenager, Queen once served as a defense lawyer for her mother and won. She founded the scholarly and well-reviewed Queen Silver Magazine, and overcame personal tragedy and political persecution during World War I's red scare. Queen worked as an extra in movies directed by D.W. Griffith, attended violent and controversial meetings of the IWW, and went into hiding at the advent of McCarthyism. In her later years, Queen received many freethought awards, remained active in the American Civil Liberties Union, and campaigned hard for public libraries.McElroy tells a complete story by profiling Queen's mother, lecturer and feminist writer Grace Vern Silver, whose struggles for justice in the IWW found her running for Congress, and whose personal education motivated her to inspire the genius in her daughter.

    Ten years of research and the discovery of long-forgotten letters and photos enabled Patricia Albers to bring new recognition to this talented, intelligent, and independent photographer whose life embodied the cultural and political values of many artists of the post-World War I generation.

    This book is not only her biography; it is a colorful and intriguing picture of Tibet at the beginning of the Buddhist era—a time of upheaval, when royal patronage was striving to foster the new teachings in the face of powerful opposition. It gives a kaleidoscopic picture of a vanished world, the heart of which is still alive today. It also presents an archetypal description of the teacher-disciple relationship, showing how Yeshe Tsogyal attained enlightenment in following the complete Buddhist path, including the Dzogchen teachings. Passages of profound teachings are offset by episodes of exploit and adventure, spiritual endeavor, court intrigue, and personal encounters. The dramatic story, full of beauty and song, is narrated largely in the first person and offers an intimate glimpse of Tsogyal's feelings, aspirations, hardships, and triumphs. Lady of the Lotus-Born is a terma, a Dharma treasure written and concealed for future generations by the accomplished masters Gyalwa Changchub and Namkhai Nyingpo, disciples of Padmasambhava and Yeshe Tsogyal.

    A respected poet, teacher, and performance artist, Majozo writes eloquently about both the deep roots in family and community that have sustained her, and the conflicts and challenges that have confronted her, as they have many creative and self-aware African American women over the last half-century.This memoir traces the paths Majozo has taken from the "Little Africa" section of segregated Louisville, through a difficult marriage and a Ph.D. at the University of Iowa, to New York, where Majozo has become a member of the hardy cultural community of Harlem. It is a testament to the importance of a life lived in pursuit of cultural heritage, spiritual growth, and personal integrity.

    Much is owed to Bethune, and readers gain an appreciation of that debt." --ChoiceThis volume explores the multi-faceted career of Mary McLeod Bethune (1875-1955) in her roles as stateswoman, politician, educational leader, and social visionary. It offers a unique combination of original documentary sources and analysis of Bethune's life and work. The more than 70 documents, spanning 53 years of Bethune's public life, include letters, memoranda, position papers, newspaper columns, interviews, and speeches. Essays by the editors relate these documents to the phases of Bethune's career.

    It was only when she found herself moving into an old rock house without plumbing or electricity in the new Big Bend National Park that Etta realized, "From the sheltered life of a city girl of moderate circumstances, I too would have to face the reality of frontier living."In this book based on her journals and letters, Etta Koch and her daughter June Cooper Price chronicle their family's first years (1944-1946) in the Big Bend. Etta describes how her photographer husband Peter Koch became captivated by the region as a place for natural history filmmaking-and how she and their three young daughters slowly adapted to a pioneer lifestyle during his months' long absences on the photo-lecture circuit. In vivid, often humorous anecdotes, she describes making the rock house into a home, getting to know the Park Service personnel and other neighbors, coping with the local wildlife, and, most of all, learning to love the rugged landscape and the hardy individuals who call it home.

    A collection of the ancient myths and legends associated with "She" - divine mother, timeless lover - the goddess who comes in many guises and from cultures all over the world.

    In a similar format to her earlier book, Goddess Embroideries of Eastern Europe,the author recounts Bulgarian women's folk rituals and links them to goddess motifs on their textiles. She displays nineteenth century Carpathian motifs and documents their survival today in mountain villages. Traveling south, she visits the Greek islands and mainland, studying survivals of pagan culture and the folk motifs on ritual cloths and clothing. Techniques, colors, designs, origins and rituals as well as interviews with the folk artists who created goddess textiles; this volume weaves all these elements into the story of women's age-old textile traditions in the Greek and Balkan world.

    For danger and adventure, read these 15 gritty accounts by Tucson author Leo W. Banks.

    Wells. Seriously considered as a rival to W.E.B. Du Bois and Booker T. Washington for race leadership, Wells' career began amidst controversy when she sued a Tennessee railroad company for ousting her from a first class car, a legal battle which launched her lifelong commitment to journalism and activism. In the 1890s, Wells focused her eloquence on the horrors of lynching, exposing it as a widespread form of racial terrorism. Backing strong words with strong actions, she lectured in the States and abroad, arranged legal representation for black prisoners, hired investigators, founded anti-lynching leagues, sought recourse from Congress, and more. Wells was an equally forceful advocate for women's rights, but parted ways with feminist allies who would subordinate racial justice to their cause. Using diary entries, letters, and published writings, McMurry illuminates Wells's fiery personality, and the uncompromising approach that sometimes lost her friendships even as it won great victories. To Keep the Waters Troubled is an unforgettable account of a remarkable woman and the and the times she helped to change.

    Priestesses are the acknowledged religious leaders within the home, clan, and village--and, until annexation by Japan approximately one hundred years ago, within the Ryukyuan Kingdom. This fieldwork-based study provides a gender-sensitive look at a remarkable religious tradition. Susan Sered spent a year living in Henza, an Okinawan fishing village, joining priestesses as they conducted rituals in the sacred groves located deep in the jungle-covered mountains surrounding the village. Her observations focus upon the meaning of being a priestess and the interplay between women's religious preeminence and other aspects of the society.Sered shows that the villages social ethos is characterized by easy-going interpersonal relations, an absence of firm rules and hierarchies, and a belief that the village and its inhabitants are naturally healthy. Particularly interesting is her discovery that gender is a minimal category here: villagers do not adapt any sort of ideology that proclaims that men and women are inherently different from one another. Villagers do explain that because farmland is scarce in Okinawa, men have been compelled to go to the dangerous ocean and to foreign countries to seek their livelihoods. Women, in contrast, have remained present in their healthy and pleasant village, working on their farms and engaging in constant rounds of intra- and interfamilial socializing. Priestesses, who do not exert power in the sense that religious leaders in many other societies do, can be seen as the epitome of presence. By praying and eating at myriad rituals, priestesses make immediate and tangible the benevolent presence of kami-sama (divinity).Through in-depth examination of this unique and little-studied society, Sered offers a glimpse of a religious paradigm radically different from the male-dominated religious ideologies found in many other cultures.

    Hooks National Book AwardWinnter of the Michael Nelson Prize of the International Association for Media and History In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Then she began to sing: "Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam!" Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. br>In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history. Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. Yet Feldstein finds nuance in their careers. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy, adding a layer of complication to the film. That same year, Diahann Carroll took on the starring role in the television series Julia. Was Julia a landmark for casting a black woman or for treating her race as unimportant? The answer is not clear-cut. Yet audiences gave broader meaning to what sometimes seemed to be apolitical performances. How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that "We Shall Overcome" was not the only soundtrack to the civil rights movement. By putting black women performances at center stage, Feldstein sheds light on the meanings of black womanhood in a revolutionary time.

    Equal in importance to Susan B. Anthony and Elizabeth Cady Stanton, she is all but unknown today. This Monograph sets the record straight.

    Cavani's film The Night Porter (1974) created a sensation in the United States and Europe. But in many ways her critically renowned endeavors--which also include Francesco di Assisi, Galileo, I cannibali, Beyond Good and Evil, The Berlin Affair, and several operas and documentaries--remain enigmatic to audiences. Here Marrone presents Cavani's work as a cinema of ideas, showing how it takes pleasure in the telling of a story and ultimately revolts against all binding ideological and commercial codes.The author explores the rich visual language in which Cavani expresses thought, and the cultural icons that constitute her style and images. This approach affords powerful insights into the intricate interlacing of narrated events. We also come to understand the importance assigned to the gaze in the genesis of desire and the acquisition of knowledge. The films come to life in this book as the classical tragedies Cavani intended, where rebels and madmen experience conflict between historical and spiritual reality, the present and the past. Offering intertextual analyses within such fields as psychology, history, and cultural studies, along with production information gleaned from Cavani's personal archives, Marrone boldly advances our understanding of an intriguing, important body of cinematic work.

    Jo Freeman brings to us the rich story of how American women entered into political life and party politics--well before suffrage and often completely separate from it. She shows that women's early political involvement was focused on the Republican party, very different from the situation today. And she builds up to the explosion of women's political activisim of the 1960s and 1970s, connecting past to future by tracing the roots of key political strategies still being debated in the early 21st century. Now for the first time in paperback, A Room at a Time is considered a landmark of original research into women's political history as well as party politics.