It also provides the best, most sustained exposure possible to the most wide-ranging, acute, and original literary intelligence of the post—World War II years. United States is an essential book in the canon of twentieth-century American literature and an endlessly fascinating work.

    It is also a tribute to the Athapaskan traditions and spiritual beliefs that enable him and his ancestors to survive. His story, simply told, is a testament to the durability of Alaska's wildlands and to the strength of the people who inhabit them.

     Dozens of Top 10 lists provide vital information on each destination, as well as insider tips, from uncovering a city's most memorable sights to finding the best restaurants and hotels in each neighborhood. And to save you time and money, there's even a Top 10 list of Things to Avoid. Each "Top 10" contains a pull-out map and guide that includes fold-out maps of city metro systems, useful phone numbers, and 60 great ideas on how to spend your day.

    The bestselling author of And the Band Played On follows with a book of even greater power and sweep as he investigates the situation of gays in the military over the past three decades, revealing for the first time that some of the most celebrated soldiers in American history were homosexual (including the Father of the United States Army).

    Instead of revising the Articles of Confederation, the framers had created a fundamentally new national plan that placed over the states a supreme government with broad powers. They proposed to submit it to conventions in each state, elected “by the People thereof,” for ratification.Immediately, a fierce storm of argument broke. Federalist supporters, Antifederalist opponents, and seekers of a middle ground strove to balance public order and personal liberty as they praised, condemned, challenged, and analyzed the new Constitution.Assembled here in chronological order are hundreds of newspaper articles, pamphlets, speeches, and private letters written or delivered in the aftermath of the Constitutional Convention. Along with familiar figures like Franklin, Madison, Patrick Henry, Jefferson, and Washington, scores of less famous citizens are represented, all speaking clearly and passionately about government. The most famous writings of the ratification struggle—the Federalist essays of Hamilton and Madison—are placed in their original context, alongside the arguments of able antagonists, such as “Brutus” and the “Federal Farmer.”Part One includes press polemics and private commentaries from September 1787 to January 1788. That autumn, powerful arguments were made against the new charter by Virginian George Mason and the still-unidentified “Federal Farmer,” while in New York newspapers, the Federalist essays initiated a brilliant defense. Dozens of speeches from the state ratifying conventions show how the “draft of a plan, nothing but a dead letter,” in Madison’s words, had “life and validity…breathed into it by the voice of the people.” Included are the conventions in Pennsylvania, where James Wilson confronted the democratic skepticism of those representing the western frontier, and in Massachusetts, where John Hancock and Samuel Adams forged a crucial compromise that saved the country from years of political convulsion.Informative notes, biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    In entirely new photographs taken especially for this book by two leading architectural photographers under the direction of co-editor David Larkin, such internationally famous buildings as the Solomon R. Guggenheim Museum and Fallingwater and Wright's homes Taliesin, Taliesin West, and the Oak Park Home and Studio are seen afresh, benefiting from the photographers' special access. Several lesser-known residences, such as Auldbrass Plantation in South Carolina, an array of wooden buildings that is Wright's American alternative to antebellum architecture, the William H. Winslow house in River Forest, Illinois, one of the architect's earliest and most surprisingly decorative houses, and the Kenneth Laurent house in Rockford, Illinois, a masterful curvilinear design, are seen in full color and demonstrate dimensions of Wright's work less often seen before. Public buildings, such as the dramatic concrete, glass, and steel Marin County Civic Center and Beth Sholom Synagogue show Wright as engineering virtuoso as well as creative architect. In addition to these existing masterworks, only the most famous of which are open to the public, the book covers buildings that have been demolished, notably the Larkin Company Administration Building, Midway Gardens, and the Imperial Hotel, which are represented here by drawings and rich archival photographs. Each of the buildings is presented from conceptual sketch, plan, or drawing to finished masterwork, andeach is accompanied by an in-depth essay detailing the development of the work. Extensive quotes from Wright's writings, unpublished talks, and private letters to the clients give valuable insight into the architect's own thinking about each commission. Never before has Wright's architecture been presented so elaborately in one volume.

    Burroughs has had a range of influence rivalled by few living writers. This meticulously assembled volume of his correspondence vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, they also show how in the period 1945-1959, letter-writing was itself integral to his life and to his fiction-making. These letters reveal the extraordinary route that took Burroughs from narrative to anti-narrative, from Junky to Naked Lunch and the discovery of cut-ups, a turbulent journey crossing two decades and three continents. The letters track the great shifts in Burroughs' crucial relationship with Allen Ginsberg, from lecturing wise man ("Watch your semantics young man") to total dependence ("Your absence causes me, at times, acute pain.") to near-estrangement ("I sometimes feel you have mixed me up with someone else doesn't live here anymore."). They show Burroughs' initial despair at the obscenity of his own letters, some of which became parts of Naked Lunch, and his gradual recognition of the work's true nature ("It's beginning to look like a modern Inferno.") They reveal the harrowing lows and ecstatic highs of his emotions, and lay bare the pain of coming to terms with a childhood trauma ("Such horror in bringing it out I was afraid my heart would stop."). It is a story as revealing of his fellow Beats as it is of Burroughs: he writes of Kerouac and Cassady in the midst of the journey immortalized as On the Road ("Neal is, of course, the very soul of this voyage into pure, abstract, meaningless motion."), and to Ginsberg as he was writing Howl ("I sympathize with your feelings of depression, beatness: 'We have seen the best of our time.'"). And throughout runs the unmistakable Burroughs voice, the u

    Included are dramatic confrontations from Virginia, where Patrick Henry pitted his legendary oratorical skills against the persuasive logic of Madison, and from New York, where Alexander Hamilton faced the brilliant Antifederalist Melancton Smith.In addition to useful notes, there are biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    It recounts the stories of Dhoruba Bin Wahad, Mumia Abu-Jamal and Assata Shakur, all of whom were arrested and jailed during the COINTELPRO probe of the Black Panther Party.Dhoruba Bin Wahad, who organized chapters of the Black Panther Party in New York and along the Estern Seaboard and worked with tenants in Harlem and on drug rehabilitation in the Bronx, was accused of murdering two officers while still in his teens and imprisoned for 19 years. He always maintained his innocence and won his freedom by forcing the FBI to release thousands of classified documents proving that he had been framed. The justice department eventually rescinded Bin Wahad's conviction and he was released in 1990, seven months after the documentary premiered.Mumia Abu-Jamal, a journalist who headed the Black Panther free breakfast program for inner-city school children in Philadelphia, was also accused of the murder of an officer and sent on death-row, where he still is today.Assata Shakur was a college educated social worker in her twenties when she was accused of shooting a cop, then arrested and tortured and denied medical treatment. Her interview was conducted in Cuba where she has been exiled since her escape from a New Jersey women's prison in 1975.Bin Wahad, Shakur and Abu-Jamal offer a little-known history and an incisive analysis of the Black Panthers' original goals, which the U.S. Government has tried to distort and suppress. As one confidential, 1969, memo to J. Edgar Hoover put it, "The Negro youth and moderates must be made to understand that if they succumb to revolutionary teaching, they will be dead revolutionaries."

    The class would visit 30 states and ten national parks. They would read 12 books by American writers. Driven by Brinkley's energetic prose, "The Majic Bus" is a spirited travelogue of their unique experience.

    The book no major publisher dared to print. Once you've read Final Judgment you'll never look at the JFK assassination the same way again.

    Covers everything from blackflies and gypsy moths to silverfish and ladybugs (the one insect for which "bug-hating" humans have an inordinate fondness). Line drawings.

    After the Turner thesis which celebrated the frontier as the source of American freedom and democracy, and the iconoclasm of the new western historians who dismissed the idea of the frontier as merely a mask for conquest and exploitation, David Hackett Fischer and James C. Kelly take a third approach to the subject. They share with Turner the idea of the westward movement as a creative process of high importance in American history, but they understand it in a different way.Where Turner studied the westward movement in terms of its destination, Fischer and Kelly approach it in terms of its origins. Virginia's long history enables them to provide a rich portrait of migration and expansion as a dynamic process that preserved strong cultural continuities. They suggest that the oxymoron "bound away"--from the folksong Shenandoah--captures a vital truth about American history. As people moved west, they built new societies from old materials, in a double-acting process that made America what is today.Based on an acclaimed exhibition at the Virginia Historical society, the book studies three stages of migration to, within, and from Virginia. Each stage has its own story to tell. All of them together offer an opportunity to study the westward movement through three centuries, as it has rarely been studied before.Fischer and Kelly believe that the westward movement was a broad cultural process, which is best understood not only through the writings of intellectual elites, but also through the physical artifacts and folkways of ordinary people. The wealth of anecdotes and illustrations in this volume offer a new way of looking at John Smith and William Byrd, George Washington and Thomas Jefferson, Daniel Boone, Dred Scott, and scores of lesser known gentry, yeomen, servants, and slaves who were all "bound away" to an old new world.

    No synopsis can do justice to the beauty of Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home--though never repudiating his love for same.One of the unheralded masterpieces of twentieth-century American fiction, Light While There Is Light is acclaimed poet Keith Waldrop's autobiographical novel about the myriad ghosts left behind by his family. Born to a deeply religious mother, the narrator and his siblings are led across the US as she searches for the "right" religious sect--a trip that ends with her speaking in tongues, and finally her total isolation. But no synopsis can do justice to the beauty of Keith Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home--though never repudiating his love for same. In a tradition that stretches back through Flannery O'Connor and William Faulkner to Hawthorne, Melville, and Poe, Keith Waldrop and Light While There Is Light are American treasures.

    Known to Foreign Service colleagues as "the Arabists," these were the men and women who had spent much of their lives, usually with their families, living in the Arab world as diplomats, military attaches, intelligence agents, and educators. Descended from the missionaries, scholars, and explorers who first ventured into the region - an offshoot of the WASP elite that ruled America during the nineteenth century - the Arabists were an exclusive caste linked by complex social, institutional, and family ties. Thoroughly at home in Arab cultures and often enjoying relations of longstanding intimacy with the monarchs and ruling elites of Arab countries, these American expatriates lived a charmed lifestyle that has become a source of intense nostalgia among the Arabists themselves as well as a symbol of their romance with Arab culture and increasing isolation from American society and interests. The Arabists dominated American policy and shaped our perception of the Arab world throughout the colonial and interwar periods. But after World War II, the diplomatic corps began to change, reflecting the country's new ethnic and social diversity. Kaplan describes the impact of this change within the State Department, showing how the advent of Irish Catholics, Jews, and Harvard-trained regional experts created internal pressures that slowly loosened the Arabists' grip on Middle East diplomacy in the postwar period. Drawing on interviews, memoirs, and other official and private sources, Kaplan reconstructs the hundred-year history of the Arabist elite, and traces their decline against the background of this social transformation.

    mission history pierces the romantic veil of most history writing and shows how four of the most noted Christian missionariesmen of the highest moral character, the best of intentions, and sincere commitment to the gospelconfused gospel values and European cultural values, often with lethal results.

    Women Who Kept the Lights details the careers of 30 intrepid women who were official keepers of light stations on the Atlantic, Gulf, and Pacific Coasts, on Lake Champlain and the Great Lakes, staying at their posts for periods ranging from a few years to half a century. Most of these women served in the 19th century, when the keeper lit a number of lamps in the tower at dusk, replenished their fuel or replaced them at midnight, and every morning polished the lamps and lanterns to keep their lights shining brightly.Several of these stalwart women were commended for their courage in remaining at their posts through severe storms and hurricanes. A few went to the rescue of seamen when ships capsized or were wrecked. Their varied stories are brought together here for the first time, drawing a multifaceted picture of a unique profession in our maritime history.

    In essays on literary images of lesbianism from Defoe and Diderot to Virginia Woolf and Djuna Barnes, on the homosexual reputation of Marie Antoinette, on the lesbian writings of Anne Lister, Sylvia Townsend Warner, and Janet Flanner, and on Henry James's The Bostonians, Castle shows how a lesbian presence can be identified in the literature, history, and culture of the past three centuries.

    It is a chronicle complete with little-known facts and turning points, but always focused on the remarkable people at the center of events, among them the America-loving Japanese ambassador to Washington on the eve of the attack on Pearl Harbor, the Russian builder of the Trans-Siberian Railway, and a Hawaiian queen during the first period of Western competition for the islands.Let the Sea Make a Noise . . . is a gripping account of the rise and fall of the empires in the last, vast, unexplored corner of the habitable earth -- an area occupying one-sixth of the globe. There is no other book that covers these same subjects in this wealth of detail and with such chronological scope.

    Best known for his direction of James Dean in Rebel Without a Cause (1955), he is also well regarded for his cult western Johnny Guitar (1954), and such prestigious noir classics as On Dangerous Ground (1951). I Was Interrupted offers a provocative selection of the filmmaker's writings, lectures, interviews, and more.

    It provides a framework for stripping away the external and personal pressures that bleed intellectual content out of classroom teaching so that teachers may, in fact, experience their vocation as sublime. Written in the novelistic first-person narrative, it is a seasoned teacher's story of his initiation from graduate student at the University of Chicago to ninth-grade teacher in a Catholic high school where he manned the battle lines in provincial, petty, sometime even violent world of American secondary school. It is also the story of how a certain Brother Blake, a 67-year-old practitioner of the pedagogy of the sublime, passed on his vision of classroom teaching as a sublime vocation. A major contribution to the field by the acclaimed author of The Ignorant Perfection of Ordinary People.

    It chronicles America’s transformation, beginning in 1880, into a nation of consumers, devoted to a cult of comfort, bodily well-being, and endless acquisition. 24 pages of photos.

    In this book, Carrie Young presents a portrait of prairie cooking.

    Written with the participation of many other Party members, this book provides firsthand accounts of Huey Newton's infamous shootout with the police, the murder of Fred Hampton, how Panther money was raised and spent, the sexual mores of the Party, and how illegal activities erupted and were controlled.

    Ronald Reagan. Not since Dean Acheson or Henry Kissinger has a former secretary of state written so articulately about the forging of foreign policy for America. When he joined the Reagan cabinet, Lebanon was at war, the arms race was escalating, terrorism was at fever pitch. Yet his determination. his use of strength in tandem with diplomacy, led to initiatives in the Middle East, transformative strategies for peace with the Soviets & increased influence in Asia, Central & S. America. There are behind-the-scenes talks with the Palestinians & Israelis, critical meetings with the Soviets, & frank discussions with the Japanese & Chinese. There's also a close-up look at the power struggle of the State Department with the staffs of the Nat'l Security Council, the White House & CIA, climaxing in the Iran-Contra affair. The events of Iran-Contra set out here are astounding. It's the first assembling of the facts from Shultz's vantage point & will provoke a reassessment of the period. He paints vivid portraits of the major players during his term in office. On the world scene: Mikhail Gorbachev, Margaret Thatcher, Helmut Kohl, Yasuhiro Nakasone, Deng Xiaoping, Yitzhak Shamir, Yitzhak Rabin, King Hussein & Hosni Mubarak--& on the domestic scene: Cap Weinberger, Bill Casey, George Bush, Don Regan, Ed Meese & Jim Baker. The most stunning portrayal is of Ronald Reagan. His assessment of Reagan is as revealing as it's startling. Turmoil & Triumph documents it all so it reads like high drama & living history. No other book by a member of the Reagan administration has this depth of purpose, this scope, this degree of revelation or makes contributions of such significance.

    A key figure in the New York art scene, he inventively explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter acclaimed for his unmistakable Neoexpressionist style. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of seven of these fascinating and rarely seen notebooks for the first time.The notebooks are filled with images and words that recur in Basquiat's paintings and other works. Iconic drawings and pictograms of crowns, teepees, and hatch-marked hearts share space with handwritten texts, including notes, observations, and poems that often touch on culture, race, class, and life in New York. Like his other work, the notebooks vividly demonstrate Basquiat's deep interests in comic, street, and pop art, hip-hop, politics, and the ephemera of urban life. They also provide an intimate look at the working process of one of the most creative forces in contemporary American art.

    

    Police commissioner "Bull" Connor loosed dogs and turned fire hoses on black demonstrators; four young girls at Sunday school were killed when a bomb exploded in a black church; and Martin Luther King, Jr., wrote his famous letter from the Birmingham jail, defending his activism to fellow ministers.Birmingham native Paul Hemphill, disillusioned with his hometown, had left home to pursue a journalistic career, so he witnessed these historic events with the rest of the world through newspaper and television reports. "That grim old steel town," he writes, "was the most blatantly segregated city of its size in the United States of America, and most of us regarded it with the same morbid fascination that causes us to slow down and gawk at a bloody wreck on the highway."Thirty years later, Hemphill returned to Birmingham to explore the depths of change that had taken place in the decades since the violence. In this powerful memoir, he interweaves his own autobiography with the history of the city and the stories of two very different Birmingham residents: a wealthy white matron and the pastor of the city's largest black church. As he struggles to come to terms with his own conflicting feelings toward his father's attitudes, Hemphill finds ironic justice in the integration of his childhood neighborhood and a visit with the black family who moved into his family's former home.

    Supreme Court, achieves just that: the violent years of the black migration out of the postbellum South; the frightening rise of the Ku Klux Klan; the Great Depression; two world wars; and the African-American revolution that took place in our courtrooms and in our streets -- are magnificently portrayed within the context of Justice Marshall's unrelenting mission to fulfill the promise of equal justice for every American.

    Decades later, the excavation still stands as one of the best-documented major excavations of the Cahokia area. This volume, meticulously researched and written, is the book Holder never completed. Pauketat also includes the massive research and theoretical developments that have emerged since 1957.