Drawing deeply and candidly on her own experiences, the author illuminates her thought-provoking positions on such issues as beauty and age, relationships and sex, children and careers, and the reassurance and reassertion of the feminine in a patriarchal society. Cutting across class, race, religion, and gender, A WOMAN'S WORTH speaks powerfully and persuasively to a generation in need of healing, and in search of harmony.

    Clarissa Pinkola Estes, this spoken-word masterpiece guides you through the dark labyrinths of the psyche in search of "la chispa" the ember that is the elemental source of all creative work. Dr. Estes teaches about the hidden aspects of creativity, including the negative complexes that prey upon creative energy. The Creative Fire includes many special insights for people who create for a living: artists, writers, teachers, and others who must depend on their creative instincts every day."

    Clarissa Pinkola Estes. Using an ancient tale deeply rooted in our collective psyches, Dr. Estes illuminates how people fall prey to destructive impulses while seeking to balance their inner lives. In our culture, she begins, we may travel life's path in one of two ways: in handmade shoes, crafted with love and care according to the unique needs of the individual soul; or in Red Shoes, which promise instant fulfillment, but ultimately lead to a painful, hollow, and split existence. Drawing from real-world examples such as the tragic death of Janis Joplin, Dr. Estes analyzes the deeply seated needs that lead to addiction. By listening to your instinctive forces, she says, you can free yourself of the exterior traps that torment and destroy the soul. This is the way to construct a life that is uniquely your own; a life made by hand. The Red Shoes is a treasury of ideas and counsel, threaded with magical storytelling, about the complete life each one of us deserves to lead.Additional contents: The Internal Predator; how instincts are injured; learning to say no; the exile; vulnerability and seduction; feral women; and more."

    A collection of six essays, translated from the French, in which Cixous explores how the problematics of the sexes - viewed as a paradigm for all difference, the organizing principle behind identity and meaning - manifest and write themselves in texts.

    The mythical embodiment of these fears is the Dark Goddess. Known around the world by many names--Lilith, Kali, Hecate, and Morgana--the archetypal Dark Goddess represents death, sexuality, and the unconscious--the little understood, often feared aspects of life.Demetra George combines psychological, mythical, and spiritual perspective on the shadowy, feminine symbolism of the dark moon to reclaim the darkness from oppressive, fear-based images. George offers rites for rebirth and transformation that teach us to tap into the power of our dark times, maximizing the potential for renewal inherent in our inevitable periods of loss, depression, and anger.

    They explain what happened to the goddess, when, and how she was excluded from western culture, and the implications of this loss.

    Now, this expanded edition provides similar insights on the Apocrypha, presenting a significant view of the lives and religious experiences of women as well as attitudes toward women in the Second Temple period. This expanded edition sets a new standard for women's and biblical studies.

    Starting on the streets of New York with simple fly-posters, she has gone on to disseminate her truisms, slogans, memorials and poems through a variety of media. They are enunciated by an unstable register of personae, be it ad-man, stand-up comedian, torturer, victim or evangelist. The sites for her work range from T-shirts and golf balls to dazzling electronic signboards at baseball stadiums.Her work uses language to investigate the nature of ideologies as conscious and unconscious formations about identity and experience. Her complex and poetic texts can be shocking, humorous and intriguing in content. At the same time she draws on Minimalism's use of industrial materials and deploys scale, movement and light to create art of great formal power and beauty.In the Survey, art critic and academic David Joselit surveys Holzer's changing oeuvre, from the first appearance of the streetwise Truisms in the late 1970 to her large-scale installations in museums worldwide. Joan Simon, curator of Holzer's first solo US museum exhibition, discusses with the artist her use of language and its relationship to visual form. In the Focus, Slovenian cultural theorist and philosopher Renata Salecl takes an in-depth look at Holzer's Lustmord series, which was precipitated by the events in the former Yugoslavia and boldly addresses the atrocities committed in war. For the Artist's Choice, the artist's fragmented, unexpected language is mirrored in Samuel Beckett's Ill Seen Ill Said, which the artist has chosen alongside extracts from Crowds and Power by Elias Canetti. A text by the artist on her literary influences accompanies a selection of her signature texts in the Artist's Writings section.

    Wade decision, here is the engrossing story of the case by the attorney who successfully argued it in the Supreme Court--now with a new chapter on the current situation. B/W photos.

    LDS Relief Society co-founder Sarah Kimball referred to herself as "a woman's rights woman, " while Bathsheba Smith was called on Relief Society mission in 1870 to preach equal rights for women.The society editorialized that females belonged not only "in the nursery" but also "in the library, the laboratory, the observatory." Sisters sent east to study medicine were assured that "when men see that women can exist without them, it will perhaps take a little of the conceit out of some of them." Temple officiators were called "priestesses, " Eliza R. Snow the "prophetess, " and women were discouraged from confessing to bishops on grounds that personal matters "should be referred to the Relief Society president and her counselors." Women were set apart as healers "with power to rebuke diseases."In addition, Mormon theology spoke reassuringly of a Mother God of the divinity of Mary, Mary Magdalene, and Eve. No wonder Relief Society president Emmeline B. Wells could write with confidence: "Let woman speak for herself; she has the right of freedom of speech. Women are too slow in moving forward, afraid of criticism, of being called unwomanly, of being thought masculine."

    The images depict women of power and men of love living a life in balance. Depicts the Medicine Woman Tarot deck. Highly recommended! says Tarot Network News.See also: Medicine Woman Tarot Deck

    In this enlightening book, Carol Tavris unmasks the widespread but invisible custom -- pervasive in the social sciences, medicine, law, and history -- of treating men as the normal standard, women as abnormal. Tavris expands our vision of normalcy by illuminating the similarities between women and men and showing that the real differences lie not in gender, but in power, resources, and life experiences. Winner of the American Association for Applied and Preventive Psychology's Distinguished Media Contribution Award

    In this stunning work of resarch, Ms. French creates a devastating portrait of today's male-dominated global society, with its underlying aim of destroying, subjugating, or mutilating women. Here is a devastating indictment of our values and an important step toward an urgent public discussion of human morality.

    Mother Wove the Morning. Sixteen women from history speak their lives, a paleolithic woman, a Gnostic woman, a medieval witch, a Shaker deaconess, and others. Their dramatic stories show that the human family has always longed for its Mother in Heaven, has often exiled her, and is now inviting her to come home.

    Each section features a song for the goddess of light, a litany for the associated elemental creature, poems inspired by tarot cards and love spells in the ancient poetic form of the charm. A four-part "Goddess Instruction Manual" is woven through the book and included is a 73-minute CD of 25 poems set to song.

    Organised by topic and cross–referenced throughout, this guidebook is designed to appeal to women of all ages. The new edition has been revised and updated for modern women.

    An annual cycle of celebrations is included, as is advice on how to set up an altar and use simple tools. The author, a practitioner of Wicca (witchcraft), expounds the life-affirming, eco-feminist values of that tradition. Suggestions for rituals and ideas for inventing one's own are given. Poetry and blessings blend in a title which supports celebration of the Goddess image in daily life. These rituals are personal, moving rites which celebrate love and peace, and which act as meditations for considering new rituals, old traditions, and the course of women's lives.

    This book includes 55 black and white illustrations, 2 maps and 12 questions for discussion.

    through her first sabbatical, this provocative collection also wrestles with larger issues of contemporary campus life including sexual harassment, faculty politics, male vs. female development, and classroom pedagogy.These moving essays show teaching to be a powerful, dangerous intersection of lives at critical moments, and contribute to the picture of academe not as an "ivory tower", but as a world of conflict and change.

    essays on women, Jews, violence, and resistance

    Lucy Stone was a Massachusetts newspaper editor, abolitionist, and charismatic orator for the women's rights movement in the last half of the nineteenth century. She was deeply involved in almost every reform issue of her time. Charles Sumner, Frederick Douglass, William Lloyd Garrison, Julia Ward Howe, Horace Greeley, and Louisa May Alcott counted themselves among her friends. Through her public speaking and her newspaper, the Woman's Journal, Stone became the most widely admired woman's rights spokeswoman of her era. In the nineteenth century, Lucy Stone was a household name. Kerr begins with Stone's early roots in a poor family in western Massachusetts. She eventually graduated from Oberlin College and then became a full-time public speaker for an anti-slavery society and for women's rights. Despite Stone's strident anti-marriage ideology, she eventually wed Henry Brown Blackwell, and had her first child at the age of thirty-nine. Although Kerr tells us about Stone's public accomplishments, she emphasizes Stone's personal struggle for autonomy. "Lucy Stone (Only)" was Stone's trademark signature following her marriage. Her refusal to surrender her birth name was one example of her determination to retain her individuality in an era where a woman's right to a separate identity ended with marriage. Of equal importance is Kerr's discussion of Stone's relationship with Susan B. Anthony and Elizabeth Cady Stanton, as well as her revisionist treatment of the schism which eventually divided Stone from Stanton and Anthony. Stone urged legislators not to ignore the need for women's suffrage as they rushed to enfranchise black males. Stanton and Anthony dwelt only on the need for women's suffrage, at the expense of black suffrage. Women's historians, the general reader, and historians of the family will appreciate the story of Stone's attempt to balance the conflicting demands of career and family.

    Not primarily a book about Palestinian-Israeli politics, the book is rather a collection of vital, resonant voices that reveal what it is like to be Palestinian and female. 31 photos; map.

    HPB, as she is often called, stands forth as a seminal talent of her era. A trailblazer and a visionary, she cofounded The Theosophical Society in New York City in 1875, and more than any other person was responsible for the introduction of Eastern religious and spiritual thinking into the Western world. Her prolific writings opened a new realm of ideas and have influenced poets, writers, philosophers, and scientists up to the present day. All of her books, including the highly influential The Secret Doctrine, although they were first published over a century ago, are still in print and in ever-increasing demand. Sylvia Cranston's book, the first large-scale biography ever of HPB, took fourteen years to research and write. It focuses on the teachings HPB transmitted as well as on her fascinating life, and it presents a record of her worldwide travels, especially in the Orient and in the Americas, and the important factors that shaped her life's work. Invaluable source material originally published in Russia has been translated into English especially for this work. Cranston consulted hundreds of HPB's letters, some newly discovered and others largely overlooked by previous biographers, thus providing a more complete and definitive portrait of this Russian noblewoman than has hitherto been available.

    You must have your mind, your never, and everything in harmony. Don’t look at your gun, simply follow the object with end of it, as if the tip of the barrel was the point of your finger.” –Annie OakleyAnnie Oakley is a legend? America’s greatest female sharpshooter, a woman who triumphed in the masculine world of road shows and firearms. Despite her great fame, the popular image of Annie Oakley is far from true. She was neither a swaggering western gal nor a sweet “little girl.” Annie Oakley was a competitive and resolute woman who wanted to be the best and succeeded. In this comprehensive biography Shirl Kasper sets the record straight, giving us an accurate, honest, and compelling portrait of the woman known as “Little Sure Shot.”Born Phoebe Ann Moses in Ohio in 1860. Annie took her first shot at age eight?“one of the best shots I ever made,” Annie later said. It was the start of her lifelong fascination with shooting. Early local acclaim led to a contest with Frank Butler, a professional sharpshooter. Annie won and Frank fell in love with her. Annie and Frank (who eventually gave up his own act to be Annie’s manager) were wed not long after and remained married for forty-two years, until their deaths in 1926 just day apart.Annie’s sharpshooting career began while on the road with Frank’s show, but she rose to fame in her seventeen years with Buffalo Bill’s Wild West. Her speed, agility, uncanny precision, and charm soon made Annie world famous. Shooting was her passion; apart from her career with the Wild West, Annie hunted, shot trap, entered many shooting contests, performed for World War I troops, and, in her retirement years, taught thousands of women how to shoot.Annie Oakley provides a vivid and unforgettable portrait of this American original: a prim and proper woman, conservative in her views, hand-working and frugal, whose greatest source of pride was to be accepted as “a lady.” Significant events are documented here for the first time: Annie’s decision to join the struggling Wild West show; her meeting with Sitting Bull; the nature of her feud with Lillian Smith, another Wild West markswoman; and the real reason that Annie’s hair suddenly turned white when she was only forty-one. Thoroughly researched, fully annotated, and entirely unsentimental, this volume is the most complete and record of Annie Oakley’s life and achievements.

    Included are the first woman mayor (1897), the first woman athlete to play men's regular basketball (1986), as well as more celebrated females such as Gracie Allen, Clara Barton, and Muriel Siebert.