The gentrification of urban areas has accelerated across the globe to become a central engine of urban development, and it is a topic that has attracted a great deal of interest in both academia and the popular press. Gentrification presents major theoretical ideas and concepts with case studies, and summaries of the ideas in the book as well as offering ideas for future research.

    Quarries are, of course, a crucial source for the buildings we construct, and as such, a negative correlative of what we add to the world--as well as a tangible (and neglected) evidence for our ongoing dependence on its resources. Somewhere a building is being created while a landscape is being destroyed, and, as Burtynsky writes, "quarries...are places that are outside of our normal experience, yet we partake of their output on a daily basis." His images of these plundered landscapes are simultaneously beautiful and disquieting.

    Capitol building, the White House and the Lincoln Memorial, are explored from an entirely new perspective in this book, with never-before-told stories and statistics about the role of blacks in their creation. This is an iconoclastic guide to Washington, D.C., in that it shines a light on the African Americans who have not traditionally been properly credited for actually building important landmarks in the city. New research by a top Washington journalist brings this information together in a powerful retelling of an important part of our country's history.In addition the book includes sections devoted to specific monuments such as the African American Civil War Memorial, the real "Uncle Tom's cabin," the Benjamin Banneker Overlook and Frederick Douglass Museum, the Hall of Fame for Caring Americans, and other existing statues, memorials and monuments. It also details the many other places being planned right now to house, for the first time, rich collections of black American history that have not previously been accessible to the public, such as the soon-to-open Smithsonian Institution National Museum of African American History and Culture, and the Martin Luther King, Jr., National Monument, as well as others opening over the next decade. This book will be a source of pride for African Americans who live in or come from the D.C., Maryland, and Virginia area as well as for the 18 million annual African American visitors to our nation's capital. Jesse J. Holland is a political journalist who lives in the Capitol Hill neighborhood of Washington, D.C. He is theCongressional legal affairs correspondent for the Associated Press, and his stories frequently appear in the "New York Times" and other major papers. In 2004, Holland became the first African American elected to Congressional Standing Committee of Correspondents, which represents the entire press corps before the Senate and the House of Representatives. A graduate of the University of Mississippi, he is a frequent lecturer at universities and media talk shows across the country.

    For the past five years, Greg Girard has been photographing the city’s buildings, shops, homes, and neighborhoods. This stunning photographic journey is a look at present-day Shanghai, where politically inspired neglect meets politically inspired development.Greg Girard is a Canadian photographer living in Shanghai since 1998. Largely self-taught, he combines anthropology with a lyrical realism in his work. He is represented in North America by Monte Clark Gallery in Toronto. His editorial work appears in publications such as TIME, Newsweek, Fortune, and The New York Times Magazine.William Gibson is an American-born Canadian science fiction author. He has been called the father of the cyberpunk subgenre of science fiction. He is credited with coining the term “cyberspace.” His first novel, Neuromancer, has sold more than 6.5 million copies worldwide since its publication in 1984. He is also responsible for Pattern Recognition and the screenplay for Johnny Mnemonic.

    The Faith of Graffiti, the first and most celebrated book about this controversial new art form, reproduced just over forty selections from the hundreds of photographs he took. Now more than one hundred thirty never-before-published pictures from that landmark body of work, together with a selection of key photographs from The Faith of Graffiti, are brought together in a book destined to become a classic in its own right. Presented full-frame, at high resolution, and with meticulous attention to the original color, this book brings to life the gritty, exciting Germany of the early 1970s and the raw visual power of early graffiti. These photographs recall a time when subway cars and tenement walls seemed to explode overnight into bursts of color and energy. Today these ephemeral works survive only in Naar's masterful photographs. Sacha Jenkins, an authority on graffiti's history, places these pictures within an emerging youth culture that now reaches into every corner of art, fashion, and entertainment.

    But in the late 1980s, activists rose up to tackle the social problems that had plagued the area for decades. Black on the Block tells the remarkable story of how these residents laid the groundwork for a revitalized and self-consciously black neighborhood that continues to flourish today. But theirs is not a tale of easy consensus and political unity, and here Pattillo teases out the divergent class interests that have come to define black communities like North Kenwood–Oakland. She explores the often heated battles between haves and have-nots, home owners and apartment dwellers, and newcomers and old-timers as they clash over the social implications of gentrification. Along the way, Pattillo highlights the conflicted but crucial role that middle-class blacks play in transforming such districts as they negotiate between established centers of white economic and political power and the needs of their less fortunate black neighbors. “A century from now, when today's sociologists and journalists are dust and their books are too, those who want to understand what the hell happened to Chicago will be finding the answer in this one.”—Chicago Reader “To see how diversity creates strange and sometimes awkward bedfellows . . . turn to Mary Pattillo's Black on the Block.”—Boston Globe

    MacLean helps planners, designers, public officials, and citizens better understand how residential density can help save energy, dollars, and the environment.

    Some advocate on behalf of the communities they study; others incorporate the knowledge and leadership of their informants directly into the process of knowledge production. What ethical, political, and practical tensions arise in the course of such work? In this wide-ranging and multidisciplinary volume, leading scholar-activists map the terrain on which political engagement and academic rigor meet.Contributors: Ruth Wilson Gilmore, Edmund T. Gordon, Davydd Greenwood, Joy James, Peter Nien-chu Kiang, George Lipsitz, Samuel Martínez, Jennifer Bickham Mendez, Dani Nabudere, Jessica Gordon Nembhard, Jemima Pierre, Laura Pulido, Shannon Speed, Shirley Suet-ling Tang, João Vargas

    Today, a number of emerging critical discourses connect geography, architecture, and environmental studies, among others to literature, film, and the mimetic arts. Bertrand Westphal's Geocriticism explores these diverse fields, examines various theories of space and place, and proposes a new critical practice suitable for understanding our spatial condition today. Drawing on a wide array of theoretical and literary resources from around the globe and from antiquity to the present, Westphal argues for a geocritical approach to literary and cultural studies. This volume is an indispensable touchstone for those interested in the interactions between literature and space.

    Scott examines projects, conceptual work, exhibitions, publications, pedagogical initiatives, and agitprop performances that had as their premise the belief that architecture could be ethically and politically relevant. Although most of these strategies were far from the mainstream of American architectural practice, Scott suggests that their ambition—the demonstration of architecture's ongoing potential for social and political engagement—was nonetheless remarkable.Scott examines both the marginal and the prominent: the Marxist architectural criticism of Meyer Schapiro; the curatorial work of Arthur Drexler at New York's Museum of Modern Art; Emilio Ambasz's introduction of ideas from environmental design, European critical theory, and Italian radicalism at MoMA; the counterculture's embrace of Buckminster Fuller's domes; psychedelic and intermedia environments; the video and architectural collective Ant Farm and the politics of ecology; the early experimental practices of Rem Koolhaas; and, connecting these earlier practices to the present day, the missed opportunities for political engagement in the competition sponsored by the Lower Manhattan Development Corporation for the World Trade Center site. At a time of increasing receptiveness to thinking politically about architecture and design, Architecture or Techno-Utopia offers a detailed account of the ways in which the work of architects and designers can speak to the contemporary condition.

    Train Time picks up where his acclaimed work Metropolitan Corridor left off, carrying Stilgoe's ideas about the spatial consequences of railways up to the present moment. With containers bringing the production of a global economy to our ports, the price of oil skyrocketing, and congestion and sprawl forcing many Americans to live far from work, trains offer an obvious alternative to a culture dependent on cars and long-haul trucking. Arguing that the train is returning, "an economic and cultural tsunami about to transform the United States," Stilgoe posits a future for railways as powerful shapers of American life.For anyone looking for prescient analysis and compelling history of the American landscape and economy in general and railroad and transit history in particular, Train Time is an engaging look at the future of our railroads and of transportation and land development. For those familiar with John Stilgoe's talent for seeing things that elude the rest of us, and delivering those observations in pithy asides about real estate, corporate culture, and other aspects of American life, this book will not disappoint.

    Urban ecologists have published several conference proceedings and regularly contribute to the ecological, architectural, planning, and geography literature. However, important papers in the field that set the foundation for the discipline and illustrate modern approaches from a variety of perspectives and regions of the world have not been collected in a single, accessible book. Foundations of Urban Ecology does this by reprinting important European and American publications, filling gaps in the published literature with a few, targeted original works, and translating key works originally published in German. This edited volume will provide students and professionals with a rich background in all facets of urban ecology.The editors emphasize the drivers, patterns, processes and effects of human settlement. The papers they synthesize provide readers with a broad understanding of the local and global aspects of settlement through traditional natural and social science lenses. This interdisciplinary vision gives the reader a comprehensive view of the urban ecosystem by introducing drivers, patterns, processes and effects of human settlements and the relationships between humans and other animals, plants, ecosystem processes, and abiotic conditions. The reader learns how human institutions, health, and preferences influence, and are influenced by, the others members of their shared urban ecosystem.

    At the Shield's center lay two walled cities, one at war and one at peace, surrounded by fields and pasturelands. Viewed as Homer's blueprint for an ideal, or utopian, social order, the Shield reveals that restraining and taming Nature would be fundamental to the Hellenic urban quest. It is this ideal that Classical Athens, with her utilitarian view of Nature, exemplified. In a city lacking pleasure gardens, it was particularly worthy of note when Epicurus created his garden oasis within the dense urban fabric. The disastrous results of extreme anthropocentrism would promote an essentially nostalgic desire to break down artificial barriers between humanity and Nature. This new ideal, vividly expressed through the domestication of Nature in villas and gardens and also through primitivist and Epicurean tendencies in Latin literature, informed the urban endeavors of Rome.

    Even if the initial chosen set of principles, policies and practices are good, static efficiency and governance would eventually lead to stagnation and decay. No amount of careful planning can assure a government of continual relevance and effectiveness if there is no capacity for learning, innovation and change in the face of ever new challenges in a volatile and unpredictable global environment.This book provides an in-depth look at dynamic governance, the key to success in a world of rapid, increasing globalization and unrelenting technological advancements. If bureaucratic public institutions can evolve and embed the culture and capabilities that enable continuous learning and change, their contributions to a country's socio-economic progress and prosperity would be enormous. The lessons from their efforts in institutionalizing culture, capabilities and change could provide meaningful and valuable insights for transforming organizations in other contexts.

    Saskia Sassen is Ralph Lewis Professor of Sociology at the University of Chicago and Professor of Sociology at the London School of Economics.

    P. Freund argues that previous attempts to answer this question have overlooked a change in the racial thinking of whites and the role of suburban politics in effecting this change. In Colored Property, he shows how federal intervention spurred a dramatic shift in the language and logic of residential exclusion—away from invocations of a mythical racial hierarchy and toward talk of markets, property, and citizenship. Freund begins his exploration by tracing the emergence of a powerful public-private alliance that facilitated postwar suburban growth across the nation with federal programs that significantly favored whites. Then, showing how this national story played out in metropolitan Detroit, he visits zoning board and city council meetings, details the efforts of neighborhood “property improvement” associations, and reconstructs battles over race and housing to demonstrate how whites learned to view discrimination not as an act of racism but as a legitimate response to the needs of the market. Illuminating government’s powerful yet still-hidden role in the segregation of U.S. cities, Colored Property presents a dramatic new vision of metropolitan growth, segregation, and white identity in modern America.

    He has also emerged as a fine artist, with solo and group shows around the world. His works depict city scenes or isolated elements that are almost cinematic in their stark contrast and abstraction. Hecox is fascinated with the complexity of the urban landscape, and with people from mundane surroundings that one would normally overlook. His stylistic approach is based on the process of amplification as it affects form and color, breaking down the image, removing elements and emphasizing others. His first monograph is an extensive catalog of his paintings, drawings, and installation photographs, dating back as early as 1994. The handmade quality of Hecox's work resonates in the 32 pages dedicated to his linoleum block prints, which are reproduced as if they were painted by the artist himself. Hardcover, color.

    The technologies of instant access have potential to transform dramatically our lives. This book contains chapters by leading international experts. They discuss issues surrounding the impact of instant access on cities, daily lives, transportation, privacy, social and economic networks, community and education.

    The book calls into question the capability of 'quick-fix' development solutions to provide the establishment of fixed communities and suggests a more time-conscious and evolutionary approach.This is the first significant book to draw together a pan-European view on sustainable urban design with a specific focus on social sustainability. It presents an innovative approach that focuses on the tools of urban analysis rather than the interventions themselves. With its practical approach and wide-ranging discussion, this book will appeal to all those involved in producing communities and spaces for sustainable living, from students to academics through to decision makers and professional leaders.